Diego Dubcovsky

Lara wants to know about her grandfather on her father’s side, who died ten years before she was born and whom no one talks about. Through photos, Super 8 reels and one letter, she discovers an identity trait that has marked her family for generations.

Based on the journals of Che Guevara, leader of the Cuban Revolution. In his memoirs, Guevara recounts adventures he and best friend Alberto Granado had while crossing South America by motorcycle in the early 1950s.

Sofía travels from La Plata to Los Toldos, her hometown. During her stay, Sofía will assist her father, who is in poor health, with the funeral work being done by Casa Coraggio, the family business. In the history of her ancestors, each one has had to take on this responsibility and continue a legacy that spans more than 120 years. Amidst an atmosphere of life and death, Sofía struggles between following tradition or choosing a new path.

Tomás, who lives in Canada, travels to Madrid, Spain, to visit his old friend Julián. Both of them, accompanied by Truman, Julián's faithful dog, will share many surprising and emotional little moments, triggered by the hard situation Julián is going through, for just a few days.

A collection of 10 short films made by known Argentine directors on the AMIA bombing of July 18, 1994.

Mariano, a neurotic young man about to get married, tries to carry out a small scam in order to set up his brand new apartment. Everything goes wrong as his beloved Siam Di Tella ends up in possession of a very eccentric homeless man.

The film does not describe, rather it observes, in a distant manner, the world of Martin, a seventeen year old who feels he doesn’t belong anywhere, not at home, school, nor with his friends or members of his rock band. In search of some happiness, Martin takes off to the coastal town of Mar de Plata, where his older brother lives. Unglamorous, yet enchantingly addictive and refreshingly genuine, Acuña paints a confused and uncomfortable world, and makes us want revisit it over and over again.

A rock concert, the irruption of the police, four friends forced to flee quickly and forget their backpack there. Friendship and adolescence combined as one, the future less than a time to travel rather than a space (a city) to discover.

Roberto is a Law professor whose life is thrown into chaos when he becomes convinced that one of his best students has committed a brutal murder. Determined to uncover the truth, he begins a personal investigation…

Martina and Manuel cross the border from Bolivia as «mules». Manuel dies with the cocaine capsules inside his body. Martina turns to her father, who she never met before, for help.

After being fired from his job, Norberto tries his luck as a real estate agent, but he doesn't tell his wife right away. His new boss advises him to take an assertiveness course to overcome his shyness, and Norberto starts taking classes in an acting workshop for beginners. While he works toward the quarterly festival, Norberto fails to get his wife and clients to believe anything he says, but he finds out he is very good at lying to himself.

In 1999, Argentina's peso craters. Ariel, a young man from Buenos Aires' Jewish community, deals with his mother's fatal illness, finds a job as a night shift surveillance camera monitor, and wonders when he'll discover sex. Santamaria, middle aged, loses his bank job and is dismissed by his wife; he finds stolen wallets in dumpsters to return to their owners. Ariel tells Santamaria's story to a TV reporter who profiles lives on the street. She's Laura, in a relationship with another woman, but perhaps available. Ariel desires Laura, while Santamaria courts Elsa, a washroom attendant who's husband is in prison. Christmas and Hanukkah approach; can anyone connect?

A girl, whose father is incarcerated as a political prisoner, is not allowed to draw pictures of birds or anything related to freedom. She will find a way to deliver her message of hope to her father in a very unusual way. Based on a story by Eduardo Galeano.

A young Buenos Aires mother finds employment as a sex worker and struggles to live under the same laws that are supposed to protect her.

A dramatized approach to the Argentinian writer Jorge Luis Borges (1899-1986) through the recreation of some of his works and the staging of various aspects of his thought and his life.

Dignified, strong and formidable, and oozing erotic attraction: young malambo dancer Gaspar is at one with his passion for dance that he has made his profession.

After many years away, Ariel is summoned by his distant father to his childhood home in the bustling Jewish quarter of Buenos Aires, known as El Once. Over the course of seven days, during the vibrant holiday of Purim, Ariel seeks to reconnect with his father, who runs a Jewish charity and is regarded as a big macher in the close-knit community, but was frequently absent due to his obligation to fulfill the Jewish quorum of having 10 men present at all funerals.

In Buenos Aires, the twenty-something Jewish-Argentinean Ariel Makaroff ditches the University of Architecture and spends his time wandering through the downtown gallery where his mother has a lingerie shop and his brother runs an importation business. Ariel has never understood why his father left him when he was a baby, but when his dad returns to Argentina, that will soon change.

After years of delay, a long-planned journey finally begins. The filmmaker imposes a quiet rule: only one shot per day. This self-imposed rhythm becomes a daily ritual of observation, recording, and reflection. What emerges is a filmed diary—a chronicle of wonder that maps both external landscapes and internal states. Each image carries a lingering question: what does it mean to continue making films? Through unfamiliar territories, filmmaking transcends documentation to become an act of presence and an attempt to rediscover meaning. The result is a meditation on cinema itself—its persistence, solitude, and transformative power over the everyday.

A man in his thirties does not want to be like his father, but that seems to be unavoidable.

This is a film that finally approaches our moral meanderings with a true vision. Julio Cesar is a beautiful character who undertakes his life without major worries, even though his life is clearly astray. He simply stumbles along finding his way as the road unravels. Such as life truly is in this part (and many others) of the world, when numerous reasons lead one to put aside moral concerns when a quick opportunity may lead to some personal advantage.

Are we what others see, or are we what we allow others to see? Most likely it is the view of others which delimits our own identity, as a young divorced mother named Julieta convinces herself. This evening is like any other: her two young sons are roughhousing in their cramped apartment. They whoop and shout while their mother makes desperately futile attempts at the computer to concentrate on writing a report for work. Feeling intense pressure, Julieta tries to quiet the conflict but finds it difficult without a partner to help. The tense situation changes unexpectedly when her two-year-old falls and hurts himself. In this story of a mother suspected of hurting her own child, the movie investigates themes of motherhood, guilt, duty, the role of men and women, fathers and mothers

During the first half of the 19th century, in a vast and desolated land fallen into anarchy, several armed groups drift along the infinite Pampas demanding support and food from the peasants. Even if they are bitter rivals, they all claim to pledge allegiance to the “movimiento”. Among these gangs is one led by Señor, an educated man who, with two of his followers, intends to found a peaceful new order. But while his enchanting words and manners seem appealing, his methods reveal an unstoppable thirst for power.

Angel decides to return to his hometown. In an inn on the route meets Dora, and they engage in conversation, but their relationship did not end there. Once installed in the same city, Angel gets a job as a taxi driver will take you to reconnect with Dora. The attraction they both feel continues, even though Angel discovers that Dora is the wife of his boss, a former police officer made ​​in the street, given to sudden outbursts of violence. .

They are both alone. They need each other but, at the same time, they despise each other. Siblings Marcos and Susana are unable to heal the old wounds festering within them after the death of their mother. When Susana sells their mother's flat, she deprives her brother of the home where he had cared for their mother his whole life. Marcos's need to start living again surfaces when his sister forces him to leave Buenos Aires for Uruguay.