Mom @ Work

Revolves around typical family problems, such as firing a clumsy housekeeper, throwing a retirement bash for a colleague, and finding quality time away from the children.

The Hogan Family is an American television situation comedy that aired on NBC from March 1, 1986 to May 7, 1990, and on CBS from September 15, 1990 until July 20, 1991. It was produced by Miller-Boyett Productions, along with Tal Productions, Inc., and in association with Lorimar Productions, Lorimar-Telepictures and Lorimar Television. The show was originally titled Valerie and starred Valerie Harper as a mother trying to juggle her career with raising her three sons by her often-absent airline-pilot husband. Harper was written out of the series after the second season because of a dispute with the show's producers. Sandy Duncan joined the cast as the boys' aunt, who moved in and became their surrogate mom. During the show's third season, the series was known as Valerie's Family: The Hogans, then simply as The Hogan Family.

Family man Jim Anderson copes with the everyday problems among his wife Margaret and their three children as they experience day-to-day changes.

Harley is an engineering whiz who uses her inventions to navigate life as the middle child in a large family of seven kids.

A widower and aeronautical engineer named Steven Douglas raises three sons with the help of his father-in-law, and later the boys' great-uncle. An adopted son, a stepdaughter, wives, and another generation of sons join the loving family in later seasons.

An irreverent look at parenthood through the point of view of an acerbic working mother, along with her stay-at-home husband and opinionated parents.

Outgoing 13-year-old Sydney is on the fast track to growing up, despite the goodhearted efforts of her protective father, Max. As Sydney attempts to spread her wings and make more decisions for herself, Max does everything he can to rein her in and keep her his little girl. But in so doing, his mother, Judy, is reminded of his own antics at Sydney's age, and the parallels -- illustrated by comical flashback sequences starring a young Max -- are both amusing and enlightening.

An inquisitive and often naïve boy, Theodore 'The Beaver' Cleaver, has adventures at home, in school, and around his suburban neighborhood. The show also starred Barbara Billingsley and Hugh Beaumont as Beaver's parents, June and Ward Cleaver, and Tony Dow as Beaver's brother Wally. The show has attained an iconic status in the US, with the Cleavers exemplifying the idealized suburban family of the mid-20th century.

Welcome Back, Kotter is an American television sitcom starring Gabe Kaplan and featuring a young John Travolta. Videotaped in front of a live studio audience, it originally aired on the ABC network from September 9, 1975, to June 8, 1979.

A family of raucous supervillains who recently ran afoul of the League of Villains and now must somehow beat a path to normalcy in a small Texas town.

Four women juggle love, careers, and parenthood. They support, challenge, and try not to judge each other as life throws them curveballs. Whether it is an identity crisis, a huge job opportunity, postpartum depression, or an unplanned pregnancy – they face both the good and bad with grace and humour.

The Electric Company is an educational American children's television series that was produced by the Children's Television Workshop for PBS in the United States. PBS broadcast 780 episodes over the course of its six seasons from October 25, 1971 to April 15, 1977. After it ceased production that year, the program continued in reruns from 1977 to 1985, the result of a decision made in 1975 to produce two final seasons for perpetual use. CTW produced the show at Teletape Studios Second Stage in Manhattan, the first home of Sesame Street. The Electric Company employed sketch comedy and other devices to provide an entertaining program to help elementary school children develop their grammar and reading skills. It was intended for children who had graduated from CTW's flagship program, Sesame Street. Appropriately, the humor was more mature than what was seen there.