
Directing
Peter Mettler
Born 1958-09-07 · Toronto, Ontario, Canada
Peter Mettler (born September 7, 1958) is a Swiss-Canadian film director and cinematographer. He is best known for his unique, intuitive approach to documentary, evinced by such films as Picture of Light (1994), Gambling, Gods and LSD (2002), and The End of Time (2012). He has also worked as a cinematographer on films by Atom Egoyan, Patricia Rozema, Bruce McDonald, and Jennifer Baichwal, and has collaborated with numerous other artists, including Michael Ondaatje, Fred Frith, Jim O'Rourke, Jane Siberry, Robert Lepage, Edward Burtynsky, Greg Hermanovic, Richie Hawtin, Neil Young, Jeremy Narby, and Franz Treichler.
Acting credits
5.8Filmmaker Peter Mettler embarks on a mission that takes him around the world. He is determined to record the diverse modes of transcendence that people in different cultures adopt in order to live life to the fullest. As he traverses civilization and wilderness and encounters a range of lifestyles and ideas, the filmmaker's mind-expanding trip around the world grows into a poem of images and sounds, reflecting the fragmented but alluring worlds it attempts to capture.
Gambling, Gods and LSD
2002
6.8The incredible story of how the mummified corpse of a 40-year-old man was discovered by a hunter in one of the most remote parts of the country. The dead man's detailed notes reveal that he actually committed suicide through self-imposed starvation only the summer before. Liechti's film is a stunning rapprochement of a fictional text, which itself is based upon a true event: a cinematic manifesto for life, challenged by the main character's radical renunciation of life itself.
The Sound of Insects: Record of a Mummy
2009
7.2Christian Frei's documentary traces the tragic tale of the giant Buddhas of Afghanistan's Bamiyan Valley, which stood as monumental landmarks for 1,500 years until 2001, when the Taliban declared that all non-Islamic statues in the country be destroyed. Despite international protest, the statues were blown up. Through interwoven narratives from past and present, Frei's film sheds light on the disturbing consequences of religious fanaticism.
The Giant Buddhas
2005
NRA man and a woman awake in the middle of the night. The woman is upset by her dreams and what she perceives as the untouchable nature of her mind, unlike the physical nature of her body. The man recounts the story of his youth – when he was not allowed to go out to play, his mind would go outside instead. An elliptical series of scenes unfold as though in the mind of the man – an encounter with an epileptic, a prostitute, and a demented therapist - all somehow address the mind/body schism. A school film written and completed in two weeks, incorporating preliminary image manipulation techniques via the use of contact printing and Mettler’s first use of sound montage in a musical sense.
Gregory
1981
6.3A film about longstanding relationships, family, and the deep consequences of falling in love. While exploring themes of love in music, poetry and art, the filmmaker reflects on his life and the journeys on which love has taken him. Now, a new journey will test him again, an intercontinental exodus to keep his family together. A real and intimate portrait about the complexity of love.
Fell in Love with a Girl
2017
Behind the camera
4.7Satellite dish salesman Gus experiences some life-altering changes when he meets performance artist Lucy in this visually poetic fantasy. After Lucy vanishes, leaving a puzzling note, Gus goes on a quest for the mysterious woman. Moving from his meticulous life in a technologically advanced world into the spontaneity of nature, Gus learns some important lessons and begins to trust his own instincts.
The Top of His Head
1989
4.7Satellite dish salesman Gus experiences some life-altering changes when he meets performance artist Lucy in this visually poetic fantasy. After Lucy vanishes, leaving a puzzling note, Gus goes on a quest for the mysterious woman. Moving from his meticulous life in a technologically advanced world into the spontaneity of nature, Gus learns some important lessons and begins to trust his own instincts.
The Top of His Head
1989
6.4A palpably rendered audiovisual essay draws together the distinct sensibilities of filmmakers Peter Mettler (The End of Time) and Emma Davie (I am Breathing) and philosopher David Abram (The Spell of the Sensuous) to forge a path into the places where humans and animals meet.
Becoming Animal
2018
5.8Filmmaker Peter Mettler embarks on a mission that takes him around the world. He is determined to record the diverse modes of transcendence that people in different cultures adopt in order to live life to the fullest. As he traverses civilization and wilderness and encounters a range of lifestyles and ideas, the filmmaker's mind-expanding trip around the world grows into a poem of images and sounds, reflecting the fragmented but alluring worlds it attempts to capture.
Gambling, Gods and LSD
2002
5.8Filmmaker Peter Mettler embarks on a mission that takes him around the world. He is determined to record the diverse modes of transcendence that people in different cultures adopt in order to live life to the fullest. As he traverses civilization and wilderness and encounters a range of lifestyles and ideas, the filmmaker's mind-expanding trip around the world grows into a poem of images and sounds, reflecting the fragmented but alluring worlds it attempts to capture.
Gambling, Gods and LSD
2002
10.0An adaptation of Robert Lepage's stage play about lost love and considered suicide.
Tectonic Plates
1992
10.0An adaptation of Robert Lepage's stage play about lost love and considered suicide.
