War of the Worlds

The New Avengers is a British secret agent fantasy adventure television series broadcast during 1976 and 1977. It is a sequel to the 1960s series The Avengers and was developed by Albert Fennell and Brian Clemens. A joint United Kingdom-France-Canada production, the show picks up the adventures of John Steed and his team of Avengers fighting evil plots and world domination. Whereas in the original series Steed had almost always been partnered with a woman, in the new series he had two partners: Mike Gambit, a top agent, crack marksman and trained martial artist, and Purdey, a former trainee with The Royal Ballet who was an amalgam of many of the best talents from Steed's previous female partners.

Jack Regan, an unethical officer of the Flying Squad, uses unorthodox methods to pursue criminals with the help of his partner, George Carter.

Streetwise Detective David Starsky partners up with a more intellectual partner, Kenneth 'Hutch' Hutchinson, to protect citizens and patrol the streets of Bay City.

Danger Man is a British television series which was broadcast between 1960 and 1962, and again between 1964 and 1968. The series featured Patrick McGoohan as secret agent John Drake. Ralph Smart created the programme and wrote many of the scripts. Danger Man was financed by Lew Grade's ITC Entertainment.

Detective Cheng is commissioned by Interpol to destroy the Empire of Chaiba, a worldwide criminal organization based in Southeast Asia. He initiates an undercover operation to infiltrate the organization.

Cordell Walker, a widower and father of two with his own moral code, returns home to Austin after being undercover for two years, only to discover there's harder work to be done at home.

Before Sam and Dean, there was John and Mary. Told from the perspective of narrator Dean Winchester, this is the epic, untold love story of how John met Mary, and how they put it all on the line to not only save their love, but the entire world.

S.W.A.T. is an American action/crime drama series about the adventures of a Special Weapons And Tactics team operating in an unidentified California city. A spin-off of The Rookies, the series aired on ABC from February 1975 to April 1976. Like The Rookies, S.W.A.T. was produced by Aaron Spelling and Leonard Goldberg.

The Mod Squad was the enormously successful groundbreaking "hippie" undercover cop show that ran on ABC from September 24, 1968, until August 23, 1973. It starred Michael Cole as Pete Cochren, Peggy Lipton as Julie Barnes, Clarence Williams III as Linc Hayes, and Tige Andrews as Captain Adam Greer. The executive producers of the series were Aaron Spelling and Danny Thomas. The iconic counter-culture police series earned six Emmy nominations, four Golden Globe nominations plus one win for Peggy Lipton, one Directors Guild of America award, and four Logies. In 1997 the episode "Mother of Sorrow" was ranked #95 on TV Guide's 100 Greatest Episodes of All Time.

A young CIA operative, Annie Walker, is mysteriously summoned to headquarters for duty as a field operative. While Annie believes she's been promoted for her exceptional linguistic skills, there may be something or someone from her past that her CIA bosses are really after. Auggie Anderson is a CIA military intelligence agent who was blinded while on assignment and is Annie's guide in this world of bureaucracy, excitement and intrigue.

Ed Deline is a strict ex-CIA officer who went from being Head of Security to becoming President of Operations of the Montecito, whose job is to run the day-to-day operations of the casino. Following his departure, former Marine Danny McCoy, Ed's former protégé, becomes the Montecito's new President of Operations.

Echo is a member of a highly illegal and underground group of individuals whose personalities have been wiped clean so they can be imprinted with any number of new personas. Confined between missions to a secret facility known as the Dollhouse, the "Actives" are hired by the wealthy, powerful and connected to wholly become—with mind, personality and physiology—whomever the client wants or needs them to be. They know no other life than the specific engagements they are in at that time—or do they?