

Die, Monster, Die!
No one can stop this killing machine....It's Already Dead!!!
A young man visits his fiancé's estate to discover that her wheelchair-bound scientist father has discovered a meteorite that emits mutating radiation rays that have turned the plants in his greenhouse to giants. When his own wife falls victim to this mysterious power, the old man takes it upon himself to destroy the glowing object with disastrous results.
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5.7/10
72 votes
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- Status
- Released
- Budget
- —
- Box office
- —
- Language
- English
- mutant
- greenhouse
- carnivorous plant
- radioactivity
- based on short story
Top billed cast
Behind the camera
Director
Writers
Music
Produced in
United Kingdom, United States of America
Where to watch
All optionsAvailability for United States. Provided by JustWatch through the TMDB API.
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Release dates
United StatesUS
- Theatrical27 Oct 1965
United KingdomGB
- Theatrical1526 Oct 1965
GermanyDE
- Theatrical165 Jul 1968
Frequently asked questions
Die, Monster, Die! was released on 26 October 1965.
Audience reviews
3- W5/10
Wuchak
5/17/2018
Some highlights, but mostly tedious RELEASED IN 1965 and directed by Daniel Haller, "Die, Monster, Die" (aka “Monster of Terror”) is a semi-Gothic horror about a young man (Nick Adams) who travels to the estate of his fiancé (Susan Farmer) in England. Unfortunately, her wheelchair-bound father (Boris Karloff) is curiously curmudgeonly and something strange is going on behind the scenes. The movie is based on HP L…
- C5/10
CinemaSerf
9/5/2024
American "Reinhart" (Nick Adams) arrives in a small English village seeking the home of his girlfriend "Susan" (Susan Farmer). Shunned by the villagers, he must walk to the stately pile of her wheelchair-bound father "Naham" (Boris Karloff) whereupon things begin to become mysterious for the young visitor as he tries to find out what secrets are being kept hidden. The problem with this is that - well - nothing much a…
- S6/10
Sierbahnn
5/9/2026
Lovecraftian sci-fi This is all very Lovecraftian, and they do credit him for the story. They lifted elements from several stories, but the 'Color out of space' is the primary one. The plucky American can sort it out through, surely. The mention of cults and things don't get explored to any noticeable degree, and this is more sci-fi horror than cosmic horror, but still with a Lovecraftian vibe. It is a lovely little…
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