Mary Nolan

Charming Sinners was a stilted adaptation of Somerset Maugham's play The Constant Wife. Robert Miles (Clive Brook) starts the ball rolling when he falls in love with Anne-Marie Whitley (Mary Nolan), the best friend of his own wife Kathryn (Ruth Chatterton). In retaliation, Kathryn begins a flirtation with her former boyfriend Karl Kraley (William Powell). After reels and reels of verbal fencing, the status quo is re-established, and Robert and Kathryn are reunited.

Having spent several wasted months in a Shanghai opium dem, former prostitute Cassie Cook yearns to start her life afresh. Likewise, ex-convict Badlands McKinney also wants to clean up his act.

Juggler and con-artist Caesar comes to Karlsbad, where he hopes to trick the renowned Vaudeville manager Willard into taking him to America. But when he actually meets Willard, Caesar mistakes him for a certain Mr. Lehmann. Willard / Lehmann is not amused, since Caesar constantly courts his daughter Eva. While fooling around, Caesar doesn’t notice that young Rosl, the daughter of innkeeper Mrs. Svoboda, has fallen in love with him. Finally, the romantic and comical confusion is resolved during a hotel fire.

A carnival sideshow dancer falls in love with a handsome young man.

German made drama was one of several the notorious Mary Nolan, under her given name Imogene Robertson, made during her European exile brought on by innumerable scandals in America.

Mystery film in the detective Stuart Webbs series.

An aspiring actress goes to Hollywood to make movies and marries a soda jerk.

A magician seeks vengeance upon the man who paralyzed him and the illegitimate daughter he sired with the magician's wife.

Stephen Sorrell, a decorated war hero, raises his son Kit alone after Kit's mother deserts husband and child in the boy's infancy. Sorrell loses a promising job offer and is forced to take work as a menial. Both his dignity and his health are damaged as he suffers under the exhausting labor and harsh treatment he receives as a hotel porter. But Sorrell thrives in the knowledge that his son will benefit from his labors. Sorrell has allowed the boy to believe his mother dead, but when the mother shows up, wanting to re-enter the young man's life, Sorrell must make hard decisions. Preserved and restored by the Academy Film Archive in 2004.

The Sweet Girl (German: Das Süße Mädel) is a 1926 German silent film directed by Manfred Noa.

Barbary Coast, San Francisco. The gangster moll Belle gets deeply entangled with gangsters led by her boyfriend Vance. The professional writer John Banning understands why Belle got involved with these criminals. Banning tries to help her get out of that seedy life. However, It is not easy. A lot of action and violence ensues before Belle eventually succeeds.

Fingers is planning a half-million-dollar bank robbery in gang boss Cobra Collins' territory. Fingers' moll Connie tries to bluff Cobra into thinking the hit won't be for another week when the call comes through saying it's now.

Sister Angelika has the power of life or death over her former tormentor, now sick and placed in her care.

The Untouched Woman (German: Die unberührte Frau) is a 1925 German silent film directed by Constantin J. David and starring Mary Nolan, Tamara Geva, and Alf Blütecher.

Jockey Johnny Spencer loses his job with Mrs. Calhoun for throwing a race. An adventuress named Sybil, who made Johnny hold back Mrs. Calhoun's horse, Lady, leaves him, and he becomes a racetrack bum. Johnny returns to Mrs. Calhoun's stable when the new jockey proves unable to manage Lady. Johnny wins the next race, thereby regaining Mrs. Calhoun's confidence and winning the love of her attractive daughter, Lucy.

Jewel thieves pull a heist on a diamond mining operation in Africa and take the foreman hostage before escaping into the Kalahari Desert, but when they get lost, the foreman must take charge and save them.

A cub reporter rashly makes a promise to solve a murder mystery within 24 hours, then must make good on his boast.

The story begins in 1923 where after an accident, a newspaper reporter needs to raise $5,000 to pay for an operation, otherwise his young sister will be crippled for life. The desperate reporter is finally able to get the cash from a shady acquaintance, Riggs. Eight years later in New York, circumstances conspire to place the reporter as the number one suspect in the murder of a showgirl. With no witness or alibi, the reporter devises a plan to smoke out the real culprit. A meeting is arranged under the cover of night and to the surprise of both men, the murderer is Riggs. Out of gratitude for past generosity to his sister, the reporter agrees not to expose Riggs, however unwittingly leads the police to him! Riggs is found guilty, and a dramatic scene in the courthouse ensues.

A young man runs into trouble when he buys an auto court, only to find out that its located next to a swamp that drives away all potential customers.

The daily lives and struggles of a group of workers in a small German town. They face poverty, unemployment, and various hardships, but also find moments of hope and solidarity. The film portrays their efforts to survive and support each other in difficult economic conditions.

Johnny Mack Brown stars as Paul, who wants nothing more out of life than to take charge of a lighthouse. Falling in love with Sally (Mary Nolan), Paul talks her into sharing his life as a lighthouse keeper. Evidently staring into the beacon once too often, Paul goes blind, and it's quite a chore for footloose Sally to remain faithful. Making matters worse is the arrival of a double-dyed villain (Robert Ellis) who intends to "have his way" with the long-suffering heroine.

Tea Time in the Ackerstrasse is a 1926 German silent drama film directed by Paul L. Stein and starring Reinhold Schünzel, Mary Nolan and Fritz Kampers. The film's sets were designed by Otto Erdmann and Hans Sohnle.

A man falsely accused of crime joins Foreign Legion, and when trouble develops is saved by the self sacrifice of the commanding officer, his own father.

Directed by Lupu Pick, who died far too young, it was billed as a melodrama about a ring of counterfeiters on its first screening in New York City. Pick plays with the already well-established conventions of the detective genre for maximum effect and humor.