Carlo Cecchi

In the heart of the 17th century, Friar Leopoldo da Casamacchia recounts the Gospel with a joy and freedom never seen before. While the Church speaks in Latin, he speaks to the people of a God who is close to them, capable of bringing comfort, hope, and even of laughing alongside them. His voice spreads from village to village, winning over thousands of people and emptying the churches. The echo of his message reaches as far as Rome, where the Pope entrusts the case to Cardinal Maculani, the most influential inquisitor of the time. What begins as a trial turns into an unexpected confrontation, capable of shaking seemingly unshakable convictions. While Leopoldo’s fate seems sealed, doubt begins to change even those who judge him. Because you can silence a voice, but not what that voice has left behind in others.

The tale of an individualist proletarian in a time marked by the rise of mass political movements. In early 20th-century Italy, illiterate sailor Martin Eden seeks fame as a writer while torn between the love of a bourgeois girl and allegiance to his social class.

Irene, nicknamed 'Miele', has devote herself to people looking for help, and tries to alleviate their suffering even when they make extreme decisions. One day she has to cope with Grimaldi and his invisible malaise.

Mary is a young girl, daughter of shepherds, promised in marriage to Joseph, a widower with two children, living in the nearby village of Nazareth, in the Galilee of two thousand years ago. Grown up in love and respect for the little ones, Mary, after leaving her home, soon sees the distortions of the patriarchal world surrounding her, starting with her husband's family. Here he reads the oldest brother of Joseph, Mordecai. The sunny and determined attitude of the girl, protective of children, arouses the indignation of the head of the family and those who are convinced of the need to give them punishment, discipline and submission.

French silkworm trader Hervé is married to the beautiful Hélène. When an outbreak of disease ravages European silkworms, Hervé must travel to Japan to retrieve healthy eggs. After a long journey, Hervé finally arrives at a village where he can buy them. He becomes infatuated with a young concubine and goes to great lengths to see her again. But, when war breaks out in Japan, the concubine flees, forcing Hervé to return home to his wife.

Leftist radical-turned-terrorist Giorgio—hiding out in Latin America since the 1970s—turns himself in as soon as the Berlin Wall falls. Wishing to lead a comfortable, bourgeois life in his native Italy, he cuts a deal with a dirty cop, getting his sentence reduced in return for ratting former comrades out. Once released, Giorgio obsessively pursues his dream of becoming an upright citizen, but his old police aquaintance keeps dragging him down...

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Loose adaptation of Italy's national epic, Alessandro Manzoni's “The Betrothed”. In war-torn 17th century Italy, shady feudal lord Don Rodrigo eyes young and beautiful Lucia, who loves—and is reciprocated by—commoner Renzo. The two lovers plan to marry in secret, but Rodrigo discovers it and they are forced to flee their village, becoming separated and each facing many dangers, including the Plague.

Angelo Roncalli, born in Sotto Il Monte in 1881, is known for his profound spirituality as well as his extraordinary goodness from the young years of his life. When he feels a need to serve God, Angelo goes to study theology in Bergamo, and in Apollinare School (Rome) and becomes a priest. During his studies, he gets to know his two dearest friends, Mattia and Nicola. Very soon, most people see marvelous talents in him, including his wide knowledge and a constant readiness for sacrifice. The Holy See makes him go further to bishop and cardinal, and the Holy Father sends him to various places as a representative of the Church. When Pius XII dies on October, the 9th, 1958, 77 year-old Angelo goes to Rome, to conclave to choose a new pope. However, this time, it is him who hears gentle words of Jesus "Tu es Petrus!" ("You are Peter!") and from October, the 28th leads the church as pope John XXIII

The downfall of a powerful Mafia family by the hands of its young scion. Based on Aeschylus' tragedy, the Oresteia.

Thriller about the murder by poisoning of a famous lawyer.

Lucy Harmon, an American teenager is arriving in the lush Tuscan countryside to be sculpted by a family friend who lives in a beautiful villa. Lucy visited there four years earlier and exchanged a kiss with an Italian boy with whom she hopes to become reacquainted.

In a time of war and disease, a young officer gallantly tries to help a young woman find her husband.

300 years of a remarkable musical instrument. Crafted by the Italian master Bussotti (Cecchi) in 1681, the red violin has traveled through Austria, England, China, and Canada, leaving both beauty and tragedy in its wake. In Montreal, Samuel L Jackson plays an appraiser going over its complex history.

The film shows the difficulties of an honest, imperiled judge and his bodyguard of four men, trying to clean up a Sicilian town. Corrupt local politicians, working hand-in-hand with the Mafia, will stop at nothing to prevent exposure of their rackets.

