Ethel Barrymore

Acting

Ethel Barrymore

Born 1879-08-12 · Philadelphia, Pennsylvania, USA

Ethel Barrymore was the second of three children seemingly destined for the actor's life of their parents Maurice and Georgiana. Maurice Barrymore had emigrated from England in 1875, and after graduating from Cambridge in law had shocked his family by becoming an actor. Georgiana Drew of Philadelphia acted in her parents' stage company. The two met and married as members of Augustin Daly's company in New York. They both acted with some of the great stage personalities of the mid Victorian theater of America and England. The Barrymore children were born and grew up in Philadelphia. Though older brother Lionel Barrymore began acting early with his mother's relatives in the Drew theater company, Ethel, after a traditional girl's schooling, planned on becoming a concert pianist. The lure of the stage was perhaps congenital, however. She made her debut as a stage actress during the New York City season of 1894. Her youthful stage presence was at once a pleasure, a strikingly pretty and winsome face and large dark eyes that seemed to look out from her very soul. Her natural talent and distinctive voice only reinforced the physical presence of someone destined to command any role set before her. After the opportunity to appear on the London stage with English great Henry Irving in "The Bells" (1897) and later in "Peter the Great" (1898), she returned to New York to star in the Clyde Fitch play "Captain Jinks of the Horse Marines" (1901) (produced by her friend and benefactor Charles Frohman), which brought her initial American acclaim. Lead roles, such as Nora in Henrik Ibsen's "A Doll's House" (1905) and starring in "Alice By the Fire" (also 1905), "Mid-Channel" (1910) and "Trelawney of the Wells" (1911) proved her popularity as a warm and charismatic star of American stage. In the meantime she married stockbroker Russell Griswold Colt in 1909 and gave birth to three children while continuing her acting career. Although the stage was her first love, she did heed the call of the silver screen, and though not achieving the matinée idol image that younger brother John Barrymore garnered in silent movies after similar chemistry on stage, she won over audiences from her first film appearance in The Nightingale (1914). However, her early film roles, steady through 1919, took a back seat to continued stage triumphs: "Declassee" (1919), her impassioned Juliet in "Romeo and Juliet" (1922), "The Second Mrs. Tanqueray" (1924) and, especially, "The Constant Wife" (1926). She harnessed her considerable talents in the role of an activist as well, being a bedrock supporter of the Actors Equity Association and, in fact, had been a prominent figure in the actors strike of 1919. By 1930 she was entering middle age and her movie roles reflected this. Except for Rasputin and the Empress (1932) with her brothers, the roles were elderly mothers and grandmothers, dowager ladies and spinster aunts. Perhaps wisely she put off Hollywood for over a decade, with stage work that included her most endearing role in "The Corn is Green" (a tour that lasted from 1940 to 1942). She finally moved to Southern California in 1940. When she passed away in 1959, she was interred near her brothers at Calvary Cemetery in East Los Angeles.

Acting credits

That's Entertainment! poster
7.4

Various MGM stars from yesterday present their favorite musical moments from the studio's 50 year history.

That's Entertainment!

1974

Rasputin and the Empress poster
5.5

The story of corrupt, power-hungry, manipulative Grigori Rasputin's influence on members of the Russian Imperial family and others, and what resulted.

Rasputin and the Empress

1932

The Paradine Case poster
6.3

In London, barrister Anthony Keane takes the case of Maddalena Paradine, a beautiful woman accused of poisoning her blind husband. Though happily married, Keane becomes infatuated with his enigmatic client and convinced of her innocence. His obsession clouds his judgment as he builds a defense implicating her servant, André Latour—an act that leads to devastating consequences both in court and at home.

The Paradine Case

1947

Deadline - U.S.A. poster
6.9

New York City newspaper The Day is in trouble. Even though editor Ed Hutcheson has worked hard running the paper, its circulation has been steadily declining. Now the publisher's widow wants to sell the paper, which will most likely mean its end. Hutcheson's only hope is to finish his exposé on a dangerous gangster before the sale is finalized.

Deadline - U.S.A.

1952

Camille: The Fate of a Coquette poster
4.2

A home movie version of the Dumas play. A young woman becomes a courtesan and tragedy befalls her. Appearances are made by many socialites of 1920s Paris and New York.

Camille: The Fate of a Coquette

1926

Vaudeville poster
8.0

Vaudeville is a 1997 PBS documentary under its American Masters program. Using film clips and photos, the art and history of vaudeville (1890-1930s) is illustrated.

