The White Slave

Fernanda Linares (Livia Brito) is a woman thirsty for revenge after the murder of her husband on their wedding night, where in addition, Fernanda was a victim of rape after the event occurred. However, Fernanda's life will change when she meets Rafael Toscano (José Ron), a handsome young man who recently just received his university degree with whom she will empathize and return to Fernanda the opportunity to love again.

Mistreated by the Narváez family, the poor and innocent Maricruz is humiliated, abandoned, and imprisoned, losing everything. Upon discovering her true origins, she transforms into a wealthy and powerful woman. Driven by grief and the loss of her father, she vows revenge against everyone who made her suffer.

Esmeralda is a telenovela that was released by Televisa in 1997. It is a remake of a 1970 Venezuelan telenovela of that same name, and was itself remade in Brazil in 2004. Another version is Topacio from Venezuela in 1984. One of the most famous telenovela all the time.

Marea de Pasiones is a Mexican telenovela produced by Giselle González for TelevisaUnivision and originally broadcast on Las Estrellas from March 18 to September 1, 2024. It is based on the Portuguese telenovela Paixão (2017), created by Inês Gomes. Adapted by Juan Carlos Alcalá, with direction by Alba Gil and Eric Morales, the telenovela stars Oka Giner, Matías Novoa, Margarita Muñoz, Alejandro de la Madrid, Luz María Jerez, Blanca Guerra, Ana Belena, and Sergio Reynoso. The story follows Luisa Aldama, a talented marine biologist whose life changes after she falls in love with Marcelo, a married businessman. When a tragic event forces her to flee, Luisa begins a new life under difficult circumstances while trying to protect those she loves. As family secrets, betrayal, revenge, and forbidden love intertwine, she must confront her past to uncover the truth and find justice and happiness.

Danna Paola stars as Patito, Eleazar Gómez as Mateo, Violeta Isfel and Cynthia Klitbo, play antagonist roles as Antonella and Bianca. The telenovela features adult protagonists also, René Strickler and Vanessa Guzmán. It first aired on Sunday, 8 March 2009, as the first telenovela to debut on a Sunday in Mexico. After a year of success, becoming a major hit in Mexico, especially among children, its final episode was also on a Sunday, 7 March 2010.

A brave, poor young girl is welcomed into a rich family and develops a romance with their misogynist youngest son, driving a woman already in love with him to go to great lengths to destroy their relationship.

Over a road trip, triplets Ana Laura, Ana Leticia, and Ana Lucía, along with their parents, suffer a dramatic accident crashing by the side of a river. The consequences of this event are catastrophic: Both parents die, Ana Laura loses one leg, and Ana Lucía, unconscious, is dragged by the river’s flow. Only Ana Leticia, who actually caused the accident, emerges unscathed. Soledad, a woman who was seriously hurt after her daughter’s death, helps Ana Lucía, whom she finds agonizing. Although Soledad discovers who the girl is, she takes advantage of her memory loss regarding the accident and her family and decides to keep her, making her believe she is her mother. Despite everyone declares Ana Lucía is death, Ernestina, the triplets' grandmother, and Ramiro, their uncle, don’t give up and do everything they can to find Ana Lucía. But years go by, the same as their wishful

A story of revenge and ambition, seduction and betrayal; all told from the perspective of an offended and abused woman named Altagracia. Altagracia represents the hundreds of thousands of Mexican women who have been victims of the violence by faceless men who are protected by impunity. But Altagracia, transformed into a strong-willed, ruthless man-eater known as La Doña, will seek out each and every one of these men to bring them to justice.

The Reyes-Elizondo's idyllic lives are shattered by a murder charge against Eric and León.

Lola... Érase Una Vez is a teen targeted Mexican melodrama telenovela produced by Televisa that is an adaptation of the Argentine global phenomenon and teenage telenovela Floricienta. The show tells the story of a modern Cinderella, Lola, a 20 year old girl, who works as a nanny and sings in a rock band and meets her so call Prince Charming. It debuted in Mexico on February 26, 2007, starring Aarón Díaz and Eiza González. The show had gained popularity among teens and children not only in Mexico but also internationally including Venezuela, Spain and the in United States. With concert performances filling major auditoriums and songs by the protagonist become radio hits. It debuted in the United States on Univision in March 2008 and ended on January 26, 2009. The series consisted of 224 episodes which aried Monday through Friday at 3 P.M, intentionally for teenagers to watch after school, as is typical for most teenage & children telenovelas in Spanish networks.

Amarte es mi pecado is a Mexican telenovela produced by Ernesto Alonso for Televisa and originally broadcast on Canal de las Estrellas from January 5 to May 14, 2004. Created by Liliana Abud, with adaptation by Jaime García Estrada and Orlando Merino, the story follows Leonora Madrigal, a young woman whose life is marked by betrayal, sacrifice, and forbidden love. After being accused of a crime she did not commit, Leonora faces the consequences of a painful past while trying to rebuild her life and find happiness. The telenovela explores themes of love, revenge, ambition, and redemption.

Fernanda Quiñones, whose stage name is Salomé, is a dancer who works at the D'Rubí cabaret in Mexico City with her friend Karicia. One day, Salomé meets Julio, son of the millionaire Montesino family, who is married to Ángela, a sickly woman who cannot have children. Lucrecia, Julio's mother, who is obsessed with the idea of ​​having a grandson who will inherit the family fortune, proposes to Salomé that she be the mother of that grandson. But, when she finds out that Julio, even though he loves her, will not only not leave Angela, but that she will be the one to raise the child as if it were her own, she flees far away with her son and two other babies abandoned by a neighbor. Twenty years later, Salomé becomes a wealthy business woman who lives with her three children. When he returns to Mexico, Julio and his mother will try to find out who Salomé and Julio's son is.