Francesco and Marta run a husband-and-wife design company in Rome. When Francesco's aunt dies in Istanbul he travels there to sort out the hamam Turkish steam bath that she left him. He finds a love and warmth in his relatives' Istanbul home that is missing from his life in Italy.

Naples, 1959. Pure Mathematics professor Renato Caccioppoli, Bakunin's grandson, is a tortured soul. Recently discharged from the psychiatric hospital, left by his wife, and increasingly disillusioned with academia and the Communist Party, he lives his last days with painful detachment.

Shunned by his church, a seminary student takes refuge with an excommunicated priest who teaches him wizardry and black magic.

A young lawyer returns home and discovers that a man has committed suicide jumping through a window of his house. His wife, Maria, says that she let the unknown man enter because he said the lawyer was the only one who could help him. Bernardo start to investigate about the man and about the reasons of his suicide.

In the late 1990s, in a dilapidated theater in the heart of Palermo, Carlo Cecchi is working on a production of A Midsummer Night’s Dream, the second play in his Shakespearean trilogy, translated by the poet Patrizia Cavalli. Director Francesca Comencini – who sees Cecchi as the last representative of an Italy not subservient to the media and Berlusconi’s power – decides to follow him and is allowed to film the show’s rehearsals, on the condition that she does it all on her own and with discretion.

Pina was born in Portugal but now lives in poor circumstances in Naples. Pina has two daughters, Rosa, who has been wearing a wedding dress since she was left stranded at the altar several years ago, and Caterina, who murdered a man who wronged her as he left the church following his wedding. Caterina winds up in prison alongside Maddalena, a prostitute who witnessed the murder and was inspired to kill a man in her own life who had hurt her. The incidents from these women's lives are interspersed with another story, set in 1929 and filmed in black-and-white, about a man who shoots his wife in a movie theater and must run to avoid the police.

When gold is discovered in a remote location, a variety of different groups descend on the spot to stake their claims, resulting in a spate of brutal violence.

A celebrity is murdered in broad daylight in the streets of Rome. Behind the murder lies a much more complex truth. The tracks, surrounded by a sultry milonga, leading to a gay commissioner.

Filmed during the annual 24-hour endurance race at Le Mans, Michael Delaney is a Porsche driver haunted by the memory of an accident at the previous year's race in which a competing driver was killed. Delaney also finds himself increasingly infatuated with the man's widow.

Upon his death, a young African director, Abramo Malonga, bequeathed his first and last unfinished film to his former teacher, the Italian director Fausto Morelli. Morelli, who after seeing the work, is confronted with a confusing, complex and, in part, incomprehensible work. Helped by the young widow of Abramo Malonga and by the notes left by his deceased friend, and again by his personal memories, the Italian director attempts to reconstruct and complete the film. Fausto's work progresses with difficulty, not only because of the problems the film poses for him, but because of the problems that arise in his daily life. After a long crisis, after which he returns to Pisa with his former party companions and abandons himself to love and his own solitude, Fausto takes up the work of his African friend, closing it with a final invention, in which , with a bold metaphor, has refigured the human condition of our time.

Alerted by an informer, the police suppress an ideological uprising, causing the death of one of the participants. The traitor, in order to redeem himself in the eyes of his comrades, pushes them towards a terrorist action. But, once again, at the last moment he refuses to participate out of fear.

In La prova generale, Carlo (Carlo Cecchi) interviews with a tape machine and a microphone his young lover while the two wander in the beautiful splendour of a wood on the edge of the city.

In this film, as in all my previous ones, there is a direct connection between inner urges and cinematic rendering. I tried to visualize my present aspiration to recover, through the various ways taught by one’s experience, the easiness, directness and ripeness proper to children’s relationships and affective life. This film is maybe a track of this path backwards. – A. L.

A typical 1968 film, it is directed in an elliptical style by the author, who builds a political theorem on the link between violence and revolution.

In all of his work, Bussotti makes frequent reference to the body, to sexuality. This to remind musicians — especially classically trained ones — that they are not body-less angels, that they are not just their musical thoughts, that they are still, in the last analysis, flesh and bones. Thus the erotic is not for shocking, but to stress that making music involves the body in a very direct way.

This almost silent film has been censored and rejected for his violent scenes, even if it was well received at the Pesaro New Cinema in 1966. It contains a quotation from Beckett off-screen at the critical moment. The story sometimes seems like a puzzle where a simple man who is sick from his environment, suddenly starts killing several people near a stadium. There are also moments from his life, discussing with a friend about fear of death and various meetings his beloved girlfriend. - my-tv-is-dead

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