Felipe Guerrero

Pinky is on the run. At night the empty streets smell of the apocalypse and the city seems to be on fire. Narcotics swirl through the veins and the air. Having freed himself from the clutches of a sect led by a certain “padre” and determined to take his fate into his own hands, he is now holed up in an illegal T-shirt factory, surrounded by paints, slogans and heat presses. Pinky is looking for the light at the end of the tunnel, but ghosts are breathing down his neck. He is running for his life, and Colombia is on fire. But Colombia is alive.

In Venezuelan Guayana, large gold reserves lie beneath “moriche” palms, attracting multitudes of miners to the territory. A fictional explorer narrates a journey from far-flung mines in the jungle to the banks of the Orinoco River, trying to understand the uncertain fortune of humanity immersed in the anxious quest for treasure. His reflections combine illustrations and photochemical paintings to draw a map of the extraction and commercialization of gold, object and symbol through which he questions where value resides.

Oscuro animal tells the story of three women forced to flee their homes in a war torn region in Colombia. Each of their journeys, marked by terror, takes them on a trek from the deep jungle to the outskirts of Bogotá, where they will gather new strength to start a new life.

Rocío returns to her village to meet her mother Alba, whom she thought was dead. This story between mother and daughter unfolds amid a spectral town that lives in an atmosphere of tension in the face of a war that threatens to return and separate them again.

Agricultural laborers in Valle del Cauca, Colombia, harvest a field of sugarcane using machetes. The camera keeps its distance as it observes their smooth movements. Soon the rhythmic movements of the machetes develop their own choreography, whilst time appears to expand.

No synopsis available yet.

Pinky is on the run. At night the empty streets smell of the apocalypse and the city seems to be on fire. Narcotics swirl through the veins and the air. Having freed himself from the clutches of a sect led by a certain “padre” and determined to take his fate into his own hands, he is now holed up in an illegal T-shirt factory, surrounded by paints, slogans and heat presses. Pinky is looking for the light at the end of the tunnel, but ghosts are breathing down his neck. He is running for his life, and Colombia is on fire. But Colombia is alive.

In Venezuelan Guayana, large gold reserves lie beneath “moriche” palms, attracting multitudes of miners to the territory. A fictional explorer narrates a journey from far-flung mines in the jungle to the banks of the Orinoco River, trying to understand the uncertain fortune of humanity immersed in the anxious quest for treasure. His reflections combine illustrations and photochemical paintings to draw a map of the extraction and commercialization of gold, object and symbol through which he questions where value resides.

Oscuro animal tells the story of three women forced to flee their homes in a war torn region in Colombia. Each of their journeys, marked by terror, takes them on a trek from the deep jungle to the outskirts of Bogotá, where they will gather new strength to start a new life.

Oscuro animal tells the story of three women forced to flee their homes in a war torn region in Colombia. Each of their journeys, marked by terror, takes them on a trek from the deep jungle to the outskirts of Bogotá, where they will gather new strength to start a new life.

Oscuro animal tells the story of three women forced to flee their homes in a war torn region in Colombia. Each of their journeys, marked by terror, takes them on a trek from the deep jungle to the outskirts of Bogotá, where they will gather new strength to start a new life.

Rocío returns to her village to meet her mother Alba, whom she thought was dead. This story between mother and daughter unfolds amid a spectral town that lives in an atmosphere of tension in the face of a war that threatens to return and separate them again.

Agricultural laborers in Valle del Cauca, Colombia, harvest a field of sugarcane using machetes. The camera keeps its distance as it observes their smooth movements. Soon the rhythmic movements of the machetes develop their own choreography, whilst time appears to expand.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

The 𝘳𝘶𝘴𝘩𝘦𝘴 evidence the presence of the person filming, revealing their movement and their center; they are the record of a hesitation seeking balance, testimony to the measurement of time. In that sustained gaze that pursues the precision of a gesture, meanings and bewilderment suddenly unfold. Filming, then, is the construction of a logic permeated by speculation, which in turn fertilizes it.

The 𝘳𝘶𝘴𝘩𝘦𝘴 evidence the presence of the person filming, revealing their movement and their center; they are the record of a hesitation seeking balance, testimony to the measurement of time. In that sustained gaze that pursues the precision of a gesture, meanings and bewilderment suddenly unfold. Filming, then, is the construction of a logic permeated by speculation, which in turn fertilizes it.

Three Venezuelan women cross the border into Colombia to buy a packet of pasta.