Fabian of the Yard

The story of the determined Scotland Yard Officers who worked to prove who was responsible for the death of Alexander Litvinenko, in one of the most complex and dangerous investigations in the history of the Metropolitan Police.

Bad Girls is a British television drama series that was broadcast on ITV from 1 June 1999 to 20 December 2006 and starred Simone Lahbib, Mandana Jones, Debra Stephenson, Linda Henry, Jack Ellis and many more throughout the eight-year run. The series was broadcast in 17 countries and was produced by Shed Productions, the company which later produced Footballers' Wives and Waterloo Road. It is set in the fictional women's prison of Larkhall, and features a mixture of serious and light storylines focusing on the prisoners and staff of G Wing. From 2010, the UK broadcast rights were bought by CBS Drama, and is repeated regularly – as of September 2012, the channel is re-running the series again in a late-night time slot.

Brighton based Detective Superintendent Roy Grace is a hard-working police officer who has given his life to the job, but his career is currently at rock bottom. He’s fixated by the disappearance of his beloved wife, Sandy, and running enquiries into long forgotten cold cases with little prospect of success. Following another reprimand for his unorthodox police methods, Grace is walking a career tightrope and risks being moved from the job he loves most.

Family Liaison Officer Lisa Armstrong becomes a little too emotionally involved with a case (to the point where she might compromise it) concerning a pair of missing Morecambe twins to whose distraught parents she is assigned.

Based on a true story that spanned more than 30 years in which a young man was charged and convicted of brutally murdering his mother. Each episode is structured around an interrogation taken directly from the real police case files, with the goal of turning the viewer into a detective.

Four ordinary Brits are accused of kidnapping the son of a prominent U.S. media mogul. They embark on a desperate race against time to prove their innocence, but will anyone believe them—and are they telling the truth?

Syd Burnett has left her complicated past behind to become an LAPD detective. Paired with a new partner, Nancy McKenna, a working mom with an equally complex past, Syd is pushed to examine whether her unapologetic lifestyle might be masking a greater personal secret. These two women don't agree on much, but they find common ground when it comes to taking on the most dangerous criminals in Los Angeles.

Ex Scotland Yard detective Millie-Jean Black returns to Kingston to work missing persons; soon finding herself on a quest to save a sister who won’t be saved, to find a boy who can’t be found, to solve a case that will blow her world apart and prove almost as tough to crack as Millie Black.

Baretta is an American detective television series which ran on ABC from 1975 to 1978. The show was a milder version of a successful 1973–74 ABC series, Toma, starring Tony Musante as chameleon-like, real-life New Jersey police officer David Toma. While popular, Toma received intense criticism at the time for its realistic and frequent depiction of police and criminal violence. When Musante left the series after a single season, the concept was retooled as Baretta, with Robert Blake in the title role.

A veteran beat cop and teenage girl fall to their deaths from a tower block in south-east London, leaving a five-year-old boy and rookie police officer Lizzie Griffiths on the roof, only for them to go missing. Detective Sergeant Sarah Collins is drafted in to investigate, working to find Lizzie before she comes to serious harm, but also to uncover the truth behind the grisly tower block deaths.

Hotshot LA defense attorney Mickey Haller will do whatever it takes to win as he navigates the criminal justice system from his trademark Lincoln.

A heart-in-your-throat drama, Red Line begins with the mistaken shooting of a black doctor at the hands of a white cop and unfolds from the perspective of each of the families connected to the tragedy. It's a then-and-now meets us-and-them tale about the often-personal politics of crime.