Kotoshi no Koi

Bennie Upshaw, the head of a Black working class family in Indianapolis, is a charming, well-intentioned mechanic and lifelong mess just trying his best to step up and care for his family and tolerate his sardonic sister-in-law, all without a blueprint for success.

Crank up the 8-track and flash back to a time when platform shoes and puka shells were all the rage in this hilarious retro-sitcom. For Eric, Kelso, Jackie, Hyde, Donna and Fez, a group of high school teens who spend most of their time hanging out in Eric’s basement, life in the ‘70s isn’t always so groovy. But between trying to figure out the meaning of life, avoiding their parents, and dealing with out-of-control hormones, they’ve learned one thing for sure: they’ll always get by with a little help from their friends.

A loving (but immature) father is committed to co-parenting his two kids with his very-together ex-wife. While his misguided fatherly advice, unstoppable larger-than-life personality and unpredictable Internet superstardom might get in the way sometimes, for Marlon, family really always does come first - even if he's the biggest kid of all.

A widower and aeronautical engineer named Steven Douglas raises three sons with the help of his father-in-law, and later the boys' great-uncle. An adopted son, a stepdaughter, wives, and another generation of sons join the loving family in later seasons.

The early life of child genius Sheldon Cooper, later seen in The Big Bang Theory.

An inquisitive and often naïve boy, Theodore 'The Beaver' Cleaver, has adventures at home, in school, and around his suburban neighborhood. The show also starred Barbara Billingsley and Hugh Beaumont as Beaver's parents, June and Ward Cleaver, and Tony Dow as Beaver's brother Wally. The show has attained an iconic status in the US, with the Cleavers exemplifying the idealized suburban family of the mid-20th century.

The Diaz siblings, Lily and Jorge, are on a mission to find love and purpose. They cross paths with seemingly unrelated residents during some of the most heightened days of the year—the holidays.

In the near future, Sophie tells her son the story of how she met his father: a story that catapults us back to the year 2021 where Sophie and her close-knit group of friends are in the midst of figuring out who they are, what they want out of life, and how to fall in love in the age of dating apps and limitless options.

Outgoing 13-year-old Sydney is on the fast track to growing up, despite the goodhearted efforts of her protective father, Max. As Sydney attempts to spread her wings and make more decisions for herself, Max does everything he can to rein her in and keep her his little girl. But in so doing, his mother, Judy, is reminded of his own antics at Sydney's age, and the parallels -- illustrated by comical flashback sequences starring a young Max -- are both amusing and enlightening.

The Electric Company is an educational American children's television series that was produced by the Children's Television Workshop for PBS in the United States. PBS broadcast 780 episodes over the course of its six seasons from October 25, 1971 to April 15, 1977. After it ceased production that year, the program continued in reruns from 1977 to 1985, the result of a decision made in 1975 to produce two final seasons for perpetual use. CTW produced the show at Teletape Studios Second Stage in Manhattan, the first home of Sesame Street. The Electric Company employed sketch comedy and other devices to provide an entertaining program to help elementary school children develop their grammar and reading skills. It was intended for children who had graduated from CTW's flagship program, Sesame Street. Appropriately, the humor was more mature than what was seen there.

A family of raucous supervillains who recently ran afoul of the League of Villains and now must somehow beat a path to normalcy in a small Texas town.

Kate & Allie is an American television situation comedy which ran from March 19, 1984, to May 22, 1989. Kate & Allie first aired on CBS as a midseason replacement series and only six episodes were initially commissioned, but the favorable response from critics and viewers alike easily convinced CBS to commit to a full season in the fall of 1984. The series was created by Sherry Coben.