Mamunur Rashid

A heartbreaking tale of a poor yet honest young man as lies, conspiracies and a horrible betrayal by his rich and influential employer leads his life towards uncertainty.

After a heartbreak by Nitu, Ariyan Mirza seeks revenge, guided by his father Adib Mirza's wisdom. Their story transforms from romance to violence, culminating in courtroom confrontations over justice.

Shirja Mia is grave digger. He begs from village to village to get death news. Now he has only two things in his life. One is a doll which he bought for his daughter and other is a number which he has got from his ancestors. His ancestors believed that if someone could dig hundred graves he would surely be placed in heaven. But no one could ever reach the target. When shirja was young he came to a Char and got married. They had a lovely daughter named Rahela. He had to go to town for work. Rahela asked for a doll from the town. One day Shirja bought a doll, but he couldn't come back to Char due to bad weather. Next day he heard that the tidal bore had washed out the Char. Later he came back to Char. But he didn't find his daughter and wife anywhere. The Char was full of dead bodies. At that time he started digging graves. When one grave left to reach the hundredth, he falls in big crisis with a girl like his daughter. Will Shirja be able to complete one hundred graves?

The first film made in Bangladesh about Cerebral Palsy.

A woman essays the role of a dancer in a play. Things turn interesting when she connects with the character on a personal level and falls in love with the man who essays another role in the play.

A Bangla comdey drama written and directed by Hanif Sanket.

In 1971, renowned Bangladeshi writer Ahmed became refugee in Kolkata. He had been to earn his livelihood as a writer. Then he comes to know about his missing fiance named Tayeba admitted in a nearby hospital in the same city.

An unprecedented terrorist attack takes place in a peaceful café in the center of Dhaka, capital of Bangladesh, on a nice Saturday afternoon. The terrorists use religion to divide and to kill people, while the surviving hostages, all of them also Muslims, try to defend their own humanistic values. The film unravels the clashes and contradictions of religion, ideology, and civilizations through a terror drama shot in a single take.

A young woman deeply loves an honest but struggling man who can barely afford his rent, and while she stands by him through every hardship, her family pressures her to marry a wealthy suitor instead.

Based on 1947 short story of the same name by Hasan Azizul Haque.

Priotomeshu (My Darling) is a Bangladeshi film by director Morshedul Islam.

The film will highlight the struggles of women in the circus. In the film, Jaya Ahsan performs amazing acrobatics—with such feats as walking over a tightrope.

A Journey of 4 decade with love and passion. Things will arrive as certain threat while characters are moving through a real history. End turn to endless.

The depiction of a deprived person is the Nekabbarer. He who lost his wealth in the wrong way, joined the liberation war of 1971, he lost his lover, lost a leg in the war. After the war crippled the rest of the life has to be spent. He had to stay in the madhouse. Nekabbarer went out of the garrison to starve, got the deprivation of society and the lance. Nekabbarer faced death, for ending their deprivation.

A woman wants to find her husband.

This movie is made in the background of partition. Monosa, daughter of the patriot Monindra.The movie revolves around Himangshu and Monosa's marriage during Partition and Monosa's determination not to leave the motherland.

The film revolves around a family's experiences during 1971, providing a poignant portrayal of the era.

Free as a bird. To wander. To nestle. To take flight. We are not. As India gained its much awaited independence in 1947, a race faced another struggle. Bengal was divided and hundreds of thousands of Bengalis were displaced and divided on the basis of their religion. The Hindus were forced out as East Bengal was made a part of Pakistan and the same fate lay in store for the Muslims of West Bengal. Millions became refugees in their own homeland, and thousands still bear the cross and the scar. The film is a human saga of a truncated land and how people are trying to relive their destiny.

An alien who has come from a different planet, has crash landed in Bangladesh to secure his assignment. He meets a blind girl who he become friends with and studies how emotions work.

The film brings to light the lives of jatra artists and their struggles to make a living off the dying performing art.

Khorshed chairman is an honest person and rules in favor of justice. Alamin is his dearest assistant who lives with his mother at Khorshe'd house. Alamin and Khorshed's daughter are in love. When Alamin's mother gets to know about this she wants to send her son away. Khorshed denies to leave Alamin but upon knowing about the relationship, he himself sends Alamin abroad. But tragedy follows Khorshed when he gets accused of murder. Some unexpected events start to unfold since then.

Khirmohon is an old man and a potter by profession. All his life, he has struggled to keep his head above water and now is the owner of his own pottery house and a banyan tree. His two sons Satten and Nikhil stay in the city and prefer urban life. They have no interest in their father's business and want to sell up his life's work for financial gain. The silver lining in Khirmohon's life is his granddaughter Poddo, who is an eye catching dusky beauty. They stay in their village house with another person named Boishakh, who was adopted by Khirmohon when he was just a mere child. Boishakh is a passionate character, who is loyal to Khirmohon and is more interested in keeping the pottery business afloat then Khirmohon's own sons. There is a spark between Poddo and Boishakh, but it is not expressed. The story moves forward with Boishakh trying to protect the business from going into ruins by unwanted invaders and village politics.

A heroine returns to her childhood home after a long absence. She confronts her past and recalls her difficult childhood. She struggles to cope with the current decay of social values, vice, and past trauma. The return frees her from the glitters and struggles of the silver screen and allows her to rekindle her relationship with her mother. She approaches life differently as she receives answers from the past.

Maya is a singer in the biggest brothel of South Asian. She was trained and brought up by her Ostaad Karim Box. This movie focuses on the concept of taking consent and social struggles of a prostitute.