Serge Gainsbourg

Six months before his retirement from the criminal police, inspector Joss finds his colleague Gouvion dead, in a poorly faked suicide attempt. Joss loses his temper, and investigates on his own, which leads him through the bas-fond of Paris...

Serge Morgan is a killer working for the American Mafia. After performing a contract in New York for his employers, he takes the plane back to Paris and, during the flight, he gets to know Jane, the rich daughter of an ambassador. Once in Orly Airport he gets seriously wounded by the men of French drug kingpin Henri Emery. He manages to escape them though and takes refuge at Jane's. Passion sets in between the killer and the young lady. As of then, sex will be intertwined with blood and death. For better or worse...

An intimate look at the life of international icon Brigitte Bardot. With exclusive access and the full support of Brigitte Bardot and her team, we will uncover her life, with its hardships, trials and struggles, her work and her legacy.

Handsome dentist Herve Dandieu, temporarily separated from his delectable new wife Virginie by a lovers' tiff, is picked up by sexy dance teacher Anita Flores. Sensing trouble, Virginie follows him, only to find him circumstantially incriminated in murder. Soon, the dance school has a gorgeous new instructress, whose slightly scatterbrained attempts to clear her husband's name confuse both police and suspects...and bringing potential danger.

In order to pay the rent, a young ballet dancer living in Paris accepts a job in an upmarket strip club. She soon devises a unique act that captivates audiences and catapults her to stardom.

The life and tragic death of Whitney Houston.

Filmmaking icon Agnès Varda, the award-winning director regarded by many as the grandmother of the French new wave, turns the camera on herself with this unique autobiographical documentary. Composed of film excerpts and elaborate dramatic re-creations, Varda's self-portrait recounts the highs and lows of her professional career, the many friendships that affected her life and her longtime marriage to cinematic giant Jacques Demy.

Once a successful Hollywood screenwriter, Stan is now a depressive alcoholic who spends most of his time mooching about his house whilst pouring out his troubles to his drinking partner. The only thing that keeps him going is his love for his teenage daughter, Charlotte, but she despises him, believing him to be responsible for the accident in which her mother died.

An automobile tribute

Annie is a middle-age wife, still sexy and pampered by her husband, Phillippe, who is the owner and general manager of a dynamic company. Under the deluge of sexy Swedish movies, sexy advertising on the streets, sexy intimate clothing in ladies' shops, and even talks about sex and marital infidelity with her mother and female friends, Annie starts feeling left aside by her husband, and trying to attract in a number of ways - and failing. It's not the all-purpose secretary at the office that is keeping him late, it's a tax expert that, asking the most innocent questions, is finding out how Philippe can manage a company without profits, and still manage a home, may be two... with high quality levels.

Martin Scorsese’s portrait of writer and social commentator Fran Lebowitz, celebrated for her sharp wit and observations on modern life. Filmed at New York’s Waverly Inn and intercut with archival footage and interviews, the documentary captures Lebowitz’s distinctive worldview through her spontaneous monologues and public appearances.

Commercial director Serge Faberge is having an affair with Evelyne, the 18 year old fiancee of friend Hugh. His own pregnant wife Francoise usually does not mind his dalliances, until he actually walks out on her and their newborn baby to move in with Evelyne. The shoe is on the other foot when dashing stuntman Dado catches Evelyne's eye in Venice.

Alice invites her past two lovers and her current to Christmas dinner uniting them all in her house. In sentimental flashbacks she recalls the former times with each of them. While she reminisces, she also fixates on a new relationship that blooms and dies within the same calendar year leaving her to wonder if she's meant to be with anyone for any extended time.

A rebellious socially-conscious man travels to Nepal to find his dead-beat dad. There, he meets Jane, a beautiful hippie girl hooked on drugs. He's forced to steal artefacts for his father's slimy employer to earn money to help Jane.

The interests, obsessions, and fantasies of two singular artists converge in this inspired collaboration between Agnès Varda and her longtime friend Jane Birkin. Made over the course of a year and motivated by Birkin’s fourtieth birthday—a milestone she admits to have some anxiety over—Jane B. by Agnès V. contrasts the private, reflective Birkin with Birkin the icon.

