Maitland McDonagh

Documentary, based on a British poll, listing the 100 sexiest movie and TV moments. Supplemented by new interviews with performers, filmmakers, and authors/critics.

Documentary tracing the rise of the 'slasher' movie.

Final entry in the Bravo scary movie moments countdowns that aired in 2009.

Fanarchy explores the rise of fan culture and ways in which fans are threatening the Hollywood system by becoming a creative force in their own right. With affordable technology at their fingertips, fans are producing more new content per month than studios or networks combined. Whether it's an original idea or a personal spin on a favorite film or TV show, fans are taking the reins and blurring the line between amateur and professional. Written and directed by Halifax’s own Donna Davies, Fanarchy exposes the burgeoning media landscape and the issues that complicate it – copyright, intellectual property and the concept of originality in a remix culture.

A detailed look at the history of horror anthology films.

Feature-length in-depth documentary by High Rising Productions chronicling the Giallo film genre from its beginnings as early 20th century crime fiction, to its later influences on the modern slasher film genre. Featuring interviews with Dario Argento, Umberto Lenzi, Luigi Cozzi, Richard Stanley, and more.

Documentary that explores Argento's film career.

Pretty Bloody: The Women of Horror is a television documentary film that premiered on the Canadian cable network Space on February 25, 2009. The hour-long documentary examines the experiences, motivations and impact of the increasing number of women engaged in horror fiction, with producers Donna Davies and Kimberlee McTaggart of Canada's Sorcery Films interviewing actresses, film directors, writers, critics and academics. The documentary was filmed in Toronto, Canada; and in Los Angeles, California and New York City, New York in the US.

Filmmaker Peter de Rome talks about his career and some of the many projects he never finished.

A documentary feature that explores 1973's Messiah of Evil in the context of American independent cinema of the 70s, as well as examining the film's allegiance to several subgenres of horror.