The House of Flowers Presents: The Funeral

An HBO special edited from three performances from Chris Rock's 2008 comedy tour: London (dark suit, dark shirt), Johannesburg (black suit, white shirt) and New York (shiny jacket). Topics include the ongoing presidential campaign, the possibility of a black president, George W. Bush, gas prices, low-paid jobs, ringtones and bottled water, sex, relationships and the correct use of the n-word

A comedy that chronicles a chance encounter between Robert and a Chinese named Jun who wanders lost through the city of Buenos Aires in search of his uncle after being assaulted by a taxi driver and his henchmen.

The film consists of 16 shorts that explore, with humor and social criticism, the characteristics of the Argentine identity.

When a woman is admitted by her daughters to a psychiatric clinic for her carefree ways, an expert must judge if she is ill or simply wants to enjoy life.

Comedy juggernaut Dave Chappelle's fourth Netflix Special, taped on November 20th, 2017 at Los Angeles' Comedy Store.

In a small town near Madrid, Paquita and her brother Venancio, both single and with a childish personality, live under the shadow of their bossy older sister, Ignacia, a grumpy old maid.

An ultraconservative family father must spend a weekend with his dysfunctional children for the burial of his wife.

Hawaiian-shirt enthusiast Gabriel "Fluffy" Iglesias finds the laughs in racist gift baskets, Prius-driving cops and all-female taco trucks.

Experience the show that quickly became a national phenomenon. Get an up-close and personal look at Kevin back in Philly where he began his journey to become one of the funniest comedians of all time.

Returning for a second Netflix comedy special, Jim Jefferies unleashes his famously ferocious black humor to a packed house in Nashville, Tennessee.

Julián, a divorced man with financial problems, uses a cell phone application to share his car with strangers.

Two filmmakers travel around impoverished sectors of the cities of Bogotá and Cali in search of the images of abjection needed to complete a documentary commissioned by German TV. Meanwhile, another camera captures these “vampire” filmmakers feeding off the misery of their marginal subjects.