Mi segunda madre

Story of love between Marimar and Sergio. Sergio is from a wealthy family, and Marimar lives with her poor grandparents in a hut in front of the ocean.

¡Válgame Dios! is a Spanish-language Venezuelan telenovela written by Mónica Montañéz for Venevisión. Sabrina Seara and Eduardo Orozco star as the main protagonists while Ricardo Alamo, Carlota Sosa and Raquel Yanez star as the main antagonists.

A telenovela that dramatizes the romances and rivalries between two brothers and two sisters in Mexico between the years 1885 and 1900.

María Mercedes, a poor girl who sells lottery tickets, meets a rich man who hates his own family and sees in María Mercedes an opportunity to make their lives miserable.

Camila Monterde is a beautiful veterinarian whose life has been torn apart by a tragic accident in which her fiancé, Luis, was killed. Hoping to ease her depression, her uncle, Daniel Monterde, invites her to live at his ranch, where she can rest and recover while caring for the many animals he keeps there. Meanwhile, in Chile, Daniel Diaz suddenly receives a letter stating that he has come into a substantial inheritance and must travel to Mexico to claim it. Surprised and curious, he’s about to make the trip when a vicious lie disrupts his plans and lands him in prison, causing him to lose the inheritance and his family. Deeply bitter and hungry for revenge, Daniel travels to Mexico determined to destroy the Monterde family, which he blames for his terrible misfortune. He takes a job at the Monterde ranch to be close to his prey. His vengeance is perfectly planned except for one unexpected development: he and Camila fall passionately in love and that changes everything.

Contra viento y marea is a Mexican telenovela aired from April 25 until November 4, 2005. This was also the last acting role of Beatriz Sheridan, who died in 2006 of a heart attack.

Rebeca murders her sister Adriana to end up with the man she loved, and becomes the step mother of her niece Lucía. Nora, Lucía's half sister and daughter of Rebeca, resents Lucía for the same reasons Rebeca hated Adriana, as history repeats itself.

Teresa Chavez is a young woman with an obsession for money and ambition. Despite her beauty and the fact that she was raised in the bosom of a loving family, she is resentful; her one desire is to leave her humble but poor neighbourhood.

Piel de otoño is a Mexican telenovela that was produced by Televisa and broadcast on El Canal de las Estrellas in Mexico from 9 May 2005 through 23 September 2005 in Mexico, and from October 10, 2005, through February 17, 2005, in the United States. Starring Laura Flores and René Strickler as the series' protagonists, the show tells the story of Lucía Villarreal de Mendoza, a woman who seeks refuge from her husband and children's abuses in the friendship of a stranger on the Internet, who signs his messages only as "wind". Piel de otoño is a remake of the 1986 Televisa telenovela Cicatrices del alma. The program aired weekdays at 5 pm for twenty weeks.

Mujer de Madera is a Mexican telenovela produced by Televisa in 2004. One unusual feature of this telenovela is that the main character is played by different actresses before and after her stay in hospital due to a forest fire.

Sofía Peralta-Avitia Villaseñor, a successful businesswoman and great mother, who feels lonely in her marriage to Gonzalo Balmori-Ricci Nava. At the same time, her daughter, Bárbara Balmori-Ricci Peralta-Avitia, and her young bodyguard, Salvador "Chava" Reyes Encino, will transform their rebelliousness into passion. But none of them know that the evil, ambitious people around them will try to meddle in their paths on their road to love.

Rubí Pérez is a very beautiful but poor woman who studies at an exclusive university thanks to the financial support from Cristina , her hard-working older sister. She is best friends with Maribel de la Fuente , a kind and wealthy young woman. Rubí is actually jealous of Maribel's social status while pitying her disability and dreams of marrying a rich man to leave poverty behind.