Véronique Le Flaguais

Clara's mother is on her death bed as she tells her daughter that she regrets they are not closer. This revelation causes Clara to pursue a closer relationship with her own daughter, Bianca.

The story of Germaine Lauzon, a housewife who wins a million stamps which, she believes, will allow her access to happiness and a new world that she has dreamed of for so long. But her joy will make some people jealous...

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Six stories about Montreal. 1: A young housewife from Toronto samples the nightlife using basic French. 2: The tale of a painting of Montreal's first mayor, Jacques Viger. 3: During a hockey game, Madeleine tries to tell Roger she wants a divorce after forty years of marriage. 4: A visitor to a conference on pictographs arrives at the airport, where the female customs officer steals a momento from each person. 5: As she is being driven to the hospital in an ambulance after an auto accident, Sarah recalls her life. 6: At a diplomatic reception, an older woman reminisces about her grand love in Montreal.

A group of actors putting on an interpretive Passion Play in Montreal begin to experience a meshing of their characters and their private lives as the production takes form against the growing opposition of the Catholic church.

Catherine, a concert pianist, is surprised one night by the arrival of her best friend from childhood, Marie-Alexandrine (Max), whom she hasn't seen for 25 years. Catherine and Max were Québec's most promising young pianists in the mid-1960's when the adventurous Max gets pregnant. She wants to keep the child, but her mother forces her to give him up for adoption; afterwards, Max leaves Québec and music. Now, years later, she returns, obsessed with finding her son. She locates the adoption records, and social services contacts her son to ask if he wants to see her. He refuses, but she keeps trying. Is a relationship with him possible? And what about her musical talent?

In a brand-new documentary, the actress who portrayed the unforgettable Émilie Bordeleau revisits her memories of filming and analyzes the cultural legacy of this cult saga. By exploring the timeless power of its characters, she testifies to the major impact this work has had on the collective imagination and on the history of Québec television.

Saturday, 12 p.m. The countdown has begun for four men on the make for women. Massage studios, last minute shopping, bodybuilding; our men ardently throw themselves into the ritual of appearance. It is impossible to resist the ferociously burlesque and remarkably stereotypical behavior of these characters. We will meet Gérard known as The Bull, Patrice known as The Lion, Jean-Jacques known as The Peacock and Serge known as The Earthworm. All of this is set in the clubs and bars of late night Montréal.

Simon Aubert runs his entire life on lies. An executive at an aviation company, he lies about everything… Simon’s self-serving lies are so abundant that the universe (governed by a handful of Buddhist monks, it seems) decides to right a wrong by teaching him a lesson and making all of the lies reality on the eve of his company’s crucial meeting with a Russian businessman that Simon absolutely needs to impress in order to prevent the closure of the small-town plant where his twin brother Phil works.

Fifteen years later, the heroes from Cruising Bar may hardly have changed but the world around them most certainly has! For the Bull, reality is brutal. His wife of 30 years, sick of his infidelity, decides to show him the door. But the Bull, who has a positive outlook on life, isn't so easily defeated and fights for his survival. The Lion too faces a break-up when his girlfriend leaves. All alone, he's force to relearn the art of seduction. The Peacock, on the other hand, is trying to figure out his sexual identity with the help of a psychologist. As for the Earthworm, his long wait for a soulmate will, at last, be requited.

Driven by the idea of ​​making people around her happy, Virginie lies constantly. As her partner Phil fears, her many lies become reality and create multiverses that completely disrupt their lives and those around them.

An Irishman falls in love in turn-of-the-century Quebec (in Canada).

Men and women gather at a Montreal suburban health clinic to create a theater show under the deceptive direction of a hammy actor.

A Canadian couple reunites with the German POW they befriended during World War II.

Two twenty-something women dream of the ideal man and slowly realize that reality is very different from their fantasies.

Jim has been cheated on before, so this time, when he meets Isabelle, he wants to do everything he can to make sure it won't happen again.

A mad scientist and other misfits from the wrong side of the tracks are implicated in a grave-robbing and its aftermath.

Fictional character played by 24 different actresses, Françoise Durocher is altogether small time waitress, hostess and barmaid. Together, according to the author, they represent the archetypical Québec waitress that everyday waits on us with a smile, despite whatever problems she faces in her personal life. First cinematographic experience of the Brassard-Tremblay tandem, this film full of ironic joy details all the nuances of the waitress living conditions.

Normand, a retired policeman, works in a building as a night guard. One evening, he surprises Nathalie and Guylain in the middle of a robbery and, following a chase around the building, they manage to escape. Strangely, Nathalie comes to visit Normand a few weeks later, looking for refuge. An unusual relationship develops between the two and they discover that their lives are not at all what they seemed.