Luis Alberto García

Gustavo idolizes his older brother Paco and his punk, "Frikis" bandmates. When word reaches the Frikis of a potential reprieve from the effects of the economic crisis, they do the now unthinkable: deliberately inject themselves with HIV to live at a government-run treatment home. It's there that they create their own utopia to live and play music freely.

After a tragic incident in which he kills his abusive stepfather, Elvis is sent to prison and separated from his childhood sweetheart, Yuli. Once released he is dragged into the sordid world of prostitution in Cuba and faces a critical decision: fight to win back Yuli's love or flee to the United States and start a new life.

Cuba, early 21st century. Mandi is a young art graduate who returns to his small coastal town to complete his community service. There, he must confront a local reality that clashes with his aspirations and ideals, placing him at a crossroads between avoiding confrontation within an oppressive political context and pursuing personal and artistic freedom.

No synopsis available yet.

Ricki travels to Cuba after many years to meet his girlfriend Beatriz, but she has changed a lot; Claudia, in a desperate search for money to buy a house, tries to scam a drug dealer; and Celina, a necrophiliac prepares to spend a weekend with a corpse.. Three dark love stories that, thanks to various unforeseen events, will intertwine until they become the revelation of the plot of a film that at the end of the story illuminates the drug dealer.

Cuba, 1961. A young teacher arrives with the intention of teaching a peasant family to read and write…

A lesbian, an aspiring actor, an aspiring singer, a low-class marriage, a neighborhood community and 2 renowned directors have memorable less-than-24-hour-long experiences while living in/visiting the capital of Cuba.

While Havana is full of zombies hungry for human flesh, official media reported that the disturbances are caused by dissidents paid by the United States. Panic seizes all until Juan comes to the rescue: he discovers he can kill the undead destroying his brain, and decides to start a small business under the slogan "We kill your loved ones."

Two young, strong-willed Scottish sisters, one a left-wing activist, the other a most-popular-girl-in-school type, take their late father's ashes to Cuba, the site of many family legends of his services to the Revolution. Arriving in Havana, the two women promptly lose the ashes and go through a series of misadventrues - both romantic and dangerous - to try to retrieve them. A colourful and wryly humourous tale of cross-cultural misunderstandings and lost illusions.

Nicanor has been arrested for doing graffiti at three in the morning. Against all logic, the graffiti is in favor of the government. The police captain who interrogates him—a cultured policeman, for a change—tries to understand why he does it.

When his estranged father returns, a hairdresser is forced to quit performing at the local drag club.

When a young man is killed in Central Park in La Habana, a series of coincidences reveals that many of the night walkers that hang around the park are related to the crime.

The killing of a fiery young teacher sets Detective Mario Conde on the trail of a drug kingpin with ties to the high school he once attended.

A blind woman living alone in the country tells tales to a criminal holding her captive to keep him calm.

In a tenement in a poor Havana neighborhood, four men are playing a game of dominoes: Rodríguez and Nicanor versus Sangremono and Pepe “the Victim.” Once the game has begun, Rodríguez suddenly mentions that he has heard some astonishing news that concerns the future of the country and every one of its inhabitants…

Three stories, loosely inspired on short stories from classic Boccaccio’s Decameron, are connected by a creatively-bankrupt writer who offers money in exchange for original subjects.

Nicanor O’Donnell, a visual artist, successfully opens his exhibition “With a Dark and Mourning Soul.” However, the next day he is urgently called to the gallery because troubling mishaps are occurring. Nicanor must cooperate with the authorities and decide the ultimate fate of his art.

Havana, 1974. Almost every day, Ana puts a cuban flag on the balcony. The flag is faded and full of stains. Ana suggests to her husband Nicanor to get another one. From there the couple will be doomed to unexpected complications...

Fictional documentary in which researchers and ordinary citizens try to clarify the abrupt disappearance from the political scene of leaders once known as “trusted men,” and how they have been sighted in the most unlikely places. Finding these men and confronting them on camera is the goal of two investigators.

In 90's Habana, a nurse and a home builder, hopelessly in love, live happily married. A circumstantial fact of her past life will put their feelings to test and undermine the most elemental principles.

Amor Crónico follows Grammy-nominated, Cuban-born CuCu Diamantes as she embarks on a whirlwind tour of her home country. Interweaving glamorous live performances with a fictional romance, the film pays tribute to the history of cinema in surreal fashion. Backed by a high energy Latin soundtrack, Cucu's journey is a visual love poem to the sites, sounds, and people of Cuba.

