特命刑事 カクホの女

Former delinquent turned unconventional prosecutor Kohei Kuryu shakes up the legal world with his street-smart instincts and unorthodox style, clashing with ambitious colleague Maiko Amamiya while his relentless pursuit of justice gradually transforms those around him.

Detective Ukyo Sugishita confronts crime on the basis of his own convictions. He has a partner that works for him in the Special Task Unit. For the first 7 seasons, Ukyo’s first partner is Kaoru Kameyama. He is a good-natured, hot-tempered, straightforward and somewhat scattered detective. Beginning in Season 8, Takeru Kanbe replaces Kameyama. Contrary to his predecessor, Takeru is a lanky, cool, conceited and confident detective. From Season 11 to Season 13, Ukyo’s partner is a young detective Toru Kai. Toru is a son of Deputy Director-General of The National Police Agency. But he became a detective by his own effort. And starting with Season 14, Ukyo’s current partner is Wataru Kaburagi, an elite bureaucrat who came to the Metropolitan Police Department on temporary assignment. As the first partner without any career of a police officer, he will face challenging cases together with Ukyo.

Rollie Tyler, a special effects expert, helps his detective friend solve crimes by making criminals see what they want to see. But what is real and what is illusion?

Furuhata Ninzaburō is a Japanese television series that ran periodically on Fuji Television from 1994 until its final episodes in 2006. It was written by Japanese playwright Kōki Mitani and is often referred to as the Japanese version of Columbo. The series is a police detective drama starring actor Masakazu Tamura as Furuhata Ninzaburo and Masahiko Nishimura as his stereotypically bumbling sidekick, Shintaro Imaizumi. The program aired weekly and featured a guest villain each time, usually a famous talent in Japan. Pop-stars like SMAP, television hosts like Sanma Akashiya and even sports figures like Ichiro Suzuki have been featured on this program. It was one of the most popular television dramas in the history of Japanese television, having spawned several seasons and TV specials.

Baretta is an American detective television series which ran on ABC from 1975 to 1978. The show was a milder version of a successful 1973–74 ABC series, Toma, starring Tony Musante as chameleon-like, real-life New Jersey police officer David Toma. While popular, Toma received intense criticism at the time for its realistic and frequent depiction of police and criminal violence. When Musante left the series after a single season, the concept was retooled as Baretta, with Robert Blake in the title role.

Jim Bergerac is a detective sergeant in The Foreigners Office who likes to do things his own way. While dealing with his own personal demons Bergerac has a knack of finding trouble, and sometimes causing it.

Narrates the events and cases encountered by Kaoru Utsumi, a rookie detective, and Manabu Yukawa, a university associate professor, while the two pair up to solve many mysterious cases.

The story follows Aya from the time she moves to Tokyo at age 23 up until she turns 40. Aya has to adjust to the different values and perceptions of the big city as she struggles with challenging situations. We get to follow Aya’s move from one neighborhood to another as she maneuvers her career and love life.

The journey of a book smart teen whose life is forever transformed when he moves from the streets of west Philadelphia to live with his relatives in one of LA’s wealthiest suburbs.

A realistic glimpse into the daily lives of the officers and detectives at an urban police station.

The story revolves around 20-year-old Makoto, who frequently gets involved in highly dangerous situations, usually against his own judgment. Along for the ride are his best buddies Shun, Masa, and Takashi, the enigmatic leader of a local gang in Ikebukuro.

A first-hand account of the Tokyo Metropolitan Police beat following Jake Adelstein, an American journalist who embeds himself into the Tokyo Vice police squad to reveal corruption. Based on Jake Adelstein’s non-fiction book of the same name.