The Engines of Sodor

Scarecrow and Mrs. King is an American television series that aired from October 3, 1983, to May 28, 1987 on CBS. The show stars Kate Jackson and Bruce Boxleitner as divorced housewife Amanda King and top-level "Agency" operative Lee Stetson who begin a strange association, and eventual romance, after encountering one another in a train station.

Jack Regan, an unethical officer of the Flying Squad, uses unorthodox methods to pursue criminals with the help of his partner, George Carter.

Xiaolin Showdown is an American animated television series that aired on Kids WB and was created by Christy Hui. Set in a world where martial arts battles and Eastern magic are commonplace, the series follows four young warriors in training that battle the forces of evil. They do this by protecting Shen Gong Wu from villains that would use them to conquer the world. Originally airing on the Kids' WB block of programming on WB Network in 2003, the series ran for 3 seasons and 52 episodes. Typical episodes revolve around a specific Shen Gong Wu being revealed which results in both sides racing to find it. Episodes usually reach a head when one good and one evil character must challenge each other to a magical duel called a Xiaolin Showdown for possession of the artifact. A sequel series titled Xiaolin Chronicles was previewed on August 26, 2013 on Disney XD. It began its long-term run on September 14 the same year.

A team of undercover teenage spies working for the fictional British secret intelligence agency MI9 who have to balance their school life with their jobs as secret agents.

Detective Cheng is commissioned by Interpol to destroy the Empire of Chaiba, a worldwide criminal organization based in Southeast Asia. He initiates an undercover operation to infiltrate the organization.

After rotting in prison for over a decade, America's ultimate hero and uber patriot MacGruber is finally released. His mission: to take down a mysterious villain from his past—Brigadier Commander Enos Queeth. With the entire world in the crosshairs, MacGruber must reassemble his old team in order to defeat the forces of evil.

The chronicles of  teacher Ralph Hinkley's adventures after a group of aliens gives him a red suit that gives him superhuman abilities. Unfortunately, Ralph, who hates wearing the suit, immediately loses its instruction booklet, and thus has to learn how to use its powers by trial and error, often with comical results.

A young girl and her blended family move to the small cottage town of Evermoor. All is well until sinister things start to happen, magic tapestries, an enchanted typewriter. Only a few of the strange things found in the town of Evermoor.

My Secret Identity was a Canadian television series starring Jerry O'Connell and Derek McGrath. Originally broadcast from October 9, 1988 – May 25, 1991 on CTV in Canada, the series also aired in syndication in the United States. The series won the 1989 International Emmy Award for Outstanding Achievement in Programming for Children and Young People.

Dempsey and Makepeace is a British television crime drama made by London Weekend Television for ITV, created and produced by Ranald Graham. The leading roles were played by Michael Brandon and Glynis Barber, who later married each other on 18 November 1989. The series combined elements of previous series such as the mis-matching of British and American crime-fighters from different classes as seen in The Persuaders! and the action of The Professionals.

Legendary highwayman Dick Turpin sets out on a series of wildly absurd escapades when he's made the reluctant leader of a band of outlaws—and tasked with outwitting utterly corrupt lawman Jonathan Wilde.

A fun and honest portrayal of two radically different female detectives in their early 40s following Guns and Gangs detective Sam and Narcotics detective Kelly, who by day are true action heroes in their own particular way: skilled, tough, determined, and ruthless. But by night, they’re both grappling with loneliness, dysfunctional families, screwed-up love lives, and a sense that their professional ambitions may not be totally in line with their personal needs.