Nicanor O’Donnell travels in a time machine to the year 1960, in search of the epic spirit of a country in revolution. He enters a bar and tells his story to a stranger. But neither of them has any idea how much this encounter will change their lives.

The story of a couple during the stay in the apartment of one of them. During that time, both their emotional states will constantly change due to a love that has consumed them, the promises that have not yet been fulfilled, and the time that has passed and will not return.

Barbara is about to travel to Spain for an exhibition of her paintings. The night before starting her journey there is a hurricane and she has to stay in a nightclub until the morning. During the night she comes into contact with different people who have a variety of conflicts and interests. She is drawn into this microcosm which seems to be a reflection of Cuban society today.

A group of actors shows up to audition for the lead role in a co-production with Germany. Through their interviews and interactions, their miseries, desires, and frustrations are gradually revealed. The selection process takes three days; in the end, there is only one winner…

Rodrigo, a famous European artist, comes to Cuba to create a collage using photos of one hundred Cuban artists. Wanting the photos to reflect the anguish inherent in the creative process, he can think of nothing better than hiring the worker Nicanor O’Donnell to punch the one hundred artists in the face for a fee of five euros per head. Knowing that the collage will be exhibited all over the world, the artists line up to be beaten. Nicanor, who at first believes he has stumbled upon the deal of his life, is dismayed to discover that he must hit elderly people, women, artists he admires…

Cuba has changed in the near future, but Nicanor and his friends still meet in a park to talk about politics…

Papi La Amígdola, a famous reggaeton performer, wakes up in the middle of the night. Apparently, someone is trying to rob his house. Papi wants to teach the intruder a lesson, unaware that what happens next will change his life forever…

A portrait of Havana in the middle of the whirlwind of the post restoration of US-Cuba relations. An impasse of uncertainty and vertigo, a feeling of time standing still while future flies away.

Directed mainly for kids, the film speaks of a Havana that reveals two distinct faces, from the everyday life of a couple of kids.

Ernesto Guevara, known as 'Che', leads a group of Cuban exiles under Fidel Castro in a revolution to overthrow Fulgencio Batista, the dictator of Cuba.

Nicanor, his wife, and his in-laws watch Cuban television. In a single twenty-minute shot, the differences surface between Nicanor, who supports the Revolution, and his father-in-law Damián Rodríguez, a former Batista supporter. The two women try in vain to mediate, and the conflict seems irreconcilable. However, they have no choice but to make up with each other every night.

The friendship between two children is threatened by their parents’ differences. Malú is from a family that was upper-class before the Revolution and remains well-to-do through remittances from relatives overseas, and her single mother (Larisa Vega Alamar) does not want her to play with Jorgito, as she thinks his background coarse and commonplace. Jorgito’s mother (Luisa María Jiménez Rodríguez),

At the elementary school where Evita, Nicanor’s daughter, studies, the parents are instructed that the children must bring photos of various independence heroes for an important activity the next day. That night, when he discovers that they do not have any photos of heroes at home, Nicanor will have to go out and look for them, no matter what it takes.

Javier is an actor with an affinity for writing. When he begins his love story with Luisita, he does not know where the truth begins and ends. Fifteen years later he has converted his story into literature that relates his tragic love story in a creative way.

A young revolutionary on the verge of death finds himself trapped in his desires for love. His feelings in the midst of war are clarified when he discovers that he wants to love and be loved by another man. This short film questions the notions of hatred that arise in homophobic coexistence.

Nicanor, a Health Ministry employee, returns from a trip to Germany bringing some sex toys with which to spice up his marriage. His wife Ana is reluctant at first, but Nicanor insists on using the devices and talks to his friend Rodríguez, who speaks German, to have him translate the instruction booklet. However, the shortages and the need to survive in today’s Cuba will play one dirty trick after another on them…

Nicanor has just finished the ritual of preparing himself a gourmet coffee when two strangers knock at his door. They identify themselves as members of State Security, who have come to install microphones in his house to listen to the antigovernment remarks Nicanor makes. Since they only have two microphones, they ask for his help in choosing the best room to install them and tell him that from now on he can only make his comments in that room.

A world record, an accident, a heroic act, a matter of scientific interest. All this happens simultaneously. The editorial board of the newspaper La Avanzada must decide what goes on the front page.

Julio del Toro is a successful writer in his fifties, who has always had his life under his control, until the day that, returning from one of his frequent foreign travel, this consistent world will fall into crisis. His daughter has started an affair with a Spanish older than him, his mistress poses a serious ultimatum, a young journalist begins to prepare a report on his work, and he faces the question if he is already finished as a creator. While Julio feels increasingly confused and disoriented, the women around him will make the decisions that he is not able to take.

