Damián Dreizik

During the 1986 World Cup in Mexico, in the legendary match between Argentina and England, Diego Maradona scored two unforgettable goals in a game that meant more than sport for a nation scarred by the Falklands War. Decades later, when the jersey he used in the match is auctioned, a humble kit man shaped by profound loss sets out on a final journey that forces him to confront his past and his broken relationship with his daughter.

Federico Manuel Peralta Ramos was an artist responsible for the creation of a work that it was as ephemeral as it is eternal. He was born in a traditional family, but some years later the curiosity for the art scene, night life and avant-garde development pushed him to live within the iconoclastic and unbiased young 60's crowd.

When Marcelo Pena finally is about to be appointed Head of the Philosophy Department, the famous and seductive Professor Sujarchuk returns from Europe to claim the kingdom for himself.

In 1982 the Malvinas war affected combatants from Argentina and the United Kingdom. The shock wave of the crisis shook thousands of souls in many countries. This documentary tells five stories of civilians whose lives changed forever by the conflict. An inquiry about being in the right place, at the right time, or the opposite

The venerable VHS may have surprises. A strange spell captures the protagonists, who are friends, and submerges them straight into the world of the most implausible Argentine cop films. An amazing flow of images lost, forgotten and recovered whose consumption threatens to become addictive.

Clara Goldstein is a lovely, middle-aged Jewish woman who, because of an impending visit from her American brother, is forced to create a contrived relationship with a man of her own faith. She places an ad in a personals column and meets Raul, a well-spoken, handsome and charming man whom she soon discovers is a Gentile and does not fulfill her reason for placing the ad. Having no alternative, Clara proceeds to instruct Raul with an intensive course in Judaism. Their journey is both humorous and captivating, but not without pitfalls. These two mature people risk a last chance at a meaningful relationship in their lives.

It summarizes the encounter, at the end of 1999, between the bewildered Victoria and a man who has just arrived from Madrid to meet her on the last day of the millennium. The minimal dramatic substance of this situation acquires a singular character insofar as that man is her father: the girl is 27 years old and it is the first time she is going to see him.

In the 21st century, man arrives on Mars, where he discovers that there was life. Later, through a television program, details of the Red Planet are discovered, after being invaded by humans.

After the theft of his motorcycle, Lucio bums aimlessly around Buenos Aires drifting from one arcade and record store to the next, indulging in short chats with friends and, more often, setting out onto the streets alone.

A classic short from FARSA Producciones.

A renowned sommelier finds a way to communicate with her past self in an attempt to correct the mistakes that have shaped her life. However, each message sent triggers unexpected consequences, altering not only her present but also the fates of those around her. What begins as an opportunity to make amends for the past becomes a race against time to prevent everything from spiraling out of control.

When his pet is killed by a probe from earth, Mercano, a Martian, travels to earth angered. Landing in Buenos Aires, at first noone takes any notice of him.

A man in his thirties does not want to be like his father, but that seems to be unavoidable.

Patoruzito travels to Buenos Aires to represent their race into a national holiday, and there is a mansion where a witch tries to make a fairy prisoner.

Two young men steal an Egyptian mummy and are pursued by an Egyptian assassin who wants to return the relic to his country, by a paleontologist, by two police officers, and by the ghost of an ancient curse.

Epecuén was one of the most important touristic villages of Argentina. Thousands of people concurred, attracted by the healing properties of its thermal waters. On November 10th 1985, a huge volume of water broke the protecting embankment and the village was submerged under ten meters of salt water. Epecuén disappeared. Thirty years later, the waters receded and the ruins of Epecuén emerged exposing a bleak and deserted landscape. The residents never returned. The plot revolves around a group of young people that take a trip to the ruins in order to film a documentary about Epecuén. Ignoring the warnings, and after a brief tour, they get stranded in the abandoned village. Contrary to what they thought, they begin to realize that they are really not alone…

After embracing her female identity, Rubén rejects her Bar Mitzvah. When tragedy strikes years later, she returns as Mumy Singer to celebrate it her way.

No synopsis available yet.

The inhabitants of San Hilario make their living from funerals. They are awaiting their first customer in a long time.

A unfulfilled man tries to find something to ling to, traveling from town to town, in one of them he'll find enough reason to stay.

Based on the remains of never-completed Argentine features from the archives of the film museum in Buenos Aires. The film is, as it were, a parallel film history: an essay like a cinematographic Frankenstein, that blows new life into images that once seemed unsuccessful and pointless.

In the spring of 2015, with her 80 years of age, Eloísa prepares to participate in a new celebration commemorating October 17, 1945. 70 years have passed since that feat of the working people. Everything is fresh in Eloísa's memory, also that night in 1944 when she became a witness to a secret meeting in the mansion where she worked as a service staff. There was Colonel Juan Domingo Perón fighting a duel with the representatives of the economic power of the time who proposed to condition his actions. Meanwhile, in the kitchen, the staff debated the current employment and political situation.

The film is about the stories of Ailí, Morón, Equis, Fer and Toro. They live together in Buenos Aires. It shows the intimacy of every day situations combining like a puzzle fragments of the five characters during five days of the week. Each one go through different situations that ends in an unique scene about the desires and limitations of our lives.

The story revolves around the life of Leopold, a middle-class father; his wife Isabel working for a decadent comedian; Beto, the son, a taxi driver; and Martita, the daughter, a divorced and unemployed hairdresser. All live in 'harmony' in a 40 square-meter apartment. One day Leopoldo takes it upon himself to donate blood. The next day, he is summoned once more to the hospital. His life is about to change, and radically so.

No synopsis available yet.

José (Diego Capusotto) lives in Buenos Aires with his father, with whom he doesn't have a good relationship. He's a musician, but supports himself with the earnings from his taxi company, and when he can, he plays with his band in pubs. He's nostalgic for the success he could never achieve again, like when he played with his cousin Miguel (Luis Luque). They had both achieved a certain notoriety with the song "Pájaros vuela" (Flying Birds) by their band "Dientes de Limón." After a long time without seeing each other, Miguel, who lives in Las Pircas, a small town in the mountains of Córdoba, comes to visit him and suggests that he leave the city and come with him.