
Acting
Machiko Kyō
Born 1924-03-25 · Osaka, Osaka Prefecture, Japan
Machiko Kyō (Japanese: 京 マチ子 Hepburn: Kyō Machiko, March 25, 1924 – May 12, 2019) was a Japanese actress whose film work occurred primarily during the 1950s. She rose to extraordinary domestic praise in Japan for her work in two of the greatest Japanese films of the 20th century, Akira Kurosawa's Rashōmon and Kenji Mizoguchi's Ugetsu. Machiko trained to be a dancer before entering films in 1949. The following year, she would achieve international fame as the female lead in Akira Kurosawa's classic film Rashōmon. Kyō starred in many more Japanese productions, including Kenji Mizoguchi's Ugetsu (1953) and Street of Shame (1956), Teinosuke Kinugasa's Gate of Hell (1953), Kon Ichikawa's Odd Obsession (1959), Yasujirō Ozu's Floating Weeds (1959), and Hiroshi Teshigahara's The Face of Another (1966). Her only role in a non-Japanese film was as Lotus Blossom, a young geisha, in The Teahouse of the August Moon, starring opposite Marlon Brando and Glenn Ford. In her eighties, Kyō continued to perform in traditional Japanese theatrical productions put on by famed producer Fukuko Ishii. Her final role was as Matsuura Shino in the NHK television drama series Haregi Koko Ichiban in 2000. Kyō was nominated for a Golden Globe for The Teahouse of the August Moon, a great feat for an Asian actress at the time, and was awarded many prizes, including a Lifetime Achievement Award from the Awards of the Japanese Academy. Description above from the Wikipedia article Machiko Kyō, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Acting credits
8.0Four people recount different versions of the story of a man's murder and the rape of his wife.
Rashomon
1950
7.8A businessman with a disfigured face obtains a lifelike mask from his new doctor, but the mask starts altering his personality and causing him to question his identity.
The Face of Another
1966
8.0In 16th century Japan, peasants Genjuro and Tobei sell their earthenware pots to a group of soldiers in a nearby village, in defiance of a local sage's warning against seeking to profit from warfare. Genjuro's pursuit of both riches and the mysterious Lady Wakasa, as well as Tobei's desire to become a samurai, run the risk of destroying both themselves and their wives, Miyagi and Ohama.
Ugetsu
1953
6.3Japan, 1701. A group of samurai become rônin after their lord is forced to commit seppuku for assaulting a court official, who will become the target of a merciless revenge.
The Loyal 47 Ronin
1958
7.5A theater troupe master's visit with his old flame unintentionally sets off a chain of unexpected events with devastating consequences.
Floating Weeds
1959
7.2In 39 interviews with actors and actresses, writers, producers and staff members, interspersed with film excerpts and stills, Shindō recounts the life and career of his friend and mentor Mizoguchi.
Kenji Mizoguchi: The Life of a Film Director
1975
10.0The film depicts how the work to build the Great Buddha overcame a number of obstacles as proponents and opponents clashed over the construction of the Buddha. This work is based on a play by Hideo Osada, which was performed by the Shin Kyodo Theater Company in 1940.
Dedication of the Great Buddha
1952
6.7In 8th-century China, the Emperor grieves the death of his wife. The Yang family wants to provide the Emperor with a consort so that they may consolidate their court influence. General An Lushan finds a distant relative working in their kitchen, whom they groom to present to the Emperor. The Emperor falls in love and she becomes the Princess Yang Kwei-fei. The Yangs are then appointed important ministers, though An Lushan is not given the court position he covets.
Princess Yang Kwei-fei
1955
7.0No synopsis available yet.
The Motherland Far Far Away
1950
7.7Follows five sex workers employed at a Japanese brothel while the nation debates the passage of an anti-prostitution law.
Street of Shame
1956
7.1Japan, 1159. Moritō, a brave samurai, performs a heroic act by rescuing the lovely Kesa during a violent uprising. Moritō falls in love with her, but becomes distraught when he finds out that she is married.
Gate of Hell
1953
7.0Documentary on film maker Akira Kurosawa
Kurosawa
2000
7.1The cunning detective Akeichi must foil a kidnapping plot orchestrated by the notorious jewel thief known as Black Lizard.
Black Lizard
1962
6.2In post-WWII Japan, an American captain is brought in to help build a school, but the locals want a teahouse instead.
The Teahouse of the August Moon
1957
NRNo synopsis available yet.
Asakusa no hada
1950
6.4The first story concerns an attractive young woman who works in a Tokyo nightclub. Her plan for a solid financial future has a double whammy. In the second story, a beautiful young woman is employed by an unscrupulous real estate agent to convince male clients to invest in worthless property. The last story is about a widowed geisha who has no real financial worries and who falls in love with a forger.
A Woman's Testament
1960
7.7Kikuji is the scion of an Osaka merchant family whose traditional power is matrilineal. Instructed by his overbearing mother and grandmother to give them an heiress for the family business, he stands by helplessly as his wife is thrown out of the house for producing a son. Driven to a life of dissipation - his mistresses also fail to produce daughters - in the end he is just too tired to care.
Bonchi
1960
NRReleased on the same date as Shochiku's version.
Freedom School
1951
10.0A Girl isn't Allowed to Love is a 1955 Japanese film directed by Teinosuke Kinugasa.
A Girl Isn't Allowed to Love
1955
6.3A middle-aged husband of a younger woman finds her youth intimidating to the point that he cannot become aroused. His solution involves the introduction of his daughter's lover to his wife.
Odd Obsession
1959
8.2The entangled relations between the son of a seductive tea-ceremony teacher and the women in his father's life. Based on the novel by Kawabata Yasunari.
Thousand Cranes
1969
9.0The picture belongs to the jidai gekki (historic) genre. It is a powerful story of violence and eroticism, picturing a world at once sordid and poetic, with two central themes which intermingle to compound an admirable panel of a critical period in Japanese history: the great famine in the mid 19th Century.
Beauty and the Thief
1952
8.3This film by Toyoda depicts the hard life of an unmarried mother in Tokyo. Umeko (Machiko Kyo), at 36, is working in a bar, struggling valiantly to keep her family together. Her 17-year-old daughter Takeko becomes increasingly upset by her mother's constant drinking and yakuza boyfriend, and runs away from home. Kyo's performance was highly praised.
Sweet Sweat
1964
10.0No synopsis available yet.
Tainted Flowers
1958