Tim Loane

John Canyon is one of the last independent space transport entrepreneurs. Rough times force him to carry suspicious cargo to Earth without questions being asked. During the flight the cargo turns out to be a multitude of unstoppable killer robots.

Michael Lynch is a notorious criminal with two wives and a flair for showmanship. He's also a huge embarrassment to the local police, who are determined to bring him down once and for all.

The film tells the story of two boys who become friends at the start of the Troubles in 1970. The boys share an obsession with Butch Cassidy and the Sundance Kid, with the consequence that they run away to Australia.

High school student tries to improve soccer skills by practicing dance and falls for his dance partner.

A former Irish Republican Army fighter, Gingy McAnally (Anthony Brophy), is reluctant about being called back into service after serving time in prison. He executes the grisly task but ends up captured by a sympathetic British police lieutenant named Ferris (Cary Elwes). The intimidating Chief Inspector of the Belfast Police (Timothy Dalton) convinces Gingy that his best hope is to become an informant and turn in other IRA operatives. As Gingy's marriage unravels under the stress, he is forced to come to terms with the fact that in this war both sides lose. Three men, three political circles, each fighting for their lives, each with their own agenda in the battle for Northern Ireland.

A sleazy chef is forced to face the truth about the man he has become and realizes that he has the chance to begin again.

Conn, a member of the IRA and a former hunger striker, is serving a life sentence for murder. During peace talks, he is released on a 24-hour parole and uses the time to search for his girlfriend Leyla’s killer. He finds only lies and intrigue surrounding her death, and he begins to realize that his lover was not what she seemed.

Flying Saucer Rock 'n' Roll, is a 12 minute spoof of a 1950s black and white science fiction B-movie. It was first released in 1997 and starred Ardal O'Hanlon. It was written by Mik Duffy and its director Enda Hughes. The title is taken from the 1957 Rockabilly novelty hit record "Flyin' Saucers Rock 'n' Roll" by Billy Lee Riley and His Little Green Men. O'Hanlan's "rendition" of the song, is performed by producer Michael Hughes.

Rosie Williams is haunted by the murder of her husband 12 years previously. Her teenage son John is heading for a life of delinquency fuelled by revenge. Then, he meets Billy McVea, who runs a boxing gym, affecting all their lives.

Belfast, Christmas 1999. A poor, badly dressed woman is half walking, half stumbling down the road. She is tearful and her behaviour is so disturbed that passers-by look furtively at her before hurrying on. Her walk is purposeful though. She is hurrying to go somewhere specific. She stumbles towards a church that is lit up. As she approaches it we see a sign outside announcing "SERVICE FOR PEACE Belfast Christmas together. All Denominations, 8pm"

Giuseppe Conlon and his son Gerry are convicted of an IRA bombing as part of the Maguire Seven in 1976. Giuseppe diligently writes his wife Sarah as she works to free her family members from prison.

A chilling depiction of a series of violent killings during the Troubles in Northern Ireland.

RUC detective Simon Gabby is consumed by guilt after he fails to act decisively in a moment of terror. As the pressure on him builds, Gabby gradually loses control of his life

Josephine puts the finishing touches to her cake - commissioned by the Orange Order for the Twelfth of July celebrations - but things go awry when she attempts to deliver it.

Young medical professional couple set out to prove that gender is not a factor in the ability to do a job well. Hilarity ensues as they swap jobs, clothes, and gender, in order to see what life is like from a different perspective.

Lexie is a single parent father of a young girl. One day, coming home from work, he is told by her that she wants to be am Irish River Dancer. He refuses, replying laconically, 'We don't dance'. With time, her fascination grows and he begrudgingly becomes accepting of her passion, helping her out with an instructional video and then a costume. She enters a contest, and he enthusiastically applauds her performance. In the final scene, she teaches him a few steps as they move together along the shore.