Yılmaz Erdoğan

No synopsis available yet.

When a mythical map falls into the hands of a legendary scam artist, he decides to pull one last con before leaving it all behind for good.

In 1919, Australian farmer Joshua Connor travels to Turkey to discover the fate of his three sons, reported missing in action. Holding on to hope, Joshua must travel across the war-torn landscape to find the truth and his own peace.

No synopsis available yet.

No synopsis available yet.

Literature teacher Azem Yücedag, who was accused of killing his wife, is released from prison and embarks on a path to search for what he lost.

No synopsis available yet.

When a mythical map falls into the hands of a legendary scam artist, he decides to pull one last con before leaving it all behind for good.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

Literature teacher Azem Yücedag, who was accused of killing his wife, is released from prison and embarks on a path to search for what he lost.

Çok Güzel Hareketler 2 is with you, featuring a cast from the second generation of BKM Mutfak and exceptional new sketches from Yılmaz Erdoğan's workshop.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

Çok Güzel Hareketler Bunlar, which's first episode published in 7 May 2008 on Kanal D, is an entertainment program. In Yilmaz Erdogan's management, BKM Mutfak players takes the stage and to give an active role to the audience, they let audience to rate the games.Yilmaz Erdogan's brother Deniz Erdogan wrote lyrics for a very familiar American folk song "Camptown Race" and that production became the generic music of the program.

No synopsis available yet.

Asim Noyan swindles people with his lies and games. Asim Noyan and his gang, who no one else has been able to catch, get into a ruse again.

Asim Noyan swindles people with his lies and games. Asim Noyan and his gang, who no one else has been able to catch, get into a ruse again.

A struggling, suicidal young comedian meets a car thief who is willing to teach him a few things about his profession.

A struggling, suicidal young comedian meets a car thief who is willing to teach him a few things about his profession.

Ahead of a promotion, a police chief becomes entangled in a deadly incident and uncovers an intrigue fueled by grudge that threatens his colleagues.

When a group of people meets at the same party, they form four different relationships, each experiencing similar phases of love.

When a group of people meets at the same party, they form four different relationships, each experiencing similar phases of love.

The story takes place in the small town of Hakkari in Turkey at the beginning of the '70s. The time has come to bring technology to that small town. The first Television (called Visiontele by the citizens) arrives and the chaos begins.

The story takes place in the small town of Hakkari in Turkey at the beginning of the '70s. The time has come to bring technology to that small town. The first Television (called Visiontele by the citizens) arrives and the chaos begins.

In a small Turkish town, two young tuberculous poets try to survive while publishing their poems. As they both fall in love, their life would never be the same.

Guner Sernikli is a government official who, with his wife and their wheelchair bound daughter, has been assigned as the head librarian to this isolated province, virtually an exile since there is no library in the village. The family is warmly welcome, but these are the years of political anarchy and leftist/rightist clashes in big cities and the youth of the village inevitably follow the tides. They arrive in Vizontele, just as the situation is becoming really absurd. Guner brings wisdom; his daughter Tuba brings beauty, innocence and love. Some like the Mayor, Nazmi Dogan and crazy Emin appreciate these things but they are in the minority and confusion continues to reign. The story is based on the memories of writer-director Yılmaz Erdoğan of the last summer of his childhood in Hakkâri, Turkey in 1980.

Guner Sernikli is a government official who, with his wife and their wheelchair bound daughter, has been assigned as the head librarian to this isolated province, virtually an exile since there is no library in the village. The family is warmly welcome, but these are the years of political anarchy and leftist/rightist clashes in big cities and the youth of the village inevitably follow the tides. They arrive in Vizontele, just as the situation is becoming really absurd. Guner brings wisdom; his daughter Tuba brings beauty, innocence and love. Some like the Mayor, Nazmi Dogan and crazy Emin appreciate these things but they are in the minority and confusion continues to reign. The story is based on the memories of writer-director Yılmaz Erdoğan of the last summer of his childhood in Hakkâri, Turkey in 1980.

Guner Sernikli is a government official who, with his wife and their wheelchair bound daughter, has been assigned as the head librarian to this isolated province, virtually an exile since there is no library in the village. The family is warmly welcome, but these are the years of political anarchy and leftist/rightist clashes in big cities and the youth of the village inevitably follow the tides. They arrive in Vizontele, just as the situation is becoming really absurd. Guner brings wisdom; his daughter Tuba brings beauty, innocence and love. Some like the Mayor, Nazmi Dogan and crazy Emin appreciate these things but they are in the minority and confusion continues to reign. The story is based on the memories of writer-director Yılmaz Erdoğan of the last summer of his childhood in Hakkâri, Turkey in 1980.

Sinan is sent to Capadocia by his boss, Isfendiyar to write a screenplay. As he waits for inspiration, Sinan finds himself running first into Eylul, the daughter of Izzet, who owns the hotel where he's booked to stay, and then into soap opera star Faruk, his former good friend and present enemy. It isn't long before cabdriver Lokman, who declares himself Sinan's 'chauffeur' and Arif, a local farmer and horse breeder, are part of both Sinan's life and his screenplay. Although plentiful adventures among the magical fairy chimneys, colorful balloons and at the annual grape festival become like a movie for all involved, the happy ending awaited by the boss, Isfendiyar never happens. But the boss insists on his happy ending. And Sinan has to write that ending!