Vaudeville

1997

Portrait of Jennie poster
7.2

A mysterious girl inspires a struggling artist.

Portrait of Jennie

1948

The Story of Three Loves poster
6.0

Passengers on an ocean liner recall their greatest loves.

The Story of Three Loves

1953

Kind Lady poster
7.0

Mary Herries has a passion for art and fine furniture. Even though she is getting on in years, she enjoys being around these priceless articles. One day she meets a strange young painter named Elcott, who uses his painting skill to enter into her life. Little does she expect that his only interest in Mary is to covet everything she has.

Kind Lady

1951

Eloise poster
NR

It's not so much that Eloise is a mischievous child, but the darnedest things do happen when she's around.

Eloise

1956

The Farmer's Daughter poster
7.1

After leaving her family's farm to study nursing in the city, a young woman finds herself on an unexpected path towards politics.

The Farmer's Daughter

1947

The Nightingale poster
NR

Franti, an organ grinder of the poor districts of New York, has a daughter, Isola, who sings to his street piano's accompaniment.

The Nightingale

1914

The Spiral Staircase poster
7.0

On a stormy night, the mute servant to an ailing matriarch is stalked by a serial killer.

The Spiral Staircase

1946

The Great Sinner poster
6.8

A young man succumbs to gambling fever.

The Great Sinner

1949

Pinky poster
7.1

Pinky, a light skinned black woman, returns to her grandmother's house in the South after graduating from a Northern nursing school. Pinky tells her grandmother that she has been "passing" for white while at school in the North. In addition, she has fallen in love with a young white doctor, who knows nothing about her black heritage.

Pinky

1949

Moonrise poster
6.3

Stigmatized from infancy by the fate of his criminal father, a man is bruised and bullied until one night, in a fit of rage, he kills his most persistent tormentor. As the police close in around him, he makes a desperate bid for the love of the dead man’s girlfriend, a schoolteacher who sees the wounded soul behind his aggression.

Moonrise

1948

Main Street to Broadway poster
7.3

In New York, a surly, down-on-his-heels playwright meets a country girl who's giving up trying to act and returning home. He goes with her for inspiration when his agent convinces a stage star to take his next effort. When he returns to Broadway, his girl stays behind and starts seeing a local businessman.

Main Street to Broadway

1953

The Secret of Convict Lake poster
6.6

After a group of convicts escapes from prison, they take refuge in the wilderness. While most of the crew are ruthless sociopaths, Jim Canfield is an innocent man who was jailed under false pretenses. When Canfield and his fellow fugitives reach an isolated farming settlement where the men are all away, it creates tension with the local women. Things get direr when rumors of hidden money arise, and Canfield discovers that the man who framed him is part of the community.

The Secret of Convict Lake

1951

Young at Heart poster
6.0

The lives and romances of three sisters in a musical family; the youngest daughter's life is complicated by the subsequent arrival of a charming composer and a cynical music arranger.

Young at Heart

1954

It's a Big Country poster
5.9

Comprised of eight unrelated episodes of inconsistent quality, this anthology piece of American propaganda features some of MGM Studios' best directors, screenwriters and actors; it is narrated by Louis Calhern. Stories are framed by the lecture of a university professor. In one tale a Boston resident becomes angry when the census forgets to record her presence. Another sketch chronicles the achievements of African Americans while still another pays tongue-in-cheek tribute to Texas.

It's a Big Country

1951

The Red Danube poster
6.7

A Russian ballerina in Vienna tries to flee KGB agents and defect.

The Red Danube

1949

None But the Lonely Heart poster
6.4

When an itinerant reluctantly returns home to help his sickly mother run her shop, they're both tempted to turn to crime to help make ends meet.

None But the Lonely Heart

1944

Show-Business at War poster
7.0

A multi-studio effort to show the newsreel audience the progress of the Hollywood war effort.

Show-Business at War

1943

The Call of Her People poster
NR

Faro Black, the chief of the Gypsies, finds out that his son Faro and his girlfriend Egypt have gotten married. Infuriated, he tells that their marriage isn't valid, since Egypt is actually the daughter of wealthy Gordon Lindsay, who is on his way to the gypsy camp to claim her. The two promise to remain faithful to each other, but as time passes and she never hears from Faro, her love turns to bitterness.

The Call of Her People

1917