Björn Karlsson

On Christmas Eve in 1986, an Icelandic cargo ship sank in the North Atlantic Ocean. Of the eleven men on board, five lived. This is the remarkable story of the heroic rescue mission that brought them home.

Hannes is an old man who has grown apart from his children. Recently retired when his wife gets ill he tries to reconcile with them and to atone for his cold demeanor in the past.

Victor is the story of a conscientious if somewhat withdrawn traffic warden who through a series of mishaps finally finds his place in life. While the setting is unusual the film addresses a wide range of emotions and morality; Love, deceit, frustrated longings and human dignity. Victor, the eponymous hero of the film, is torn between his desire for the supermodel Kate le Font and the genuine affection of his co-worker Herdis. Victor's story comes to a head when a crooked traffic warden accuses him to hide his own crimes. With Herdis' help our hero narrowly avoids disaster. In a surprisingly complex plot, the film illustrates the dangers of repressed emotions, the liberating power of love and the ultimate triumph of good. All this takes place within the microcosmic context of the traffic warden's world which becomes a reflection of all human drama.

This Icelandic tale, loosely based on the real-life experiences of director Fridrik Fridriksson tells the saga of a boyhood spent in Iceland in the 1960s.

A story of a ten year old girl, Erla, who finds a flute nobody else can hear and meets a boy nobody else can see. The boy turns out to be an elf who tells her that a spell has been cast on her father. Much to Erla's horror, her father is turned to stone when he's moving rocks around in the park, looking for worms. Erla's new found friend is the only one who can guide her on a search for a magic egg possessed by the big trolls in the mountains and said to be the only remedy for people who have been turned to stone.

A French man from an international record company is sent to Iceland where he is supposed to find the next big hit.

An elderly couple leave their retirement home to make one last journey back to their home in the Western Fjords.

Magnús is a 45-year-old lawyer, whose routine is upset by the personal news that he is suffering from cancer. This causes Magnús to stop and think about himself, his life and his family. If his life is going to end sooner than he expected, he wants to know how much it's been worth to him. Has life been worth living? Is it worth fighting for; is it worth a struggle against death? He takes a look at his family, a group of ordinary people, who are the colourful heroes of everyday life, struggling along in a world far removed from the world of high finance, power politics and international intrigues, but yet to them their lives are lives of high adventure. Those adventures, from the sublime to the ridiculous, form the storyline of the film, told against the background of Magnús' dilemma.

The film is about a little boy, living in the centre of Reykjavík during the first years of Second World War. While poverty is still a fact of life, the business of war slowly begins to affect people's lives. Gradually, the terrors of war filter through into the young boy's mind.

Tommi and his half brother Kiddi travel through Iceland with a money transport. A reunion develops into a nightmare after picking up the hitch-hiker Lísa.

A whale-boat is making its final whaling tour of the season. It pursues and catches a whale, and then proceeds home. The men working on the boat have to find themselves different employment now that the season is over. Among the crew are two friends, Grímur and Bubbi. The film mainly concerns itself with their efforts to make some kind of contact with what is going on in Reykjavik.