Tectonic Plates
1992
7.1Working at the limits of what can easily be expressed, filmmaker Peter Mettler takes on the elusive subject of time, and once again turns his camera to filming the unfilmable. From the particle accelerator in Switzerland, where scientists seek to probe regions of time we cannot see, to lava flows in Hawaii which have overwhelmed all but one home on the south side of Big Island; from the disintegration of inner-city Detroit, to a Hindu funeral rite near the place of Buddha's enlightenment, Mettler explores our perception of time. He dares to dream the movie of the future while also immersing us in the wonder of the everyday. THE END OF TIME, at once personal, rigorous and visionary, Peter Mettler has crafted a film as compelling and magnificent as its subject.
The End of Time
2012
7.1Working at the limits of what can easily be expressed, filmmaker Peter Mettler takes on the elusive subject of time, and once again turns his camera to filming the unfilmable. From the particle accelerator in Switzerland, where scientists seek to probe regions of time we cannot see, to lava flows in Hawaii which have overwhelmed all but one home on the south side of Big Island; from the disintegration of inner-city Detroit, to a Hindu funeral rite near the place of Buddha's enlightenment, Mettler explores our perception of time. He dares to dream the movie of the future while also immersing us in the wonder of the everyday. THE END OF TIME, at once personal, rigorous and visionary, Peter Mettler has crafted a film as compelling and magnificent as its subject.
The End of Time
2012
NRA documentary portrait of Peter Mettler’s best childhood friend, who had left home to lead a lavish lifestyle.
Lancalot Freely
1980
NRA documentary portrait of Peter Mettler’s best childhood friend, who had left home to lead a lavish lifestyle.
Lancalot Freely
1980
NRA documentary portrait of Peter Mettler’s best childhood friend, who had left home to lead a lavish lifestyle.
Lancalot Freely
1980
6.8A documentary of an expedition to Churchill, Manitoba to film the Northern Lights.
Picture of Light
1994
6.8A documentary of an expedition to Churchill, Manitoba to film the Northern Lights.
Picture of Light
1994
6.8A documentary of an expedition to Churchill, Manitoba to film the Northern Lights.
Picture of Light
1994
6.8The huge tar sands in Alberta are a potentially profitable resource, but the environmental impact could be heavy and long-term.
Petropolis: Aerial Perspectives on the Alberta Tar Sands
2009
6.8The huge tar sands in Alberta are a potentially profitable resource, but the environmental impact could be heavy and long-term.
Petropolis: Aerial Perspectives on the Alberta Tar Sands
2009
NRFirst, there is the Appenzell countryside, and the melting snow that makes the streams overflow. Then the death of his mother, and the need to spend time with his father. On top of that, a global pandemic. Peter Mettler is a rare gem of a filmmaker. Here he (re)constructs the filmed diary of his intimate relationship with the world and the beings that inhabit it, in this work of documentary goldsmithery.
While the Green Grass Grows
2025
NRFirst, there is the Appenzell countryside, and the melting snow that makes the streams overflow. Then the death of his mother, and the need to spend time with his father. On top of that, a global pandemic. Peter Mettler is a rare gem of a filmmaker. Here he (re)constructs the filmed diary of his intimate relationship with the world and the beings that inhabit it, in this work of documentary goldsmithery.
While the Green Grass Grows
2025
NRFirst, there is the Appenzell countryside, and the melting snow that makes the streams overflow. Then the death of his mother, and the need to spend time with his father. On top of that, a global pandemic. Peter Mettler is a rare gem of a filmmaker. Here he (re)constructs the filmed diary of his intimate relationship with the world and the beings that inhabit it, in this work of documentary goldsmithery.
While the Green Grass Grows
2025
NRA man and a woman awake in the middle of the night. The woman is upset by her dreams and what she perceives as the untouchable nature of her mind, unlike the physical nature of her body. The man recounts the story of his youth – when he was not allowed to go out to play, his mind would go outside instead. An elliptical series of scenes unfold as though in the mind of the man – an encounter with an epileptic, a prostitute, and a demented therapist - all somehow address the mind/body schism. A school film written and completed in two weeks, incorporating preliminary image manipulation techniques via the use of contact printing and Mettler’s first use of sound montage in a musical sense.
Gregory
1981
7.4Balifilm was originally commissioned as a stage performance, created from diary images and sounds collected in 1990 and 1992 by Peter Mettler on the island of Bali. The soundtrack is a live recording of eight Gamelan musicians playing the bronze and wooden instruments of Indonesia during the projection of the film. balifilm is a personal, lyrical observation and expression of the creative pulse of an extraordinary culture.
Balifilm
1997
7.5From the material he shot during a three month journey, Peter Mettler edited a lyrical film which is no ordinary travelogue or diary. Without occupying himself in advance with anticipated images, he attempted as often as spontaneously as possible to respond and react to his surroundings, improvising with the camera as one would on a musical instrument. These visual notes allow insights into perceptions, feelings and emotional states in various situations.
Eastern Avenue
1985
6.2A recently released mental patient imagines himself living the lives of three different people he randomly encounters.
Scissere
1982