Arturo Ríos

After being falsely accused of a terrible crime, Hector, a man with a neurological disability, goes to a secret prison. His goodness conquers the prisoners, who plan to prove their innocence.

Juana is a woman driven by an unshakable sense of duty who delves into infamous crimes against women, giving herself entirely to the pursuit of truth. Each revelation carries weight and each step forward increases the tension, drawing the viewer into a world where obsession, courage, and vulnerability collide.

After his father's passing, a teenager sets out for New York in search of his estranged mother and soon finds love and connection in unexpected places.

The de la Mora siblings publicly mourn the death of their mother amid multiple surprises and mishaps at Virginia's funeral.

They are not wild and crazy anymore, or at least they think so. Now, thanks to an offer nobody can't refuse, they will try to recapture that old rock and roll magic and give themselves a second chance.

A dispute for the inheritance of the father of this family is the motor for this comedy, where siblings Andrea and Hector start a discussion with their aunt, who turns out to be the universal heiress of their father's because they don't comply with the rules established by their father.

An special and heroic Representation of Independence, the Past Narrated in “Gritos de Muerte y Libertad,” which examines the roles of independence heroes in the series’ narrative and in Mexican historiography. Extended and more detailed pilot that expands the show.

While away in Mexico, Karine and Estelle witness the preparation and rejoicing of the “Day of the Dead”. Inspired by the beauty of the ritual and the fine spiritual humor of their hosts, they will soon learn to see their sister’s recent tragic death in a more light-hearted manner.

In Mexico, two teenage boys and an attractive older woman embark on a road trip and learn a thing or two about life, friendship, sex, and each other.

Esmeralda is a teenager with an unusual obsession: she collects lost, forgotten or discarded objects from people she doesn't know and keeps them in a box beneath her bed. This is the tale of three objects in the box and the people behind them, all in some way incapable of relating to the person they love most. It is also a tale of the box itself, and of how Esmeralda learns to open it, to feel and to hoard the most valuable thing of all: human relations.

After working for three years in the USA, Filiberto returns to his home town in Mexico. A proud man, he is searching for the recognition that will give him a new position in life. However, he finds that things have changed. His mother is dead, and Luis, his best friend, is married to his ex-girlfriend. Filiberto gets involved in the town’s disputes over a water spring.

A man who travels back to the house of his father, grandfather and backwards.

A crooked CEO is kidnapped and nobody cares enough to pay his ransom.

The German tourist Kiki and the Swiss tour guide Marlies are kidnapped by Contra rebels from Nicaragua while on vacation in Costa Rica. While Kiki's friend Markus fights for her release together with her mother, Kiki begins an affair with one of the kidnappers. When the two women were released after 72 days on payment of ransom, the police suspected that they had colluded with the kidnappers.

The attack on a popular singer known as Pachito -who becomes the favorite candidate to win the presidential election in an imaginary Latin American country- is the starting point of several stories, including: the alleged murderer, a police officer investigating the disappearance of the murdered body and an architect hired to design the mausoleum to the memory of the possible dictator.

Pablo and Marina wake up in a hotel room and then travel the country together, she accompanies him while he is in the process of writing a traveler's guide. Pablo is a married man with two daughters, while Marina is a college student. During the journey they pass through different points in the relationship, sometimes in full disagreement.

Tomás Tomás is a young yuppie playboy with a string of discarded girlfriends. But when Silvia, the victim of one of his adventures, tries to get revenge by typing "positive" on his AIDS test, Tomás experiences for the first time the realities of love and death.

Gina, a modern business woman in her late forties, has a lover named Adrian, a journalist, who she sees once in a while just to have sex. They are both attracted to the historic figure of Pancho Villa: he admires his power while she admires his virility. As Gina helps Adrian to write a book about Villa, she discovers the similarity between Villa's relation to women to that of Adrian and hers, and that Villa's revolution never included her, nor the rest of the female half of the human species. Can the love of a woman and a man survive machismo?

No synopsis available yet.

He drinks too much, his primary relationship just ended, and he can't finish his screenplay.