Street of Shame

Prostitutes in burnt out Tokyo ghetto of post-WWII Japan peddle their flesh and save one-third of their money for a proposed dancehall to be named Paradise. The hookers live in a bombed-out building, but they accept the precarious situation with typical resolve.

In the shady black markets and bombed-out hovels of post–World War II Tokyo, a tough band of prostitutes eke out a dog-eat-dog existence, maintaining tenuous friendships and a semblance of order in a world of chaos. But when a renegade ex-soldier stumbles into their midst, lusts and loyalties clash, with tragic results. With Gate of Flesh, visionary director Seijun Suzuki delivers a whirlwind of social critique and pulp drama, shot through with brilliant colors and raw emotions.

A submissive hooker goes about her trade, suffering abuse at the hands of Japanese salarymen and Yakuza types. She's unhappy about her work, and is apparently trying to find some sort of appeasement for the fact that her lover has married.

Kiyoha rises from the lowly courtesan ranks to the high class position of Oiran in the steamy red-light district of Yoshiwara. She is determined to stand on her own two feet and live life as she pleased.

During the Edo Period, a noblewoman's banishment for her love affair with a lowly page signals the beginning of her inexorable fall.

A woman, Tome, is born to a lower class family in Japan in 1918. The title refers to an insect, repeating its mistakes, as in an infinite circle. Imamura, with this metaphor, introduces the life of Tome, who keeps trying to change her poor life.

In the city of Yokosuka, Kinta and his lover Haruko, both involved with yakuza, brave the post-occupation period with a goal to be together.

A gallery of characters in Brooklyn in the 1950s are crushed by their surroundings and selves: a union strike leader discovers he is gay; a prostitute falls in love with one of her clients; a family cannot cope with the fact that their daughter is illegitimately pregnant.

Ryo Morinaka is a university student and works part-time at a bar. He is bored with his daily life and exists in a state of torpor. One day, his friend Shinya Tajima brings the owner of a host bar over to the place where Ryo Morinaka works. Shizuka Mido is the owner of the host bar. Soon, Ryo Morinaka begins to work for Shizuka Mido at the members only host bar. He feels embarrassment initially, but he fulfills the desires of women and develops a sense of purpose.

Mikami, an ex-yakuza of middle age with most of his life in prison, gets released after serving 13 years of sentence for murder. Hoping to find his long lost mother, from whom he was separated as a child, he applies for a TV show and meets a young TV director Tsunoda. Meanwhile, he struggles to get a proper job and fit into society. His impulsive, adamant nature and ingrained beliefs cause friction in his relationship with Tsunoda and those who want to help him.

Hanako is looking for stability with her man. She gets dumped instead. She begins dating. Miki studied and worked hard to get to where she is and is holding down a job. They are introduced through an intermediary man.

In 11th-century feudal Japan, following the exile of an idealistic governor, his wife and children are separated by slave traders; the children, Zushio and Anju, are sold into brutal servitude under the cruel bailiff Sansho.