Zacharias Kunuk

Red Fever is a witty and entertaining feature documentary about the profound -- yet hidden -- Indigenous influence on Western culture and identity. The film follows Cree co-director Neil Diamond as he asks, “Why do they love us so much?!” and sets out on a journey to find out why the world is so fascinated with the stereotypical imagery of Native people that is all over pop culture. Why have Indigenous cultures been revered, romanticized, and appropriated for so long, and to this day? Red Fever uncovers the surprising truths behind the imagery -- so buried in history that even most Native people don't know about them.

The evolution of the depiction of the various Native American peoples in cinema, from the silent era to the present day: how their image on the screen has changed the way to understand their history and culture.

In June 2003, Cannes prize-winner Zacharias Kunuk's family gathered at their traditional home camp site of Siuraajuk, to share stories and honor the ancestors who came before them: a wedding; a burial; messages from the past.

Through interviews with Inuit across Nunavut, and documentation of a three-year community hearing process during the COVID pandemic, award-winning filmmaker Zacharias Kunuk explores what meaningful consultation in the 21st century means within the context of a large-scale mining expansion on Baffin Island.

For the Igloolik Inuit, summer is the time of Nunaqpa, 'going inland,' that is, hunting for caribou to get sufficient meat provisions for the cold winter ahead. During a summer in the 1930s, two Igloolik families go hunting, while an old couple awaits their return.

For the Igloolik Inuit, summer is the time of Nunaqpa, 'going inland,' that is, hunting for caribou to get sufficient meat provisions for the cold winter ahead. During a summer in the 1930s, two Igloolik families go hunting, while an old couple awaits their return.

For the Igloolik Inuit, summer is the time of Nunaqpa, 'going inland,' that is, hunting for caribou to get sufficient meat provisions for the cold winter ahead. During a summer in the 1930s, two Igloolik families go hunting, while an old couple awaits their return.

Four Inuit families build a qaggiq, a large communal igloo, to mark the approach of spring with singing and games. A young man woos a girl but her parents are in disagreement over whether he shall get to marry her.

Four Inuit families build a qaggiq, a large communal igloo, to mark the approach of spring with singing and games. A young man woos a girl but her parents are in disagreement over whether he shall get to marry her.

As summer ends near Igloolik in the 1930's, three families build a saputi to trap fish going upriver for the winter. The days are getting shorter and young people daydream, while waiting for fish to come. But nature is not always predictable.... [Third Isuma recreated fiction, 1993.]

As summer ends near Igloolik in the 1930's, three families build a saputi to trap fish going upriver for the winter. The days are getting shorter and young people daydream, while waiting for fish to come. But nature is not always predictable.... [Third Isuma recreated fiction, 1993.]

Based on a local legend and set in an unknown era, it deals with universal themes of love, possessiveness, family, jealousy and power. Beautifully shot, and acted by Inuit people, it portrays a time when people fought duels by taking turns to punch each other until one was unconscious, made love on the way to the caribou hunt, ate walrus meat and lit their igloos with seal-oil lamps.

Based on a local legend and set in an unknown era, it deals with universal themes of love, possessiveness, family, jealousy and power. Beautifully shot, and acted by Inuit people, it portrays a time when people fought duels by taking turns to punch each other until one was unconscious, made love on the way to the caribou hunt, ate walrus meat and lit their igloos with seal-oil lamps.

Based on a local legend and set in an unknown era, it deals with universal themes of love, possessiveness, family, jealousy and power. Beautifully shot, and acted by Inuit people, it portrays a time when people fought duels by taking turns to punch each other until one was unconscious, made love on the way to the caribou hunt, ate walrus meat and lit their igloos with seal-oil lamps.

Director Zacharias Kunuk explores Sirmilik National Park, near the Nunavut community of Pond Inlet, through the voice of an Inuit elder. Winner "Best Short Documentary" 2012 Genie Awards.

Inuk filmmaker Zacharias Kunuk (Atanarjuat: The Fast Runner) returns with this Arctic epic inspired by the classic John Ford western of the same name, about a vengeful husband who sets off in pursuit of the violent men who kidnapped his wife and destroyed his home.

Inuk filmmaker Zacharias Kunuk (Atanarjuat: The Fast Runner) returns with this Arctic epic inspired by the classic John Ford western of the same name, about a vengeful husband who sets off in pursuit of the violent men who kidnapped his wife and destroyed his home.

Inuk filmmaker Zacharias Kunuk (Atanarjuat: The Fast Runner) returns with this Arctic epic inspired by the classic John Ford western of the same name, about a vengeful husband who sets off in pursuit of the violent men who kidnapped his wife and destroyed his home.

A young shaman must face her first test: a trip underground to visit Kannaaluk, The One Below, who holds the answers to why a community member has become ill.

A young shaman must face her first test: a trip underground to visit Kannaaluk, The One Below, who holds the answers to why a community member has become ill.

A young shaman must face her first test: a trip underground to visit Kannaaluk, The One Below, who holds the answers to why a community member has become ill.

A group of Nunavut elders travel to five museums in North America to see and identify artifacts, tools and clothing collected from their Inuit ancestors. Directed by Zacharias Kunuk and Bernadette Dean.

In 1994 one of Canada’s most respected Inuit elders -95 year old Noah Piugatuk – announced that he wanted to taste the bowhead whale one more time before he died. Honouring the elders wish, Piugatuk’s son-in-law caught an illegal whale near Igloolikin September 1994. A few months later, the whale hunters were charged and ordered to stand trial. In June 1996, the government finally dropped all charges against the Igloolik hunters. In august 1996, Inuit hunters from across the arctic gathered in Repulse Bay to catch the first legal bowhead in more than forty years. Arviq! traces the history of the bowhead in the Arctic up to the first legal hunt in 1996.

In 1994 one of Canada’s most respected Inuit elders -95 year old Noah Piugatuk – announced that he wanted to taste the bowhead whale one more time before he died. Honouring the elders wish, Piugatuk’s son-in-law caught an illegal whale near Igloolikin September 1994. A few months later, the whale hunters were charged and ordered to stand trial. In June 1996, the government finally dropped all charges against the Igloolik hunters. In august 1996, Inuit hunters from across the arctic gathered in Repulse Bay to catch the first legal bowhead in more than forty years. Arviq! traces the history of the bowhead in the Arctic up to the first legal hunt in 1996.

In 1994 one of Canada’s most respected Inuit elders -95 year old Noah Piugatuk – announced that he wanted to taste the bowhead whale one more time before he died. Honouring the elders wish, Piugatuk’s son-in-law caught an illegal whale near Igloolikin September 1994. A few months later, the whale hunters were charged and ordered to stand trial. In June 1996, the government finally dropped all charges against the Igloolik hunters. In august 1996, Inuit hunters from across the arctic gathered in Repulse Bay to catch the first legal bowhead in more than forty years. Arviq! traces the history of the bowhead in the Arctic up to the first legal hunt in 1996.

Inuaraq's family finally arrives at Avaja to a warm welcome. Yet, many changes have taken place. On the hill above the tents, they now find a wooden church and a priest. Sharing the fresh caribou feast, telling stories, Inuit are interrupted by the bell ringing. Inside the church the sermon is clear: Paul 4:22, 'Turn away from your old way of life.'

Inuit memories and experiences of shamanism, and oral histories about the last shamans practicing in the region of Igloolik, Nunavut. Interviewees range from young people to elders and politicians, but they all share a belief that things happen, and that shamanism is still a living religion.

From the Unikaatuatiit (Story Tellers) Series. A film by Isuma Productions.