L'uomo proiettile

The year is 1955, and a great flood is coming to Northfork, Montana. A new hydroelectric dam is about to be installed in the mountains above the town, ready to submerge the valley in the name of progress. It is the responsibility of a six-man Evacuation Committee to relocate the townsfolk to higher ground. Most have duly departed, but a few stubborn stragglers remain – among them a priest caring for a sickly orphan, a boy whose fevered visions are leading him to believe he is a member of a roaming band of lost angels desperately searching for a way home.

A bureaucrat interviews five souls to decide which of them will be given a life on Earth. But he soon faces an existential challenge of his own.

The Guerrasio family and friends gather to celebrate Claudio and Carmela’s oldest daughter’s 18th birthday. There is a healthy rivalry between the birthday girl and her 15-year-old sister Chiara as they compete on the dancefloor. It is a happy occasion, and the close-knit family are on top form. However, everything changes the next day when the father disappears. Chiara, unconvinced by the cover story, starts to investigate. As she gets closer to the truth, she is forced to decide what kind of future she wants for herself.

In a small American town, a diabolical circus arrives, granting wishes for the townsfolk, but twisted as only the esteemed Mr. Dark can make them. Can two young boys overcome the worst the devil himself can deal out?

The Oggly family arrive at the municipal rubbish dump of Smelliville and must look for a new home, but they never feel really welcome anywhere. They stink and are for most humans just a tad too oggly. When Firebottom, the family dragon, crash-lands on the run-down rubbish tip of the small town of Smelliville, the Ogglies at once feel at home. And it's here they want to stay.

After a carnival troupe saves his life, a man agrees to help its immortal leader collect five souls and win a bet with the devil.

Four super-powered circus freaks find themselves trapped in war-torn Rome after their foster father is captured by the Nazis.

Throughout his life Edward Bloom has always been a man of big appetites, enormous passions and tall tales. In his later years, he remains a huge mystery to his son, William. Now, to get to know the real man, Will begins piecing together a true picture of his father from flashbacks of his amazing adventures.

In the exact moment they hit rock bottom, four strangers are visited by a mysterious man who gifts them a week to see how the world would be without them.

A man spends peacefully his days in hospital without too many worries. He has been hospitalized for a while but that condition seems like the best way to live his life, safe from everything and everyone, without responsibilities and problems of any kind. It feels really good in there and even if some of his ward companions feel trapped, for them he can also feel free like nowhere else. That precious routine runs smoothly until a new person is admitted to the same ward. She is a restless, angry companion, she accepts nothing of that condition, especially the unwritten rules. She is not willing to wait, she wants to leave that place better or even worse. She wants to live as she should or die, as happens to those who end up in there. He is overwhelmed by that fury, first trying to defend himself and then accepting something incomprehensible. That encounter will help him accept that if you choose to truly face your heart and your emotions, there is no possible repair.

On Christmas Eve, a fighter pilot on his way home becomes lost while flying over water and needs a miracle to land safely.

With Caine gone and the circus dark, the cast are left with only the mistakes and traumas of their pasts to keep them company. As the prospect of eternity closes in around them, they discover the truth about the Digital Circus and its history. Will they come to terms with what they uncover, or will they make... the other choice? Also, presumably at some point someone says something funny, because this ending can’t be THAT depressing, can it? A theatrical screening of episode 8 and the all new, hour-long episode 9.