Elisabeth Trissenaar

Maria marries a young soldier in the last days of World War II, only for him to go missing in the war. She must rely on her beauty and ambition to navigate the difficult post-war years alone.

Elvira Weishaupt, once a burly working-class butcher, has made an enormous sacrifice for love. She has undergone a sex change for a romantic interest who has abandoned her, and she now must struggle to reconcile her past life with her present identity.

No synopsis available yet.

In 1939, Charlotte Salomon leaves Berlin to seek refuge at her grandparents' villa in the south of France. A little later, war breaks out, and Charlotte must, besides forgetting all she left behind, deal with her grandmother's depression, and her mother's suicide. To fight despair, Charlotte starts to paint, producing over one thousand images. "Is my life real, or is it theater?" This is the title she gives her body of work, which highlights her former life in Berlin. She finds herself though her art, but in 1943 is deported to Germany and Auschwitz.

Based on archive holdings from nine decades, director Hannes Rossacher has created a complete Jedermann performance and thus a unique cultural-historical puzzle from Alexander Moissi to Nicholas Ofczarek. The success story of the phenomenon "Everyman" is told in an unprecedented way.

In May of 1983, a man turns 49 and, with his 17-year old son, journeys to the village in Baden that he left 40 years before. He wants to discover what happened then, the truth about an affair his mother had with a young Polish prisoner of war, how the authorities came to learn of it, the lovers' arrest, and the aftermath. While his son takes Polaroid photographs, he retraces the steps of his childhood and interviews those who should remember. The story is disclosed in flashbacks that focus on the lovers (Paulina and Stanislaus), on a jealous and conniving neighbor, and on Mayer, the local SS commander who wants to find a way out of inevitable consequences.

In the winter of 1942-43, a Jewish family leaps from a train going through Silesia. They are separated in the woods, and Leon, a local peasant who's now a farmer of some wealth, discovers the woman, Rosa, and hides her in his cellar. Leon's a middle-aged Catholic bachelor, tormented by his sexual drive. He doesn't tell Rosa he's seen signs her husband is alive, and he begs her to love him. Rosa offers herself to Leon if he'll help a local Jew in hiding who needs money. Leon pays, and love between Rosa and him does develop, but then Leon's peasant subservience and his limited empathy lead to tragedy. At the war's end, a ray of sunshine comes from an unexpected place.

The Twenties: The German Fuhrmann family spend their holidays in Italy again. The country is full of mysteries in that time. The Fuhrmann's have to realize the upcoming and growing fascism and their children are fascinated by a magician visiting the town. Soon nothing is as usual. The times are changing ...

The lackluster and plodding Bolweiser has the (mis)fortune to be married to the town’s siren; his trusting nature leads him into serious trouble when she beds nearly every available guy.

On the brink of her 30th birthday, Fanny feels the door to marital happiness closing on her. She is obsessed with death and even visits evening classes on dying, so it seems fitting that she encounters a skeleton in the malfunctioning elevator of her apartment building. The skeleton is her neighbour Orfeo, a Black, gay, self-declared psychic, who convinces her that she is about to meet "him". But is it really Lothar, the new yuppie apartment manager ...?

In this triangle melodrama, a woman shuts herself off from the world, rejects the advancement of her husband in society, and enthrones her own successor.

Love story spanning 60 years of the lives of Charlotte and Hugo. As a teenager before the war she is in love with him, but he marries her sister. They share some brief happy moments during the difficult post-war period, then they are separated for the longest time. They meet again as 80-year olds.

Sonia’s nightmare is never ending. Her super-rich husband Frederic is now locked in a psychiatric unit after he attempted to kill her. But her mother-in-law continues to make her life hell by controlling her every move. Getting a job at a wellness spa in the mountains comes at just the rights time. However, on arriving, Sonia quickly realises that the villagers are not particularly sympathetic to newcomers and mysterious things begin to happen, all of them strangely connected to the legend of the devil of Milan. But is it just her mind playing tricks on her? DER TEUFEL VON MAILAND is a thriller based on the novel by Swiss author Martin Suter.

An abstract look at the changes in a woman's inner self. Married to a down-and-out writer, she is forced into a liaison with a book thief.

70-year old Brandner Kaspar lives with his granddaughter Nannerl in the mountains at the Schliersee. As he is visited by the Death and wants to take him, Brandner Kaspar tricks him and gets another 20 years of life.

Dramatic life of Gustav "Bubi" Scholz, who rose from post-war obscurity and a background in black market dealings to become a celebrated European boxing champion in the late 1940s. Charismatic and widely admired, he quickly became a national icon. But as the spotlight fades and his victories grow distant, Scholz’s personal life begins to unravel, leading him into a downward spiral of addiction and emotional turmoil.

After the essay "On Marionette theatre" by Heinrich von Kleist. The film focuses on Kleist himself, torn apart, searching for knowledge, for identity, trapped in his loneliness and self-absorption, jumping over walls, making grimaces, cruelty, suffering.

If there has been an "edit" somewhere on the music theatre scene since the dawn of the new millennium, which has been noted by the chroniclers as a tangible scandal - then the Salzburg festival production of the operetta "The Bat" by Johann Strauß, staged by Hans Neuenfels. Neuenfels, born in Krefeld in 1941 and long known as the "enfant terrible" of the theatre scene, was not the first within the reception history of the "bat" who dared to scratch their paint. This time there was not only an unconventional direction, but also serious interventions in the libretto. Neuenfels has written new dialogues, incorporating texts from other authors: Karl Kraus, Gottfried Benn, Hugo Ball. Conductor is Marc Minkowski.

A love story between a former Olympic swimmer turned jewel thief and a pastry chef/sex worker.

Each is dependent on the other. He breaks into the passport office to get a passport. He is surprised and ends up back in prison, where he is trained in military drill. After his release, he once again lodges with relatives, his sister and brother-in-law. Wearing a second-hand captain's uniform, he first takes over a guard unit and uses it to occupy Köpenick town hall, where all the employees of the town council submit to the supposed captain. The mayor is promoted to Berlin and Voigt presents himself to the authorities a few days later. At first, everyone present laughs at the prank, but then Voigt is made aware of the legal consequences. He is sent back to prison, but shortly afterwards he is pardoned by the Emperor.

No synopsis available yet.

Six intertwined people struggle with their own sincerity, and, in so doing, unravel their secrets and the lies they live.

An internist is accused of murdering the sixth of his seven wives. During the court hearing, numerous statements, especially those made by his former wives, confront him with his past. Finally acquitted, the doctor loses himself in feelings of deepest guilt and confusion as he searches for the truth about himself. The strict film adaptation of the novel by Max Frisch (1982).

After several strokes of fate ends a rage eruption of the otherwise so quiet power engineering technician Felix Grünler with a criminal complaint for assault. A grateful affair for his sister-in-law Karin, who forges an intrigue to gain the inheritance of her mother-in-law. She succeeds in having Felix admitted to psychiatry as incompetent. He is determined not to get into therapy. For doctors, this confirms the picture of the labile patient. But in the other patients Felix gives his consistent anti-attitude in the long run benevolent recognition.