Mathieu is a mild-mannered man engaged to a woman whose father is involved in running a house of prostitution. When the father dies, Mathieu inherits the bordello and is unprepared for his new position. He overcomes his shyness and becomes a sexual dynamo when his workers feed him some powerful amphetamines.

55 years ago, on October 1 1968, the first brand advertising spot appeared on the French television screen. Over the next three decades, thousands of creative little films would seduce and build our collective memory. Kitschy or cult spots, humor, slogans, music, stars, gimmicks, grand spectacle or sex appeal: during its golden age, how did advertising convince? Thierry Ardisson has brought together almost 400 advertising clips to relive the era of the conquest of minds and wallets.

The co-founder of the Gamma press agency, Raymond Depardon, created this documentary of press photographers in Paris and their subjects by following the photographers around for one month, in October, 1980. In-between long hours waiting for a celebrity to emerge from a restaurant or a hotel, boredom immediately switches to fast action as the cameras click and roll when the person appears. The reaction to the gaggle of photographers is as varied as the people they often literally chase all around town. While some of the celebrities, such as Jacques Chirac who was mayor of Paris at the time, are perceived as comical caricatures, others are shown simply going about ordinary pursuits - including Catherine Deneuve, Gene Kelly, and Jean-Luc Godard.

Although Gainsbourg and Birkin had appeared in a string of films since their magnetic collision in Pierre Grimblat’s Slogan, Melody was a bit of diversion from their collaborations since it’s a series of interwoven videos inspired by the Gainsbourgalbum. For '71 it’s a novel concept to bring visual life to an LP, but even more surprising are the short film’s amazing visuals that director Averty crafted using a wealth of video filters, overlays, camera movements and chroma key effects. Averty applies these in tandem with the increasing tone of Gainsbourg’s songs, which more or less chronicle an older man's affair with a young girl. Each song is comprised of steady, sometimes brooding poetic delivery, with refrains timed to the phrase repeats of each song, while Alan Parker’s buzzing guitar accompanies and wiggles around Gainsbourg’s resonant voice. The bass is fat and groovy, the drums easy but steady, and the periodic use of strings or rich vibrato makes this short a sultry little gem.

Tulipe, is an old man who lives alone in an old railway carriage in the Argentueil region of Paris. His main passions are gardening and oil painting, but he also has a secret source of income. His godson discovers that Tulipe is actually a master forger, producing perfect copies of 10 franc notes. His godson’s girlfriend sees this as an opportunity to get very rich – but she must persuade Tulipe to forge 500 franc notes. Assuming Tulipe’s agreement, his godson and his girlfriend buy an expensive new car and luxury villa in provincial France – but there is a cruel turn of fate in store for them when Tulipe strikes up a friendship with a millionaire playboy.

In a small Scottish village, horribly murdered bodies keep turning up. Suspicion falls upon the residents of a nearby castle that is haunted by a curse involving a killer cat.

Charlotte Gainsbourg looks at her mother Jane Birkin in a way she never did, overcoming a sense of reserve. Using a camera lens, they expose themselves to each other, begin to step back, leaving space for a mother-daughter relationship.

In May 1974, Valéry Giscard d'Estaing became President of the Republic and wanted to bring about a new era of modernity. One of his first decisions was to break up the ORTF with the creation of three new television channels: TF1, Antenne 2 and FR3. Three new public channels but autonomous and competing. It is a race for the audience which is engaged then, and from now on the channels will make the war! This competition will give birth to a real golden age for television programs, with variety shows in the forefront. The stars of the song are going to invade the living rooms of the French for their biggest pleasure. This unedited documentary tells the story of the metamorphosis of this television of the early 1970s, between freedom of tone, scandals, political intrigues and programs that have become mythical.

Two men and a woman live quite happily together in a romantic liaison. The woman is probably wealthy anyway, so the trio doesn't worry much about money. One day they decide to take a trip in their beat-up car, managing the whole affair in their own special, insouciant manner. They are followed by a suspicious policeman who thinks there's something fishy about this group.

Once a successful Hollywood screenwriter, Stan is now a depressive alcoholic who spends most of his time mooching about his house whilst pouring out his troubles to his drinking partner. The only thing that keeps him going is his love for his teenage daughter, Charlotte, but she despises him, believing him to be responsible for the accident in which her mother died.

