Hennariikka Laaksola

The director Lauri Nurkse tells that Veijarit is a film about "arjensietokyvyttömyys" (= inability to tolerate everyday life) and about the Peter Pan complex. The main actor Mikko Leppilampi says it's about "kolkyttoistavuotiaat" (= thirtyeenagers = people of thirty behaving like teenagers). An immediate reference point is the commedia all'italiana of the 1950s and the 1960s, the black comedy often exposing the infantile stage of development of the Italian male. Saku and Ässä are anti-heroes, but we never fail to sense the humanity behind their shallow and crazy ways. Veijarit is a satire and a parody of a superficial way of life, but there is a vitality in the protagonists that we feel can lead them to a more meaningful stage of existence after the prolonged youth full of sound and fury. There is a motif of transcendence in the imagery of flying: will the balloons carry me or will they burst.

In 1980s Helsinki, a city about to burst with young energy and rebellion, two young writers determined to conquer the world fall madly in love. For Inka, the love affair puts everything in motion: she finds her own voice, publishes her first novel, and becomes a sensation. The intensity of their relationship has a different affect on Juhana, who starts to lose his grip on writing and, finally, life. At the height of the love affair Inka starts to suspect that their mad love might actually be real madness.

19th century drama set on the plains of Ostrobothnia, western Finland, which are controlled by groups of knife-wielding thugs, the toughs. Traditionally, the first-born son inherits everything, so when Esko – a bum and a gang leader – learns that his father will leave the Välitalo estate to his younger and exemplary brother, all hell breaks loose.

Two teenage girls, one of them desperate to lose her virginity, take a hitchhiking road trip.

The story of a simple and good-natured rocker in his late thirties who has a homemade electric guitar and loving parents.