Joe El Dror

Ariel, a young French Jew, decides to leave his family to go to Israel and secretly become an agent of Mossad, the Israeli secret service. After years of training, his first mission is in Paris to steal secrets from Remy Prieur, a French atomic scientist.

Hanna's War is the true story of Hanna Senesh, a Hungarian-Jewish WW2 resistance fighter, who would become Israel's "Joan of Arc". As a young person, she fled Nazi-occupied Hungary for Palestine, where she was recruited and trained by the British to serve as a commando. After completing her training in Britain, she parachutes into Yugoslavia with a commando team to establish escape routes across the Hungarian-Yugoslavian border for downed British pilots. Her attempts to save Hungarian Jews in Nazi-occupied Hungary, however, leads to her capture, torture and demise at the hands of the Gestapo and the Nazi-controlled Hungarian police.

The year is 1999 and the storyline is actually a number of sub-plots all revolving around the 13-year old Clara, a girl that can predict the future and has telekinetic powers. The sub-plots include a boy in her class who has a crush on her, his family, her family and her principal that keeps talking French for some strange reason.

These short television dramas brought young Hebrew writers together with a new generation of filmmakers. The prevailing topic is love between young urbanites.

Hahamishia Hakamerit (Hebrew: החמישייה הקאמרית, The Kameri Quintet‎‎) was a weekly Israeli satirical sketch comedy television program created by Asaf Tzipor, who was also the main writer of the show, and Eitan Tzur, who directed the entire run of the show. Hahamishia Hakamerit was broadcast on Israeli Channel 2 and Channel 1 between the years 1993-1997. Later on, reruns of the show were broadcast on the cable channel Bip (channel). The show's often surreal skits were characterized by a satirical point of view which did not spare the audience sensitive subjects such as politics, national security, the Holocaust and sex.

Manny is summoned by the police and shown photos of himself being watched by a girl he doesn't know. He goes looking for her, they get involved and he disappears. Or so it may seem. An Israeli story about fluid borders and troubled minds.

These short television dramas brought young Hebrew writers together with a new generation of filmmakers. The prevailing topic is love between young urbanites.

Hahamishia Hakamerit (Hebrew: החמישייה הקאמרית, The Kameri Quintet‎‎) was a weekly Israeli satirical sketch comedy television program created by Asaf Tzipor, who was also the main writer of the show, and Eitan Tzur, who directed the entire run of the show. Hahamishia Hakamerit was broadcast on Israeli Channel 2 and Channel 1 between the years 1993-1997. Later on, reruns of the show were broadcast on the cable channel Bip (channel). The show's often surreal skits were characterized by a satirical point of view which did not spare the audience sensitive subjects such as politics, national security, the Holocaust and sex.

Manny is summoned by the police and shown photos of himself being watched by a girl he doesn't know. He goes looking for her, they get involved and he disappears. Or so it may seem. An Israeli story about fluid borders and troubled minds.

Manny is summoned by the police and shown photos of himself being watched by a girl he doesn't know. He goes looking for her, they get involved and he disappears. Or so it may seem. An Israeli story about fluid borders and troubled minds.

Hahamishia Hakamerit (Hebrew: החמישייה הקאמרית, The Kameri Quintet‎‎) was a weekly Israeli satirical sketch comedy television program created by Asaf Tzipor, who was also the main writer of the show, and Eitan Tzur, who directed the entire run of the show. Hahamishia Hakamerit was broadcast on Israeli Channel 2 and Channel 1 between the years 1993-1997. Later on, reruns of the show were broadcast on the cable channel Bip (channel). The show's often surreal skits were characterized by a satirical point of view which did not spare the audience sensitive subjects such as politics, national security, the Holocaust and sex.

Can Fear be a self fulfilling prophecy? A husband, a wife and their best friend return from a ski vacation. The husband suspects that his wife has fallen in love with the friend. He confronts his friend rather than his wife. The friend dismisses the accusation. Is he lying? and if not, how will these doubts affect him, and will he view the wife differently from now on? And the wife: Is she indeed in love? if so, will she do something about it? If not, will she sense the suspicions around her? could she not? And the husband: should he discover that he was wrong, would he be able to stop that which he had begun with mere words? An anxiety that settled in the mind of one, takes over his life and rocks the lives of two

Can Fear be a self fulfilling prophecy? A husband, a wife and their best friend return from a ski vacation. The husband suspects that his wife has fallen in love with the friend. He confronts his friend rather than his wife. The friend dismisses the accusation. Is he lying? and if not, how will these doubts affect him, and will he view the wife differently from now on? And the wife: Is she indeed in love? if so, will she do something about it? If not, will she sense the suspicions around her? could she not? And the husband: should he discover that he was wrong, would he be able to stop that which he had begun with mere words? An anxiety that settled in the mind of one, takes over his life and rocks the lives of two

Hahamishia Hakamerit (Hebrew: החמישייה הקאמרית, The Kameri Quintet‎‎) was a weekly Israeli satirical sketch comedy television program created by Asaf Tzipor, who was also the main writer of the show, and Eitan Tzur, who directed the entire run of the show. Hahamishia Hakamerit was broadcast on Israeli Channel 2 and Channel 1 between the years 1993-1997. Later on, reruns of the show were broadcast on the cable channel Bip (channel). The show's often surreal skits were characterized by a satirical point of view which did not spare the audience sensitive subjects such as politics, national security, the Holocaust and sex.