Georges Pompidou

This fully archival journey through the 35 years of Alfredo Stroessner’s regime in Paraguay reveals unseen footage and explores one of the longest-running dictatorships in history, whose effects still resonate today.

55 years ago, on October 1 1968, the first brand advertising spot appeared on the French television screen. Over the next three decades, thousands of creative little films would seduce and build our collective memory. Kitschy or cult spots, humor, slogans, music, stars, gimmicks, grand spectacle or sex appeal: during its golden age, how did advertising convince? Thierry Ardisson has brought together almost 400 advertising clips to relive the era of the conquest of minds and wallets.

The story of the documentary The Sorrow and the Pity (1971), directed by Marcel Ophüls, which caused a scandal in a France still traumatized by the German occupation during World War II, because it shattered the myth, cultivated by the followers of President Charles de Gaulle (1890-1970), of a united France that had supposedly stood firm in the face of the ruthless invaders.

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From the first minutes after his inauguration, the newly elected president wants to translate his promises and his campaign project into action. "Change is now", "Change life", "Together everything becomes possible": all campaign slogans promising a break with the past, a change. The first few months were decisive: it was a matter of making a mark, asserting one's style, imposing one's authority and taking the first measures, those that would make a mark on public opinion and set the first lines of the political narrative in history. From 1959 to 2017, the eight successive presidents have acted without delay. Thanks to the many witnesses and actors of these first hundred days, the film retraces the stakes and decisive moments that marked the beginning of each mandate.

May 10th, 1981. François Mitterrand is elected President of the Republic. The “soviet tanks” supposedly coming upon the Champs-Élysées dressed in red, feared by some, did not march. Serge Moati takes a personal look at this episode, focusing on the relationship the president had with television, that he witnessed and played a role in.

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A mental journey - historical, political, musical and metaphysical - in contemporary times, from the Sixties until nowadays.

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Charles de Gaulle, the first president (1958-1969) of the Vth Republic, France’s current system of government, left his mark on the country . He was statesman of action and has been compared to a monarch. This film depicts the general’s personality through the great events of his presidential term, at a time when the world was undergoing considerable changes.

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Reluctantly, a sulky adolescent returns to her parents' house for yet another boring summer vacation, dabbling in desire and the art of desirability, eventually mixing reality with vision, caged fantasies with the fierce female sexuality.

The lawyer is visiting a prison to meet with a violent criminal who has been condemned to death. During the visit, things turn bad, there is a riot where prisoners escape and the criminal escapes taking a lawyer hostage.

Chris Marker’s A Grin Without a Cat is an epic political essay tracing the rise and decline of the global left from the 1960s to the 1970s. Through archival footage and commentary, the film examines revolutionary movements in France, Latin America, and beyond, reflecting on the ideals, failures, and fading hopes of a generation.

Guy Debord's analysis of a consumer society.

A couple has found peace in a strange manor by the sea but, on a hot evening, a visitor comes, troubling their solitude. However, three is not actually a crowd and they start start talking, exchanging points of view about philosophy, sociology and politics, eroticism as well.

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