Yılmaz Erdoğan's lauded stage play traces the life of wunderkind Gülseren as she navigates social and political change.

Yılmaz Erdoğan's lauded stage play traces the life of wunderkind Gülseren as she navigates social and political change.

After his ad agency goes bankrupt, an indebted Fırat falls for a singer at a yoga retreat and joins her on a journey of self-realization.

Burdened by troubles and caught between cultures, Riza takes a job as a mall Santa and finds that real life may not be so different from make believe.

Burdened by troubles and caught between cultures, Riza takes a job as a mall Santa and finds that real life may not be so different from make believe.

“Anlatacaklarım var! Vaaz vermek değil niyetim, duyduğumu söylemek. Söylemeye değer şeyler duyuyorum zira. Belki hayatı daha yaşanır kılmak için ya da belki sade, ama sade anlatmak için... Sen anlat dedi Tanrı bana, anlaşılsın diye değil, hiçbir mükafat istemeden anlat... Çünkü bir mükafattır artık bir anlatıcıya doğru düzgün anlaşılmak! Sen anlat dedi... Sen sade anlat! Umudu hatırlatsın diye umutsuzluğu, çareye yol açsın diye çaresizliği anlat... Ders verme dedi kimseye, çünkü hoca denmez öğrenmesini bitirene. Çırakları olan bir çıraktır usta, olsa olsa... Sen anlat dedi bana Tanrı, sen sade anlat.... “ Yılmaz Erdoğan, “Bana Bir Şeyhler Oluyor” oyununun kahramanı Hilmi Duran’a söylettiği bu sözlerle, yazar olarak neden böyle bir oyun yazmak zorunda kaldığını açıklamakla kalmıyor, aynı zamanda kahramanının da kimliğini ele veriyor.

“Anlatacaklarım var! Vaaz vermek değil niyetim, duyduğumu söylemek. Söylemeye değer şeyler duyuyorum zira. Belki hayatı daha yaşanır kılmak için ya da belki sade, ama sade anlatmak için... Sen anlat dedi Tanrı bana, anlaşılsın diye değil, hiçbir mükafat istemeden anlat... Çünkü bir mükafattır artık bir anlatıcıya doğru düzgün anlaşılmak! Sen anlat dedi... Sen sade anlat! Umudu hatırlatsın diye umutsuzluğu, çareye yol açsın diye çaresizliği anlat... Ders verme dedi kimseye, çünkü hoca denmez öğrenmesini bitirene. Çırakları olan bir çıraktır usta, olsa olsa... Sen anlat dedi bana Tanrı, sen sade anlat.... “ Yılmaz Erdoğan, “Bana Bir Şeyhler Oluyor” oyununun kahramanı Hilmi Duran’a söylettiği bu sözlerle, yazar olarak neden böyle bir oyun yazmak zorunda kaldığını açıklamakla kalmıyor, aynı zamanda kahramanının da kimliğini ele veriyor.

Yilmaz Erdogan, who presents strong insights on digital technology and social media, answers questions about himself and takes the audience on a very funny and "authentic" journey.

Written by Yılmaz Erdoğan and first staged at the Beşiktaş Cultural Center (BKM) in 1995, Otogargara ran for four seasons to sold-out audiences. The play was also performed 468 times in many provinces and districts of Anatolia between 1995 and 1999, in addition to Ankara and İzmir. During its run at BKM, Otogargara was directed by Turgay Kantürk and featured Yılmaz Erdoğan, Demet Akbağ, Sinan Bengier, Olgun Şimşek, Zerrin Sümer, Erdoğan Dikmen, Gürdal Tosun, Evrim Solmaz, and Serhat Özcan, along with 22 other actors and dancers. It was the first play produced by BKM.

In an eastern Turkish town, suitors knock on the door of the mayor and father of three beautiful daughters who choose to follow their own paths.

In an eastern Turkish town, suitors knock on the door of the mayor and father of three beautiful daughters who choose to follow their own paths.

A male (Yilmaz Erdogan) and female (Demet Akbag) meets at desolate balcony during a party. After a little while they start to talk via phone for hours and like each other. Their relationship turns into a passionate love which brings about a marriage; sooner or later they start to realize that their relationship has critical problems which are needed to be solved.

A male (Yilmaz Erdogan) and female (Demet Akbag) meets at desolate balcony during a party. After a little while they start to talk via phone for hours and like each other. Their relationship turns into a passionate love which brings about a marriage; sooner or later they start to realize that their relationship has critical problems which are needed to be solved.

When it comes to stand-up comedy, one of the first names that comes to mind is Yılmaz Erdoğan, who recounts scenes from his own life and discusses current issues in the country with his usual mastery. In his own words, he "fills his pockets with words" and leaves his audience in stitches.