Edo Bertoglio

Homo Cinematographicus is a human species whose unit of measurement and point of reference is the cinema and its derivative, television. Filmed at the 1998 Cannes Film Festival, the film offers an unspecified number of statements, talking about memories and a thousand fragments of stories, titles and film scenes, the warp of a gigantic collective Chanson de geste.

Face Addict tells the story of a unique and unrepeatable experience, that of the artistic community in New York between the late '70s and early '80s, known as the downtown scene.

Homo Cinematographicus is a human species whose unit of measurement and point of reference is the cinema and its derivative, television. Filmed at the 1998 Cannes Film Festival, the film offers an unspecified number of statements, talking about memories and a thousand fragments of stories, titles and film scenes, the warp of a gigantic collective Chanson de geste.

The film is a day in the life of a young artist, Jean-Michel Basquiat, who needs to raise money to reclaim the apartment from which he has been evicted. He wanders the downtown streets carrying a painting he hopes to sell, encountering friends, whose lives (and performances) we peek into.

Face Addict tells the story of a unique and unrepeatable experience, that of the artistic community in New York between the late '70s and early '80s, known as the downtown scene.

Face Addict tells the story of a unique and unrepeatable experience, that of the artistic community in New York between the late '70s and early '80s, known as the downtown scene.