Room at the Top

A chronicle of the lives of the aristocratic Crawley family and their servants in the post-Edwardian era—with great events in history having an effect on their lives and on the British social hierarchy.

Set in 1936, the show takes viewers, old and new, back to the lavish world of Belgravia, London. A new set of occupants reside at 165 Eaton Place and viewers see how external and internal influences of the tumultuous pre-war period shape and mould the lives of this wealthy family and their servants.‬

The sweeping rags to riches story of the Hardacres, a working-class family in 1890s Yorkshire who strike it rich and move from a grimy fish dock to a vast estate.

Upstairs: the wealthy, aristocratic Bellamys. Downstairs: their loyal and lively servants. For nearly 30 years, they share a fashionable townhouse at 165 Eaton Place in London’s posh Belgravia neighborhood, surviving social change, political upheaval, scandals, and the horrors of the First World War.

A tale of secrets and scandals set in 1840s London. When the Trenchards accept an invitation to the now legendary ball hosted by the Duchess of Richmond on the fateful evening of the Battle of Waterloo, it sets in motion a series of events that will have consequences for decades to come as secrets unravel behind the porticoed doors of London’s grandest postcode.

Margaret Hale is a southerner from a country vicarage newly settled in the industrial northern town of Milton. In the shock of her move, she misjudges charismatic cotton mill-owner John Thornton, whose strength of purpose and passion are a match for her own pride and willfulness. When the workers of Milton call a strike, Margaret takes their side, and the two are brought into deeper conflict. As events spiral out of control, Margaret - to her surprise - begins to fall in love with Thornton...

Britain is in the grip of a chilling recession... falling wages, rising prices, civil unrest - only the bankers are smiling. It's 1783 and Ross Poldark returns from the American War of Independence to his beloved Cornwall to find his world in ruins: his father dead, the family mine long since closed, his house wrecked and his sweetheart pledged to marry his cousin. But Ross finds that hope and love can be found when you are least expecting it in the wild but beautiful Cornish landscape.

An exuberant drama set in Melbourne's Fitzroy, centering on Nina Proudman and her struggle to deal with her fabulously messy family, her hunt for a decent love life and her tendency to overthink and fly off into fantasy.

Dickensian intertwines the realm of fictional characters in Charles Dickens’ novels—including Scrooge, Fagin and Miss Havisham—in half-hour episodes, as their lives intertwine in 19th century London. The Old Curiosity Shop sits next door to The Three Cripples Pub, while Fagin’s Den is hidden down a murky alley off a bustling Victorian street.

Amy Dorrit spends her days earning money for the family and looking after her proud father who is a long term inmate of Marshalsea debtors' prison in London. Amy and her family's world is transformed when her employer's son, Arthur Clennam, returns from overseas to solve his family's mysterious legacy and discovers that their lives are interlinked.

Count Alexander Rostov finds himself going from riches to rags following the Russian revolution. A Soviet tribunal banishes him to the attic room of an opulent hotel, where, oblivious to the world outside, he discovers the true value of friendship, family and love.

Sense and Sensibility is a 2008 British television drama, based on Jane Austen's 1811 novel of the same name. The screenplay was written by Andrew Davies, who said that the aim of the series was to make viewers forget Ang Lee's 1995 film version. As such, this series was more overtly sexual than previous Austen adaptations, and Davies included scenes featuring a seduction and a duel that are suggested in Austen's novel but absent from the feature film. A story of two sisters attempting to find happiness in the tightly structured society of 18th century England. Elinor, disciplined, restrained and very conscious of the manners of the day, represents sense. Outspoken, impetuous, emotional Marianne represents sensibility.