Ethel Waters

Broadway: The Golden Age is the most important, ambitious and comprehensive film ever made about America's most celebrated indigenous art form. Award-winning filmmaker Rick McKay filmed over 100 of the greatest stars ever to work on Broadway or in Hollywood. He soon learned that great films can be restored, fine literature can be kept in print - but historic Broadway performances of the past are the most endangered. They leave only memories that, while more vivid, are more difficult to preserve. In their own words — and not a moment too soon — Broadway: The Golden Age tells the stories of our theatrical legends, how they came to New York, and how they created this legendary century in American theatre. This is the largest cast of legends ever in one film.

No synopsis available yet.

In 1966, CBC Television invited some of North America's greatest blues performers to gather in a studio in Toronto, recording together and individually in sessions that lasted three days. The result was originally televised as part of the CBC "Festival" series, and now the session video tapes have been found, restored and re-edited. The great Muddy Waters and his band perform "You Can't Lose What You Never Had" and "Got My Mojo Workin'," the latter with James Cotton on harmonica. Willie Dixon goes solo on "Bassology" and (helped by a little '90s technology) performs "Crazy for My Baby" with host Colin James. Plus rare appearances by Sonny Terry and Brownie McGhee, Mable Hillery singing "How Long This Train Been Gone," and delta blues piano player Sunnyland Slim, introducing a whole new generation to this inspiring, soulful music.

Gene Kelly and Fred Astaire present more golden moments from the MGM film library, this time including comedy and drama as well as classic musical numbers.

Period music, film clips and newsreel footage combined into a visual exploration of the American entertainment industry during the Great Depression.

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Actor, writer, director and activist Ossie Davis narrates this look at the history of race films, those produced from the 1920s-50s catered to a primarily Black audience.

Tomboy, Frances 'Frankie' Addams, dreams of running away with her brother and new fiancée away from the Deep South.

The once-prominent Compson family of Jefferson, Miss., has been reduced to near-penury by generations of alcoholism and sin. Levelheaded Jason struggles to keep the family together, but his teenage stepsister, Quentin, chafes against his strictures. When Quentin's estranged mother reappears in town, and carnival worker Charles attempts to seduce the virginal teen, the family may finally be headed for complete collapse.

While struggling with their son’s serious illness, a young couple experiences conflict when her husband does not understand the wife’s acceptance of Christ. THE HEART IS A REBEL features the beloved Ethel Waters, and is set against Billy Graham’s historic 1957 New York City Crusade, with color scenes of the Crusade at Madison Square Garden.

The hard-working but struggling crew of a shrimp boat discover a sunken treasure. Trouble ensues in this dramatic black-cast production.

Gordon Jenkins' record album "Manhattan Tower" was a best seller for 12 years and this spectacular is based on it, with book, music and lyrics by Jenkins, produced and staged by him as well. The story is of a young man named Steven, visiting New York City and falling in love with Julie. Together they do the town, with music and dance this production is a vintage classic.

Pinky, a light skinned black woman, returns to her grandmother's house in the South after graduating from a Northern nursing school. Pinky tells her grandmother that she has been "passing" for white while at school in the North. In addition, she has fallen in love with a young white doctor, who knows nothing about her black heritage.

Ten screenwriters collaborated on this series of tales concerning the effect a tailcoat cursed by its tailor has on those who wear it. The video release features a W.C. Fields segment not included in the original theatrical release.

A young soldier on a pass in New York City visits the famed Stage Door Canteen, where famous stars of theatre and film appear and host a recreational center for servicemen during the war. The soldier meets a pretty young hostess and they enjoy the many entertainers and a growing romance.

When compulsive gambler Little Joe Jackson dies in a drunken fight, he awakens in purgatory, where he learns that he will be sent back to Earth for six months to prove that he deserves to be in heaven. He awakens, remembering nothing and struggles to do right by his devout wife, Petunia, while an angel known as the General and the devil's son, Lucifer Jr., fight for his soul.

This short traces the history of sound in the movies, beginning with French scientist Leon Scott's experiments in 1857. Featured are snippets from early sound pictures.

Reporter Homer Smith accidently draws Marcia Warren into his mission to stop Nazis from bombing Allied Conwoys with robot-planes.

From the great era of musical shorts come three gems that feature legendary African-American performers including Ethel Waters, Eddy Green and the incomparable Dusty Fletcher. The three featured shorts are: Mr. Atom's Bomb, Bubbling Over and Open the Door Richard. These musical classics must be seen!

In this all-black short musical comedy, a woman has a husband so lazy she can stick a pin in him without him waking up... but announcing lunch gets him up pretty fast. She's also saddled with a bevy of his lazy relatives. Four more come by and sing as a quartet. After the wife learns they had been traveling men, she advises them to keep traveling and kicks them out...

Conceited radio announcer irritates everyone else at the station.

A fantasy satire on politics in which a little boy dreams that he becomes President of the U.S. and his 'mammy' is Vice President. The film spotlights two now legendary performers much earlier in their careers: Ethel Waters and Sammy Davis Jr. In his first screen appearance, around the age of seven, pint-sized Davis sings, dances and clowns. Nicknamed 'the beanpole' slim and slinky Waters looks far different from the heavier figure she displayed in Pinky (1949) and Member of the Wedding (1953). Statuesque in a long glamorous white gown, she sings her big hit "Am I Blue." Davis, in turn sings "I'll Be Glad When You're Dead You Rascal You." (Separate Cinema)

Aimed at African Americans and shot at Tuskegee University, this film instructs viewers in the prevention and treatment of tuberculosis by focusing on a pair of sympathetic siblings, George and Mary, whose lives are altered by the disease. Starring Rex Ingram as Dr. Gordon, the film suggests that organized religion is an important defensive location in this particular community, and warns of the dangers of the previous generation’s superstitions and its fear of medicine. The Health Department prominently featured the film at the 1939 World’s Fair. Directed by Edgar Ulmer.

With unpaid actors and staff, the stage show Phantom Sweetheart seems doomed. To complicate matters, the box office takings have been robbed and the leading lady refuses to appear. Can the show be saved?