Lynn Eastman-Rossi

Rebel Highway is a 1994 revival of American International Pictures, created and produced by Lou Arkoff, the son of Samuel Z. Arkoff, and Debra Hill for the Showtime network. The concept was a ten-week series of 1950s "drive-in classic" B-movies remade "with a '90s edge". Each episode shares a title with a late 1950s-early 1960s-era AIP film. However, they are not remakes; each installment is a different story from that which they are titled. The impetus for the series, according to Arkoff was, 'what it would be like if you made Rebel Without a Cause today. It would be more lurid, sexier, and much more dangerous, and you definitely would have had Natalie Wood's top off'.

When Michael and Karen Carr’s home is robbed, the couple strike up a friendship with duty officer Pete Davis. But the disturbed cop develops an intense fixation on Karen, and his idea of friendship soon turns into a dangerous obsession, making him the Carrs’ worst nightmare.

A teenage boy and his friends face off against a mysterious grave robber, known only as the Tall Man, who employs a lethal arsenal of unearthly weapons.

A young inductee into the military is given the task of looking after some chimpanzees used in the mysterious 'Project X'. Getting to know the chimps fairly well, he begins to suspect there is more to the secret project than he is being told.

An anthropology professor and his students attempt to track down a Bigfoot responsible for a rash of violent murders, only to uncover something even more sinister.

After being a passenger in a hit-and-run, Donna Patterson is sent to reform school, taking the rap for the driver, bad boy Vince. Inside, she makes friends and self-discoveries while trying to save her little sister from their abusive uncle.

Rebel Highway is a 1994 revival of American International Pictures, created and produced by Lou Arkoff, the son of Samuel Z. Arkoff, and Debra Hill for the Showtime network. The concept was a ten-week series of 1950s "drive-in classic" B-movies remade "with a '90s edge". Each episode shares a title with a late 1950s-early 1960s-era AIP film. However, they are not remakes; each installment is a different story from that which they are titled. The impetus for the series, according to Arkoff was, 'what it would be like if you made Rebel Without a Cause today. It would be more lurid, sexier, and much more dangerous, and you definitely would have had Natalie Wood's top off'.