November poster

November

7.0(197)20171h 55m3

In a poor Estonian village, a group of peasants use magic and folk remedies to survive the winter, and a young woman tries to get a young man to love her.

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Status
Released
Budget
$1.6M
Box office
$19.1K
Language
German
  • witch
  • based on novel or book
  • love triangle
  • paganism
  • werewolf
  • pagan
  • folklore
  • estonia

Top billed cast

Behind the camera

Produced in

Estonia, Poland, Netherlands

Gallery

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Videos

Release dates

  • IndiaIN

    • PremiereMumbai Film Festival12 Oct 2017
  • United StatesUS

    • PremiereTribeca Film Festival24 Apr 2017
    • Theatrical23 Feb 2018
  • CanadaCA

    • PremiereFantasia International Film Festival23 Jul 2017
  • ChinaCN

    • PremiereShanghai International Film Festival21 Jun 2017
  • CzechiaCZ

    • PremiereKarlovy Vary International Film Festival30 Jun 2017
  • DenmarkDK

    • PremiereCPH:PIX1 Oct 2017
  • EstoniaEE

    • Premiere27 Jan 2017
    • Theatrical3 Feb 2017
  • GermanyDE

    • Premiere16OmU29 Nov 2018
  • HungaryHU

    • PremiereTitanic International Filmpresence Festival5 Apr 2018
  • JapanJP

    • PhysicalDVD29 May 2018
    • Theatrical29 Oct 2022
  • NetherlandsNL

    • PremiereImagine Film Festival15 Apr 2018
    • Theatrical1624 May 2018
  • PolandPL

    • Premiere16Gdynia Polish Film Festival19 Sept 2017
    • Theatrical2 Nov 2018

Frequently asked questions

November was released on 3 February 2017.

Audience reviews

2
  • T

    tmdb28039023

    9/13/2022

    6/10

    In the real world, magical thinking is a type of fallacy and a source of many superstitions, but in a film like November, it can be the difference between life and death, salvation and damnation. The characters in this Bergmanesque Estonian-German fairy tale, written and directed by Rainer Sarnet, live in a village surrounded by an honest-to-goodness Haunted Forest, although for them it would be weird if it weren’t h…

  • F

    FolknHell

    8/23/2026

    9/10

    *November* opens with what appears to be a skeletal farm-machine monster bursting into a cowshed. It confronts a cow, hooks it up and then, rather than slaughtering it, flies away with it. That is about as useful an introduction to Rainer Sarnet’s film as you could ask for. *November* spends much of its running time allowing you to decide what sort of thing you are looking at, then quietly informing you that you w…

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