
Acting
María Félix
Born 1914-04-08 · Alamos, Sonora, Mexico
María de los Ángeles Félix Güereña (8 April 1914 – 8 April 2002) was a Mexican film actress. She is considered one of the most important female figures of the Golden Age of Mexican cinema. She was also considered one of the most beautiful film actresses of her time, and one of the greatest erotic myths of Spanish-language cinema. Along with Pedro Armendáriz and Dolores del Río, she is one of the most important figures of Mexican cinema of the 1940s and 1950s. She is known by the nickname La Doña, a name derived from her character in the film Doña Bárbara (1943). She is also known as María Bonita, thanks to the anthem composed exclusively for her, as a wedding gift by the composer Agustín Lara. She completed a film career that included 47 films made in Mexico, Spain, France, Italy and Argentina.
Acting credits
Expensively-kept woman unexpectedly falls for a Zapatista general. She sells her jewels to help finance the revolution and ends up fighting on the front lines. Yeah, right.
Café Colón
1959
7.6An Indian arouses envy for his expertise in hunting animals without ruining their skins, for his wisdom and his kindness.
Tizoc
1957
6.6Mourners share their memories of a dead film-star at her wake, a la Citizen Kane. Only melodrama.
La estrella vacía
1960
7.2Nineteenth-century Paris comes vibrantly alive in Jean Renoir’s exhilarating tale of the opening of the world-renowned Moulin Rouge. Jean Gabin plays the wily impresario Danglard, who makes the cancan all the rage while juggling the love of two beautiful women—an Egyptian belly-dancer and a naive working girl turned cancan star.
French Cancan
1955
6.0A 17th century woman, imprisoned for fighting in a bar, recounts her past to a priest. She tells of her father teaching her how to fence, of being sent to a convent by her aunt when her father died, of escaping by dressing as a man, and of her life as a man following the escape.
La monja alférez
1944
6.4A smuggler, condemned to be shot, is pardoned in exchange for kidnapping "La Valentina."
La Valentina
1966
6.5Documentary about the presence of Latin American culture and actors in American movies.
The Bronze Screen: 100 Years of the Latino Image in American Cinema
2002
10.0The fascinating story of a man destined to be only a son of and who sought all his life to become "someone" by getting rid of the overwhelming image of his genius as a father, the painter Pierre-Auguste Renoir.
Quand Jean devint Renoir
2017
5.3Amid the Mexican Revolution, a woman rises from the depths of poverty and becomes a courtesan who is much-sought-after by high-society men, but she cannot forget her love for a rebel leader.
The Hidden One
1956
7.8In Mexican Revolution times, a guerrilla general and his troops take the conservative town of Cholula, near by Mexico City. As the revolutionaries mistreat the town's riches, General Reyes falls for beautiful and wild Beatriz Peñafiel, the daughter of one of the town's richest men.
Enamorada
1946
4.1A story, set in Rome of 44 A.D., concerning the amorous and political intrigues of the evil Empress Messalina, the wife of the Roman Emperor Claudius, and her eventual hounding to death.
The Affairs of Messalina
1951
6.8Antonio, a millionaire, gifts his wife a statue of a naked, kneeling woman for their wedding anniversary.
The Kneeling Goddess
1947
8.1A good cast smooths over the rough spots of Les Heros sont Fatigues. The scene is the African republic of Liberia, which in this film proves to be a stopping-off point for a number of shady characters. Yves Montand plays a French ex-pilot who becomes involved in a scheme to smuggle stolen diamonds. His cohorts include a Nazi collaborator, a German refugee, and the white mistress of a prominent Liberian. A romance develops between the ex-pilot and the aforementioned mistress. Meanwhile, one of the conspirators (Curt Jurgens) has a last-minute attack of conscience, effectively queering the deal. The steamier romantic passages in Les Heros sont Fatigues had to be trimmed for American consumption.
Heroes and Sinners
1955
6.2After Caribbean despot Mariano Vargas is murdered at the hands of his enraged populace, his secretary Ramón Vázquez takes not just control but also Vargas' widow Inés, with whom he's been having an affair. Special military unit leader Alejandro Gual arrives to overthrow Vázquez by turning the people and Inés against him.
Fever Mounts at El Pao
1959
5.4White-collar criminals conspire to prevent a shmuck from collecting an inheritance.
Si yo fuera millonario
1962
NRBased upon Vincenzoni's biography, "Pane e cinema", the documentary traces the story of the screen play writer who invented many stories that became blockbusters throughout the world.
Il falso bugiardo
2008
6.0Anthology of clips from classic-era Mexican films, with reality-footage of elderly actors discussing their memories of the period.
México de mis amores
1979
6.4The Mexican Revolution serves as a backdrop to a torrid love triangle composed of three freedom fighters: a colonel, a widow, and a fiery female soldier.
La Cucaracha
1959
5.6Rome, Italy, February 1900. While a malaria epidemic sweeps the city, the young and beautiful Donina meets Leonardo, an ambitious sculptor, who makes her his model.
La noche del sábado
1950
4.9This typical Mexican melodrama is set in a coastal fishing village where a wealthy fisherman lives with his wife and young son. Their lives are turned upside down when an American of dubious morality comes into town. The American and the fisherman's wife had been lovers years and years ago -- and now the fisherman begins to suspect that the son he always thought was his, is really the offspring of this foreign intruder.
Beyond All Limits
1959
6.8On a small Mexican island dwells a group of Indians who live in the traditional manner and who disdain outsiders. The beautiful Maclovia and the poverty-stricken Jose Maria are in love, but her father refuses to allow their marriage, or even any communication between them, due to Jose Maria's lack of means.
Maclovia
1948
6.2A sort of meta riff on Alexandre Dumas fils' novel The Lady of the Camellias (La Dame aux Camélias or Camille) here in Mexican melodrama form involving the doomed love of a bullfighter and a beautiful but ailing actress/courtesan.
Camelia
1954
8.5Untouchable, inaccessible, ungraspable... Maria Felix is one of the great myths of Latin American cinema. Fatal passions, multiple marriages, sudden deaths and fabulous diamonds, these are the components of the legendary life of this artist. Through the excerpts of her films and the archive material we can understand her characters and how this life of splendor also led her to the high solitude of her mansions, temples of her cultures.
Inasible María Félix
2001
5.4A woman suffers from amnesia after killing her husband, who was just about to demand a divorce for having found her engaging in an affair with a lover, who is only interested in her to find where some precious jewels are hidden.
Black Crown
1951