Patricio Bisso

The story of two radically different men thrown together in a Latin American prison cell. One is Valentin, a journalist being tortured for his political beliefs. The other is Molina, a gay window-dresser who fills their lonely nights by spinning romantic fantasies drawn from memories of old movies.

São Paulo, 1983: Women’s soccer has just been legalized in Brazil. A group of rebellious young women form the Gayvotas Football Club and begin training for their first match. But as the team quickly becomes a media sensation, its members are forced to confront the prejudices of the conservative military dictatorship that they live under.

When a young European woman assumes a false identity in 1920s Argentina, she gets more than she bargained for.

An aspiring actress is hired to dub a recently deceased movie star in an upcoming erotic thriller. As the recording sessions go on, the voice actress finds herself slowly being influenced by the dead star’s presence.

At the height of the military dictatorship, an abandoned mansion in the center of São Paulo is occupied by militants, hippies, maniacs, homosexuals, punks, artists and poets, as well as immigrants from different parts of the world.

Earning her living by dubbing American TV Series, a woman dreams of becoming an international Hollywood star.

Patricio Bisso was an Argentine multidisciplinary artist who rose to stardom in Brazilian theatre and television, where he developed a meteoric career marked by his irreverent and highly individualistic personality.

Rare documents and details of the film's story. From its initial option to its critical reception and legacy. Director David Weisman, who also produced "Kiss of the Spider Woman", comes off as rightful creative force behind the production, as it was his true passion. Very detailed comments from all the participants, from the author of the book to the lawyer for the production company, the actors, director, writers, producer, and crew members.

Fantasy comedy about Brazilian writer Oswald de Andrade, one of the most important icons of Modernism in Brazil. In the film, Oswald is played by two actors: Ítala Nandi, as his feminine anima, and Flávio Galvão, as the masculine half.

Financial problems in a religious school for girls force the government to interfere. While waiting in the conference hall to communicate the fact to the school administrators, the intervenor falls asleep and a crazy dream begins, involving teachers, students and strange characters.

Fernanda is content with her life until she meets Miguel, a drug addict, bisexual male prostitute. She becomes captivated by him and leaves her family behind in favor of a new life filled with sex and debauchery.

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