Once a successful Hollywood screenwriter, Stan is now a depressive alcoholic who spends most of his time mooching about his house whilst pouring out his troubles to his drinking partner. The only thing that keeps him going is his love for his teenage daughter, Charlotte, but she despises him, believing him to be responsible for the accident in which her mother died.

The petite waitress Johnny works and lives in a truck-stop, where she's lonely and longs for love. She develops a crush on the garbage truck driver Krassky, although her sleazy boss Boris warns her that he's gay.

The petite waitress Johnny works and lives in a truck-stop, where she's lonely and longs for love. She develops a crush on the garbage truck driver Krassky, although her sleazy boss Boris warns her that he's gay.

Although Gainsbourg and Birkin had appeared in a string of films since their magnetic collision in Pierre Grimblat’s Slogan, Melody was a bit of diversion from their collaborations since it’s a series of interwoven videos inspired by the Gainsbourgalbum. For '71 it’s a novel concept to bring visual life to an LP, but even more surprising are the short film’s amazing visuals that director Averty crafted using a wealth of video filters, overlays, camera movements and chroma key effects. Averty applies these in tandem with the increasing tone of Gainsbourg’s songs, which more or less chronicle an older man's affair with a young girl. Each song is comprised of steady, sometimes brooding poetic delivery, with refrains timed to the phrase repeats of each song, while Alan Parker’s buzzing guitar accompanies and wiggles around Gainsbourg’s resonant voice. The bass is fat and groovy, the drums easy but steady, and the periodic use of strings or rich vibrato makes this short a sultry little gem.

Although based on a novel by Georges Simenon, director (and songwriter) Serge Gainsbourg has superimposed several dark emotions and a subtle brutality over the weak plot about a man's trip to Africa and his unfortunate passion for a murderess whose amorality sends the disillusioned fellow back to Europe. Sometimes described as frustrating and self-centered, reactions to this film swing across a broad spectrum of complaints -- not the least might be whether or not Gainsbourg is using a clichéd and stereotypical view of "dark Africa" to convey what he sees in his characters.

Although based on a novel by Georges Simenon, director (and songwriter) Serge Gainsbourg has superimposed several dark emotions and a subtle brutality over the weak plot about a man's trip to Africa and his unfortunate passion for a murderess whose amorality sends the disillusioned fellow back to Europe. Sometimes described as frustrating and self-centered, reactions to this film swing across a broad spectrum of complaints -- not the least might be whether or not Gainsbourg is using a clichéd and stereotypical view of "dark Africa" to convey what he sees in his characters.

Anna is working at a Parisian advertising agency. The director has fallen in love with a young woman he only knows through a photograph — of Anna.

Claude Berri, who usually participates in films by directing them, here returns to the screen as Stan, an over-the-hill lothario, much given to quoting Shakespeare, who occasionally goes around naked under his raincoat and exposes himself to strangers, who are usually not interested in his primitive display of genitalia. It also appears that he is unable to sexually satisfy his much younger lover, and he suspects her of having another boyfriend. He earns his living tutoring students (mostly young girls) in English literature. When, in his frustration, he gropes one of the girls in her home during a tutoring session, she protests, her father (who is at home) beats him up, and he is sentenced to a jail term. There, he is teamed up with a slightly loopy murderer. When he gets out of jail, he finds his girlfriend has left for good, and ends his life.

Claude Berri, who usually participates in films by directing them, here returns to the screen as Stan, an over-the-hill lothario, much given to quoting Shakespeare, who occasionally goes around naked under his raincoat and exposes himself to strangers, who are usually not interested in his primitive display of genitalia. It also appears that he is unable to sexually satisfy his much younger lover, and he suspects her of having another boyfriend. He earns his living tutoring students (mostly young girls) in English literature. When, in his frustration, he gropes one of the girls in her home during a tutoring session, she protests, her father (who is at home) beats him up, and he is sentenced to a jail term. There, he is teamed up with a slightly loopy murderer. When he gets out of jail, he finds his girlfriend has left for good, and ends his life.

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