Ramzi Abed

The Crapkeeper hosts two stories combining highbrow entertainment with kung fu action, alien adventure and vampire lesbian sex.

A stark look at one of Hollywood's darkest mysteries, The Black Dalia (Elizabeth Short) Murder.

Horror exploitation anthology from twisted minds of filmmakers from across the globe.

"Clay Fields" is a ghost story told partially in reverse in the form of a found footage VHS tape.

A surreal, dreamlike film exploring love, depression and death.

In the city of Los Angeles, millions of lives intersect everyday, but each individual is still isolated from the whole. A number of strange incidents occur to four men and four women, just as their own lives begin to spiral out of control. Surrounded by con artists, frauds, drug addicts, and homeless people, a story starts to form in a screenwriter's head. Little does he know, his characters seem to have come to life as well. Things takes a surprise turn, as these LA residents find themselves locked into a mystery together. While relating to quantum mechanics, our own spiral galaxy, and the struggle of human existence, an urban love story grows out of the vine of disconnection.

A stark look at one of Hollywood's darkest mysteries, The Black Dalia (Elizabeth Short) Murder.

A stark look at one of Hollywood's darkest mysteries, The Black Dalia (Elizabeth Short) Murder.

Horror exploitation anthology from twisted minds of filmmakers from across the globe.

"Clay Fields" is a ghost story told partially in reverse in the form of a found footage VHS tape.

A surreal, dreamlike film exploring love, depression and death.

A surreal, dreamlike film exploring love, depression and death.

In the city of Los Angeles, millions of lives intersect everyday, but each individual is still isolated from the whole. A number of strange incidents occur to four men and four women, just as their own lives begin to spiral out of control. Surrounded by con artists, frauds, drug addicts, and homeless people, a story starts to form in a screenwriter's head. Little does he know, his characters seem to have come to life as well. Things takes a surprise turn, as these LA residents find themselves locked into a mystery together. While relating to quantum mechanics, our own spiral galaxy, and the struggle of human existence, an urban love story grows out of the vine of disconnection.

In the city of Los Angeles, millions of lives intersect everyday, but each individual is still isolated from the whole. A number of strange incidents occur to four men and four women, just as their own lives begin to spiral out of control. Surrounded by con artists, frauds, drug addicts, and homeless people, a story starts to form in a screenwriter's head. Little does he know, his characters seem to have come to life as well. Things takes a surprise turn, as these LA residents find themselves locked into a mystery together. While relating to quantum mechanics, our own spiral galaxy, and the struggle of human existence, an urban love story grows out of the vine of disconnection.

Kelly Deerdale, Hawaii's wild child or an innocent girl caught up in a lifestyle she doesn't understand? In either case, she forces former Hawaii Skinnydipper Jimmy Chow to re-examine his naturists beliefs.

Caught between a thankless job with cruel co-workers and a surreal home life consisting of video games, fast food and insomnia, Abe finds out that he has a higher purpose. No matter what, violence is never the answer.

Caught between a thankless job with cruel co-workers and a surreal home life consisting of video games, fast food and insomnia, Abe finds out that he has a higher purpose. No matter what, violence is never the answer.

Caught between a thankless job with cruel co-workers and a surreal home life consisting of video games, fast food and insomnia, Abe finds out that he has a higher purpose. No matter what, violence is never the answer.

In SLUMBER PARTY SLAUGHTERHOUSE: THE GAME, audiences get the chance to put their horror movie trivia skills to the test while also helping a recently deceased high school geek take revenge on his former friends. The story follows Paul Tard, a geek on the eve of his high school graduation. Paul's friends are throwing a graduation party with hookers and drugs, but, when they come up one hooker short, Paul is uninvited to the party. Drowning his sorrows in wine stolen from a homeless man, Paul decides to take a bubble bath and bring along his laptop for some internet porn. Of course, the laptop falls in the bathtub and Paul electrocutes himself to death. None of this would have happened if he'd only been invited to the party, so Paul sells his soul to a demon in exchange for the power to take revenge on his former friends.

Upon finishing a funny submissive foot fetish movie scene with a co-performer (Sophia Jade, playing herself), Ramzi admits that he's basically done with the world of performing or acting in adult films, but he has one scene left that he feels obligated to, and it's with a mainstream indie film actress (Victoria De Mare, playing herself too). This last "boy/girl" scene carries a lot of weight and expectation though, since Victoria only appears in mainstream independent films, so this last scene was sure to be something different. All the while, all that Ramzi wants to find is love... Real love. Sometimes, you just have to let love in. Ramzi is leaving the "Brock Doom" world behind him in search of something purer and truer to his true self. As his recent past holds a grip over him, he finds his own path through remembrance, self-acceptance and ultimately, love. There is no sex portrayed in this film. There is only a casual conversation about life and love.

Upon finishing a funny submissive foot fetish movie scene with a co-performer (Sophia Jade, playing herself), Ramzi admits that he's basically done with the world of performing or acting in adult films, but he has one scene left that he feels obligated to, and it's with a mainstream indie film actress (Victoria De Mare, playing herself too). This last "boy/girl" scene carries a lot of weight and expectation though, since Victoria only appears in mainstream independent films, so this last scene was sure to be something different. All the while, all that Ramzi wants to find is love... Real love. Sometimes, you just have to let love in. Ramzi is leaving the "Brock Doom" world behind him in search of something purer and truer to his true self. As his recent past holds a grip over him, he finds his own path through remembrance, self-acceptance and ultimately, love. There is no sex portrayed in this film. There is only a casual conversation about life and love.

Upon finishing a funny submissive foot fetish movie scene with a co-performer (Sophia Jade, playing herself), Ramzi admits that he's basically done with the world of performing or acting in adult films, but he has one scene left that he feels obligated to, and it's with a mainstream indie film actress (Victoria De Mare, playing herself too). This last "boy/girl" scene carries a lot of weight and expectation though, since Victoria only appears in mainstream independent films, so this last scene was sure to be something different. All the while, all that Ramzi wants to find is love... Real love. Sometimes, you just have to let love in. Ramzi is leaving the "Brock Doom" world behind him in search of something purer and truer to his true self. As his recent past holds a grip over him, he finds his own path through remembrance, self-acceptance and ultimately, love. There is no sex portrayed in this film. There is only a casual conversation about life and love.

TELEPHONE WORLD tells the story of Rachel Plasky (Elissa Dowling), who finds out she got the lead part in a new TV show called "Fairfax Girls". The main body of the film is shot in one continuous 80-minute shot. All of the action happens in one single take with real phone calls and answering messages occurring in real-time.

TELEPHONE WORLD tells the story of Rachel Plasky (Elissa Dowling), who finds out she got the lead part in a new TV show called "Fairfax Girls". The main body of the film is shot in one continuous 80-minute shot. All of the action happens in one single take with real phone calls and answering messages occurring in real-time.