Pierre Mignard

In early 1920s France, an author, lying on his deathbed, looks at various photographs and is flooded with memories of the people and events that have shaped his life.

1968 and 1969 in Paris: during and after the student and trade union revolt. François is 20, a poet, dodging military service. He takes to the barricades, but won't throw a Molotov cocktail at the police. He smokes opium and talks about revolution with his friend, Antoine, who has an inheritance and a flat where François can stay. François meets Lilie, a sculptor who works at a foundry to support herself. They fall in love. A year passes; François continues to write, talk, smoke, and be with Lilie. Opportunities come to Lilie: what will she and François do?

A portrait of a woman, composed of 17 moments from her life.

When 21 year-old Leo, the oldest of four brothers, announces to his rural French family that he's HIV positive, his family quickly rallies around him. Leo travels to Paris with his youngst brother Marcel for treatment. When Leo tries to push his brother away to protect him, the love and loyalty of the two brothers is tested.

Samuel is a wild-looking twelve-year-old orphan who has been placed with a nanny, Marie, for several weeks. Marie, who is struggling between her feelings and her need for money, is married to Clément with whom she has two sons, Alexis and Dimitri. Very quickly Samuel will have to get to know this new family and their possible secrets.

The disappearance of a young woman puts two forensic police officers on the trail of a serial killer. Their fears are confirmed by the discovery of several corpses, what follows is a long hunt across Paris.

Every night, in the heart of the forest, Abel and Nadja challenge the curfew and make love. One night, they discover a place which seems protected from the abstract war which surrounds them. A camp where, among others, Leila, Ivan and Samuel welcome them. Then life is going to waste away very hardly and quickly.

A woman meets a man in a bar late in the evening and goes to his apartment. A woman picks up a girl from school and runs with the child through the park. If we see such scenes in a movie, or are we watching such situations in life, we quickly believe we know who these women are: a woman looking for a fleeting adventure in the first scene, a caring mother in the second.