Shūji Sano

In postwar Tokyo, Noriko lives with her extended family. Although she enjoys her career and her social life, her more traditional family worries about her single marital status at the advanced age of 28. 40-year-old business associate Takako proposes, Noriko's family press her into accepting, but when her widowed childhood friend Kenkichi returns to the neighborhood, she finds her heart leading in another direction.

Natsuko’s daughter Saori is born blind in 1941, just before her father is drafted. Despite an attempted surgery and years of struggle, her condition proves permanent. Growing up, she faces stigma and danger but eventually finds hope and love with a fellow blind student.

In order to pay back Mrs. Kajiki for her good deed in the past, Hatsu moves from her village in Akita to Tokyo to start working as a maid for her family. She grows close to their youngest son Katsumi, experiencing things that will change her view on life.

Tokiko patiently awaits her husband's return from WWII when her four-year old son falls ill. She takes him to the doctor but has no means of paying, so she resorts to prostitution. A month later, her husband returns to find his desperate wife, who tells him the truth. Together, they must deal with the consequences.

Shuhei Horikawa, a poor schoolteacher, struggles to raise his son Ryohei by himself, despite neither money nor prospects.

An older sister and brother (Mieko Takamine and Masayoshi Otsuka) come to visit their grandfather (Takeshi Sakamoto) who lives deep in the mountains. As for their parents, father was serving in the South Seas and mother died of illness on her way home. So, the brother, who is still young, will live alone with his grandfather whilst the sister goes away to study to become a teacher.

Film about the life of a bitter female reporter with a pure heart.

A nurse's tale of self-sacrifice during wartime. The title is borrowed from a patriotic song made popular by singer Hamako Watanabe during the Second Sino-Japanese War.

No synopsis available yet.

It chronicles the experiences of a neighbourhood doctor, whose taste for tonkatsu (a popular Japanese dish, similar to a pork schnitzel) earns him the nickname ‘the pork cutlet prince’ (‘Tonkatsu Taisho’, the film’s Japanese title) from the affectionate residents of the tenement in which he lives. When a local hospital, run by a female doctor, plans to expand, the future of the tenement is called into question.

Five years after the end of the Second World War, Reikichi, a repatriated veteran, translates love letters for Japanese women to American GIs, while searching for his lost love, Michiko.

No synopsis available yet.

Yuki is a young, single mother supporting herself and her son, Haru, with a job as a bar hostess.

An uplifting drama about the bond between a group of high school seniors and their kind-hearted teacher, Mr. Yabuki. Faced with the rigors of growing up in modern times, students often look to Mr. Yabuki for advice and guidance. But when Mr. Yabuki’s career is threatened as a result of a false accusation from the school’s PTA, the students band together to stand up for their beloved teacher and help him to save his good reputation and job.

In the movies of those times, you can see young boys in the company scene often. Those boys were called kyuji (給仕), which means “waiter” literally. They are doing odd jobs in the company including serving tea, ushering visitors, buying tobacco, etc. Ordering lunch for the individual requests was also an important job. Those boys were hired often as soon as they graduated from elementary school.

Though plagued by ill health all his life, a young Japanese man is obligated to fulfill his family's longstanding military tradition.

A film about the construction of the Kasumigaseki Building, the first high-rise building in Japan.

Kitagawa is an engineer charged with construction of a gigantic tunnel through the Japan Alps for the transportation of equipment in the building of the massive Kurobe Dam. The tunnel crosses an earthquake fault and Kitagawa is beleaguered not only by cave-ins and flooding, but by strife between management and the workers's union. Adding to Kitagawa's stress is the knowledge that as his attention is pulled inexorably toward the tunnel construction, his youngest daughter is dying from leukemia.

Also known as Crazy Uproar.

Three men fall in love with the same young girl who works in a tonkatsu restaurant in the Shitamachi district of Tokyo.

Pretty Oshige is deceived by her first love. After this, she lives a hard lifestyle, working at a number of jobs. Her only pleasure is her nephew, who eventually becomes a merchant marine. When Oshige meets her old love ten years later, she is able to forgive him and even thank him for the path her life has taken.

Fumiko and Ryōtarō Namiki's marriage has gone stale, with both constantly arguing over what to do on a day off, or about her cutting out recipes from the newspaper before he finishes reading it. Their animosities are witnessed by Fumiko's niece Ayako, who visits to complain about her own husband's inattentiveness, and their new neighbours, the Imasatos.

Alongside Tokyo's Sumida River is a ragpickers' settlement known as Ant Village. One night, a young Catholic girl, Satoko Kitahara, who has been baptized under the name of Maria, comes to offer her services. However, Ant Village is not just an ordinary vagrants' community but a fine autonomous organization, and as the municipal authorities have long been demanding that the people of Ant Village leave the site, Satoko is utilized to publicize the Village and win public sympathy. While being utilized in this manner, Satoko is nevertheless glad to be able to help the people of Ant Village, especially the children, and when the summer vacation comes she decides to take the children on an excursion to Hakone. To raise funds for this purpose she becomes a rag-picker herself.

Mokichi Asai is a widowed father living in Nara with three daughters—Chizuru, Ayako, and Setsuko. The youngest, Setsuko, plays matchmaker for her older sisters, leading to humorous and awkward romantic entanglements.