Known for
6.2After a landsman in 18th century England discovers a corpse covered in fur buried in a field, the town becomes infected by "the devil's skin," leading the local children to engage in demonic rituals and criminal behavior.
Blood on Satan's Claw
1971
7.6An exploration of the cinematic history of the folk horror, from its beginnings in the UK in the late sixties; through its proliferation on British television in the seventies and its many manifestations, culturally specific, in other countries; to its resurgence in the last decade.
Woodlands Dark and Days Bewitched: A History of Folk Horror
2021
7.1In pre-famine Ireland, when poverty and magic were rife, introverted farm girl Maura discovers a magical world of the imagination through the mysterious wanderer Scarf Michael. When her isolated rural community accuses her of witchcraft, she turns to her own supernatural powers for protection.
The Outcasts
1983
NRBritish horror short from 1962.
The Heritage
1962
NRVisual commentary on the way in which the prophetic poems of William Blake are reflected in modern London and the political upheavals of 1968.
The Judgement of Albion
1968
NRThis madcap comic short features (incredibly) Charlton Heston, Michael Redgrave and a young Peter O'Toole.
The Greatest All-Star Advertial of All Time
1963
Film credits
Behind the camera
6.2After a landsman in 18th century England discovers a corpse covered in fur buried in a field, the town becomes infected by "the devil's skin," leading the local children to engage in demonic rituals and criminal behavior.
Blood on Satan's Claw
1971
7.1In pre-famine Ireland, when poverty and magic were rife, introverted farm girl Maura discovers a magical world of the imagination through the mysterious wanderer Scarf Michael. When her isolated rural community accuses her of witchcraft, she turns to her own supernatural powers for protection.
The Outcasts
1983
7.1In pre-famine Ireland, when poverty and magic were rife, introverted farm girl Maura discovers a magical world of the imagination through the mysterious wanderer Scarf Michael. When her isolated rural community accuses her of witchcraft, she turns to her own supernatural powers for protection.
The Outcasts
1983
NRBritish horror short from 1962.
The Heritage
1962
NRBritish horror short from 1962.
The Heritage
1962
NRBritish horror short from 1962.
The Heritage
1962
NRVisual commentary on the way in which the prophetic poems of William Blake are reflected in modern London and the political upheavals of 1968.
The Judgement of Albion
1968
NRVisual commentary on the way in which the prophetic poems of William Blake are reflected in modern London and the political upheavals of 1968.
The Judgement of Albion
1968
NRThis madcap comic short features (incredibly) Charlton Heston, Michael Redgrave and a young Peter O'Toole.
The Greatest All-Star Advertial of All Time
1963
NRShort film from The Outcasts director Robert Wynne-Simmons featuring Sammy Davis Jr. in a cameo role.
Bomb Disposal
1963
NRRobert Wynne-Simmons' most ambitious early film has surreal overtones of 1960s series such as "The Prisoner" and "The Avengers".
The Scrolls
1964
NRAmong the Brighton gangs, the Mods and Rockers, a teenager is victimised by a member of his own group, who then steals his girlfriend. He can take no more, and knives his rival in a fight. But his troubles are just beginning. His girlfriend is not coming back. The police are after him, as are the other members of the gang. Everywhere he is a fugitive. He suffers a breakdown, and fantasises that the doctors in the hospital are killing his injured rival, and that he will be blamed. He steals a bottle of serum that a doctor had used for an injection, hoping to convince his former friends that he is innocent, but it is just an empty bottle which will convince no-one. He finds himself cornered in a dark lane where there is no way out.
The Fugitive
1964
NRAmong the Brighton gangs, the Mods and Rockers, a teenager is victimised by a member of his own group, who then steals his girlfriend. He can take no more, and knives his rival in a fight. But his troubles are just beginning. His girlfriend is not coming back. The police are after him, as are the other members of the gang. Everywhere he is a fugitive. He suffers a breakdown, and fantasises that the doctors in the hospital are killing his injured rival, and that he will be blamed. He steals a bottle of serum that a doctor had used for an injection, hoping to convince his former friends that he is innocent, but it is just an empty bottle which will convince no-one. He finds himself cornered in a dark lane where there is no way out.
The Fugitive
1964
