Champs 12

Mar de Amor is a Spanish-language telenovela produced by Nathalie Lartilleux with protagonists Zuria Vega, Mario Cimarro and Mariana Seoane and antagonists Ninel Conde, Marcelo Córdoba and Manuel Landeta. This is a remake of the 1978 Venezuelan telenovela María del Mar.

Set in New York, the serial features the street-wise Ángel, who treats life as a game he plays to win. He tangles with the power-hungry Martín, who is engaged to a stunning, feisty lawyer named Manuela. She decides to defend Ángel, even though Martín wants to destroy him. Neither of the men know that Ángel is Martín's own son. Our hero learns that love is the only key to survival.

A respected and renowned businesswoman and philanthropist, considered one of the most sought-after brides in the country, who is left at the altar on her wedding day. Humiliated, betrayed, and turned into a target of public scrutiny, Doménica decides to flee and take refuge in one of her parents’ old estates. There, marked by pain, she faces new challenges and meets Luis Fernando, the owner of the neighboring estate, who also carries a painful past. Between them, an explosive relationship develops, marked by pride, misunderstandings, and growing attraction, where land disputes intertwine with their shared desire to rebuild, heal, and give new meaning to their lives.

Follow the complicated dynamic between the rich and powerful Cryer family and the hired help who work in their opulent Savannah, Georgia, mansion.

A romance blossoms between a young country woman and the grandson of the late owner of a tequila company. The young man promises to return and marry his girlfriend once he finishes his studies abroad, unaware that she has become pregnant.

Having to serve a sentence for a murder she did not commit but took the blame for, a woman gives her baby to her sister to be raised without knowing the truth. 20 years later she is freed and try to be once again part of her life. But things get complicated when the daugther, Rosalinda, and Fernando, the son of the man that was killed, become close.

The beautiful young Montserrat is forced to marry a man she does not love in order to save her family from ruin and maintain their social standing.

Alma Rebelde is a 1999 Mexican telenovela, starring Lisette Morelos, Eduardo Verástegui and the late Edgar Ponce. It was produced by Televisa. This telenovela contained 90 episodes.

Soccer is the central theme of this fun story, in which Lorena, Paulina, Daniela, and Fernanda learn to face life by tackling the challenges the game presents—both on the field and in love.

Amar a Muerte is a Mexican telenovela produced by W Studios for Televisa and originally broadcast on Las Estrellas from October 29, 2018, to March 3, 2019. It is based on the Colombian telenovela En Cuerpo Ajeno, created by Julio Jiménez. The story follows the extraordinary lives of three people whose souls are mysteriously reincarnated into different bodies after their deaths. As they adjust to their new identities, they confront love, revenge, family conflicts, and long-hidden secrets.

Guiding Light is an American television soap opera that is credited by the Guinness Book of World Records as the longest-running television drama in history, broadcast from 1952 until 2009, preceded by a 15-year broadcast on radio. Guiding Light stands as the third longest-running program in all of broadcast history; only the Norwegian children's radio program Lørdagsbarnetimen and the American country music radio program Grand Ole Opry have been on the air longer. On April 1, 2009, it was announced that CBS canceled Guiding Light after a 72-year run due to low ratings. The show taped its final scenes for CBS on August 11, 2009, and its final episode on the network aired on September 18, 2009.

La Patrona is a Spanish-language telenovela produced by United States-based television network Telemundo Studios, Miami and Mexican Argos Comunicación. The telenovela is a remake of the Venezuelan telenovela La Dueña, written by José Ignacio Cabrujas. The name reflects a local term or slang in Mexico to address a person recognized as the main boss. However, the title is also a reflection of both the protagonist and the antagonist struggle to conquer power, authority and respect in a labor field traditionally deemed to be a man's job.