Alberto Inzúa

In his first film El Santo was still referred to as ‘El Enmascarado’. Rendered compliant by a scientist and his gangsters via a serum and mysterious rays, he is forced for the opening act to be a henchman for the evil forces who want to take over the world. The film has great historic value, due also to its impressive exterior shots of pre-revolutionary Cuba 1959.

María Nicolasa Cruz, an illiterate young Mazahua woman, travels to Mexico City in search of a better life, only to be swept into a chain of misunderstandings and conspiracies that make her an unlikely suspect in thefts and murders.