At an unspecified event, everyone votes in favor. Unexpectedly, there is one vote against: Nicanor O’Donnell’s. When Nicanor goes to the bathroom during the intermission, some curious delegates follow him, eager to find out why he dared to vote against. The suspicion that someone is locked in a stall, listening to everything, turns their sympathy into mistrust toward Nicanor. But the one locked in the stall is also a poor wretch.

Rodríguez is picked up by Nicanor, a very special “botero”. Ana and Estrada also get into the car, and unexpected relationships develop among the four characters.

A young Cuban couple gets lost, and searching for a place to stay the night, enters the home of M. Wong and Madame Tsu, who have sinister plans for them.

Jose Luis, a young boy with aspirations to become a scriptwriter and director of cinema, is dazzled on having known the beautiful Sissy. To impress her, he appears as the director who looks for a not professional actress. She, that the whole life has dreamed of being 'discovered' but that it is not naive with men, pretends not to be interested. They begin a relationship in wich both are not as they wanted to be.

Three sisters leave Cuba in search of a better life in Madrid. While there, they encounter, among other things, other Cuban expatriates.

During the 'Special Period', the members of a funeral procession cross paths with truckdrivers who have to take the same route, and begin to talk about God and the world. They discover that life for both groups has many similarities, as well as a lot of differences.

At the end of the 19th century, Goyo, a young laborer from the Canary Islands, is forced to enlist in the Spanish army to fight the Cuban independence revolt. During the war, Goyo will share hardships with his comrades Galleguito and Sevillano, and fall in love with a young Cuban woman...

Miguel, a young singer, loses his job when the quartet he was part of breaks up. He forms a new quartet with a fresh approach to Cuban music. They quickly rise to the top of the charts, but conflicts between the members lead to their early demise.

Juan Gutiérrez, 44, an electrician, has been unemployed for a long time. He decides to leave his family to go find work in Madrid, believing that in the big city the opportunities will be greater. Once there, he discovers that things are not as he believed. He is an electrician. He doesn't want to clean windshields at stoplights or clean cabarets at dawn. He wants to work as an electrician. Occasionally she meets Andy, a Caribbean mulatto who boasts bulletproof optimism. With his sharp wit, he manages as best he can, trying not to be found by the immigration authorities. Despite the distances, "Gallego" and "Sudaca" become friends.

Amanda has the gift of prophecy since she was a child. This unique gift causes the interest, fear and rejection of teachers, psychologists, journalists, friends and family.

No synopsis available yet.

After two years in jail, El Isleño returns to the island of La Fe, ruled by the dictator Francisco Gavilán. He arrives with a cinematograph and exhibits "Robin Hood" to the people. The next day the bridge that communicates La Fe to the mainland has been destroyed, and the people plan to overthrow Gavilán.

An elderly man with wings is blown off course during a tropical storm in this symbolic fantasy. The Old Man lands near a Caribbean island where a poor family gives him shelter in a chicken coop. Father Gonzaga is the skeptical priest who rushes to damn the creature. Soon the Old Man is the subject of curiosity seekers as Elisinda and Pelayo start charging admission. A traveling carnival of human oddities camps near the Old Man as people flock to see the show. The Old Man is reduced to being an unwanted pet, and after six years, he mends his wings and flies away. Nudity, simulated sex with a spider woman, and the ugliness of human exploitation definitely put this fantasy in a category not for children.

Roberto Hurtado suffers from a rare disease that requires massive transfusions of blood from children or adolescents. His son blackmails three employees to get blood for him and they resort to unscrupulous methods to obtain it.

In 1950s Havana, a romance blooms between two young revolutionaries whose clandestine printing press publishes pamphlets meant to stir up rebellion against the dictatorship of Fulgencio Batista. As their popularity grows, so, too, does their revolutionary zeal and their desire to mobilize other urban guerilla units.

A famous baseball player faces retirement and the conflicts it causes in his professional and family life until the night he must play for the last time.

In 1672 Cuban revolutionaries launch an uprising against the Spanish who are occupying the country. Preserved by the Academy Film Archive in 2017.

A pious plantation owner attempts to teach Christianity to 12 of his slaves by inviting them to participate in a reenactment of the Last Supper.

It's an open wound. With Estrés, Marilyn Solaya doesn't seek to tell stories: she exposes them, shakes them up, leaves them unanesthetized. In six intertwined stories, the director turns everyday life into an emotional battlefield, where poverty, love, illness, and dignity clash relentlessly.

No synopsis available yet.