Benjamín Cann

A female doctor uses the body of a young playboy to insert him the brain of his teacher, an eminent physician who she loves, in order to perpetuate his life. But something goes wrong and this broken Jesus with superhuman strength escapes and hides to avoid showing his deformity. Disguised with a wrestler's mask and cape, circumstances lead him to undertake a heroic journey.

No synopsis available yet.

In the middle of a city facing a new century, a group of friends between the ages of 15 and 18 live out the adventures, deceptions and anxiety of "The First Night."

Dalia and Daniel are a couple running away from the noise, the pollution and the social prejudice, so they take shelter at an isolated farmhouse, which used to belong to Daniel's father. There they are, in full intimacy with each other, only with nature and their own memories. However, the monotony and the loneliness gradually deteriorates their relationship.

Mexican feature film

A novelist cannot create new and original stories, his wife suggests that he go out and write about the people he sees as he passes by.

A female doctor uses the body of a young playboy to insert him the brain of his teacher, an eminent physician who she loves, in order to perpetuate his life. But something goes wrong and this broken Jesus with superhuman strength escapes and hides to avoid showing his deformity. Disguised with a wrestler's mask and cape, circumstances lead him to undertake a heroic journey.

A female doctor uses the body of a young playboy to insert him the brain of his teacher, an eminent physician who she loves, in order to perpetuate his life. But something goes wrong and this broken Jesus with superhuman strength escapes and hides to avoid showing his deformity. Disguised with a wrestler's mask and cape, circumstances lead him to undertake a heroic journey.

No synopsis available yet.

In the middle of a city facing a new century, a group of friends between the ages of 15 and 18 live out the adventures, deceptions and anxiety of "The First Night."

Dalia and Daniel are a couple running away from the noise, the pollution and the social prejudice, so they take shelter at an isolated farmhouse, which used to belong to Daniel's father. There they are, in full intimacy with each other, only with nature and their own memories. However, the monotony and the loneliness gradually deteriorates their relationship.

Dalia and Daniel are a couple running away from the noise, the pollution and the social prejudice, so they take shelter at an isolated farmhouse, which used to belong to Daniel's father. There they are, in full intimacy with each other, only with nature and their own memories. However, the monotony and the loneliness gradually deteriorates their relationship.

Mexican feature film

A novelist cannot create new and original stories, his wife suggests that he go out and write about the people he sees as he passes by.

Mexican feature film

Mexican feature film

Four women get mad at a bakery while they recall their lives at their neighborhood.

Four women get mad at a bakery while they recall their lives at their neighborhood.

A view of the end-of-the-century Mexican family. A father who comes back home after a long absence, but who would rather be somewhere else. A daughter suffering from a trapped pain. A son full of guilt and recriminations. A little kid who soaks up all the tension in the house, like a sponge, and a self-effacing mother who would like to go away and leave everything behind.

Opera in three acts, a prologue and an epilogue, by Jacques Offenbach (1819-1880), with a libretto in French by Jules Barbier (1825-1901), based on a work that Barbier himself and Michel Carré (1821-1872) had written based on stories by E.T.A. Hoffmann (1776-1822). Approximate duration: 2 h 45 min Recommended for those over 15 years old. The young poet Hoffmann, accompanied by Nicklausse, his alter ego and confidant, is in a tavern next to the theatre where Mozart's Don Giovanni is being performed. During the opera's intermission, some diners arrive at the bar who, upon seeing the poet, encourage him to sing and tell them the story of his famous love affairs. Hoffmann finally gives in and shares with them the stories of Olympia, Antonia and Giulietta. They, absorbed in the poet's stories, remain in the tavern, forgetting about the opera performance.

A dull man is obsessed with a woman who, fed up with him, decides to end their affair. Meanwhile, his wife struggles with the decision to divorce. In his desperation, he seeks solace from a friend, who harbors resentment over the wife's preference for the man. This friend ultimately confronts him with the harsh reality of his life.