Welcome Back, Kotter

The family life, romantic life, and career of Martin Tupper, a divorced New York City book editor. The show distinctively interjected clips from older black and white television series to punctuate Tupper's feelings or thoughts.

Tim and Eric Awesome Show, Great Job! is an American sketch comedy television series, created by and starring Tim Heidecker and Eric Wareheim, which premiered February 11, 2007 on Cartoon Network's Adult Swim comedy block and ran until May 2010. The program features surrealistic and often satirical humor, public-access television–style musical acts, bizarre faux-commercials, and editing and special effects chosen to make the show appear camp. The program featured a wide range of actors, spanning from stars such as Will Ferrell, John C. Reilly, David Cross, Bob Odenkirk, Will Forte and Zach Galifianakis, to alternative comedians like Neil Hamburger, to television actors like Alan Thicke, celebrity look-alikes and impressionists. The creators of the show have described it as "the nightmare version of television."

A blue-collar family man grapples with life's challenges while trying to maintain his marriage, raise his young daughter, and deal with the eccentricities of his friends and neighbors.

The New York-based sketch comedy ensemble takes it's act to the small screen in this outrageous cable series. Led by Trevor Moore and Zach Cregger, the troupe takes on every stereotype, foible, and irony found in everyday life, no matter how un-PC the results.

Join sadomasochistic superheroes Johnny Knoxville, Bam Margera, and the rest of the Jackass crew as they terrorize your TV screens and everyone that gets in their way (especially themselves) with their own sick and twisted interpretation of physical entertainment. Their brand of pranks, goofball antics, and unabashed brutal comedy are sure to bring new meaning to the phrase "Don't Try This At Home!"

A narrative series set in a limitless magical reality full of dynamic, hilarious characters and celebrity guests presenting sketches performed by a core cast of black women.

Right out of high school, Sean Finnerty got his girlfriend Claudia pregnant. Now she’s his wife, and at just 32, he’s somehow found himself with 14-year-old daughter Lily, two little boys, and a constant struggle between his need to be responsible and his desperate desire to be irresponsible. His judgmental father Walt and devil-may-care brother Eddie are no help at all. When they all get together, stories always start to fly. Of course, Sean’s family will never let him finish a story; they interrupt, they debate, they derail, they defend themselves; just like any good family would.

Kath and Kim, a dysfunctional mother-daughter duo, navigate through relationship troubles, personal issues and life while trying to stay sane.

Four women juggle love, careers, and parenthood. They support, challenge, and try not to judge each other as life throws them curveballs. Whether it is an identity crisis, a huge job opportunity, postpartum depression, or an unplanned pregnancy – they face both the good and bad with grace and humour.

The Kids in the Hall is a Canadian sketch comedy group formed in 1984, consisting of comedians Dave Foley, Kevin McDonald, Bruce McCulloch, Mark McKinney, and Scott Thompson.

Dan is a childish idiot trapped in an adult’s life, whose world is at near collapse. His girlfriend Naomi is fast running out of patience with his inability to navigate the simplest of life tasks. He has two uniquely dysfunctional friends and a listless teaching career that sees him begrudgingly teach a version of the same lesson every day, inexplicably popular with all but one of the pupils, with his only highlight coming in the form of Miss Lipsey, a head mistress who views Dan with a mixture of pity and despair. To make matters worse, he is tormented daily by his willfully insane father, whose driving motivation in life seems to be to ensure his son is humiliated at every turn.

Follow the Murphy family back to the 1970s, when kids roamed wild, beer flowed freely and nothing came between a man and his TV.