Fernando Epstein

Gero and Cris, two young filmmakers, have the opportunity to pitch their idea to an important producer. But minutes before, Gero receives a call from work demanding that he return immediately, forcing him to choose between securing his present or risking it all for his future.

On a faraway mountaintop, eight kids with guns watch over a hostage and a conscripted milk cow.

Paraguay, 1958. The charismatic Narciso returns from Buenos Aires with rock ’n’ roll in his veins. Under the suffocating military regime, his radio show becomes a music sensation and a symbol of freedom.

The vast Gran Chaco natural region in Paraguay is under serious threat from large-scale deforestation and wildfires. Filmmaker Sebastian Peña Escobar travels with the German entomologist Ulf Drechsel and the Paraguayan ornithologist Jota Escobar to this vulnerable, flammable area, which looks like an apocalyptic landscape with red dirt roads and dry thorny trees.

David, has just failed his university examinations and has one year to re-write them. Ruben, his father, a pragmatic and successful businessman, has been paying for David's education, the pursuit of which he considers a waste of time. Ruben wants David to work and make himself useful and he strikes a deal with him: David can stay and study for his exams at Ruben's house in La Perrera, a coastal resort town, while he builds a house for himself. And so, a year-long adventure starts for David, an urban intellectual, in the isolated La Perrera and among its off-season residents who include nearly as many dogs as men, where the only women are either pregnant or prostitutes, and where no one wants to work and things are done out of friendship more than anything else.

Heartbroken, Maite arrives at a coastal town where the few residents live out their lonely lives. The peace soon disappears, when they come across an unconscious sailor on the beach one day, prompting Maite to decide whether to move forward and create a new life or remain stranded on those shores.

Racked with anxiety in the chaotic political landscape of 1990s Brazil, Clara finds solace in starving herself, experiencing both rapture and torture. In this elliptical non-fiction film, anorexia becomes a way for Clara to challenge womanhood and find a place in an uncertain, surreal, and brutal world.

When his long-lost brother resurfaces, Jacobo, desperate to prove his life has added up to something, looks to scrounge up a wife. He turns to Marta, an employee at his sock factory, with whom he has a prickly relationship.

While her filmmaker husband works in Chile, harried young mother Liz struggles to take care of her infant son. Feeling out of place amongst the tight-knit group of other parents at the park, doubted by her husband, and judged by her newly hired nanny, Liz is drawn to factory worker Rosa, a plain-talking single mother she meets at the swings one day. Despite Liz’s liberation upon finding a bold new confidante, the friends’ increasingly apparent class differences, along with swirling rumors about Rosa’s motives and muddy family situation, feed Liz’s suspicions that her new pal might be a sinister influence on her already fragile life.

After being expelled for a flagrant foul during a match in Primera C (the fourth division in Argentinian football), Patón Bonasiolle, the captain and midfielder from Talleres de Escalada, realizes his career as a footballer has come to an end. At the age of 35, this means the end of a world he has known since he was a child. Together with Ale - his wife - he looks for a fresh new start.

Nieves is my oldest neighbor, in every way. She has just turned 90 and for a long time we have lived next to each other, balcony to balcony, in the Old City of Montevideo. I thought I knew her. During the confinement of 2020, filming her with my cell phone and trying to keep a distance of two meters, I discovered a woman undone in light and blooming in stars.

The death of patriarch Alfredo sends his heirs into a downward spiral. With the pending sale of their beach house, a repository of childhood memories, three siblings’ long-simmering resentments are brought to a full boil.

Felipe is a teenager from La Paloma who attends an acting workshop behind the back of his mother, who opposes him becoming an actor. When the opportunity arises to attend a casting in Montevideo, Felipe escapes by bus for the day, but when he succeeds and finds it necessary to extend his stay, his lie gets out of hand.